Finally getting around to watching LORDS OF DOGTOWN was a good enough reason to do this series. I remember at the time it got a pretty tepid reception. People were still high on Stacy Peralta’s documentary about the same subject, DOGTOWN AND Z-BOYS (2001), and didn’t need to see it re-enacted. I get it – when I saw the trailer for Benny Safdie’s THE SMASHING MACHINE I couldn’t understand the point of (from the looks of it) just trying to re-enact footage from the documentary by John Hyams. Why not use the power of cinema to create a perspective of these events that does not already exist on film?
But that’s the thing, that’s what director Catherine Hardwicke and screenwriter Peralta do here with the story of Peralta’s circa 1975 Santa Monica surfer buddies becoming an early influential skateboard team and changing the world. The story centers around cheerful Stacy (John Robinson, ELEPHANT), angry Jay Adams (Emile Hirsch, THE DANGEROUS LIVES OF ALTAR BOYS), incredibly talented Tony Alva (Victor Rasuk, RAISING VICTOR VARGAS), and their rich kid friend Sid (Michael Angarano, BABY HUEY’S GREAT EASTER ADVENTURE), who can’t skate as well because of inner ear issues, but he’s still their homie. (read the rest of this shit…)
Raimi started work on SPIDER-MAN 2 immediately after the first one, and had it ready to go two summers later. Since it really is about following up on the events of the first film, it starts by running the credits over some of them, as depicted in paintings by Alex Ross. (He’s celebrated for his realistic portraits of comic book super heroes, which are more impressive when they come from his imagination and not photography we’ve already seen, but still, it was cool that they got him). The end of the sequence reminds us that in SPIDER-MAN Peter chose not to be with Mary Jane, who he loves, so that he could be Spider-Man.
Which does not seem to be working out great so far. The painting of Mary Jane dissolves into a closeup of her face on a perfume billboard that Peter has to walk under every day, reminding him of his pain. Though he tries to hide it, it’s clear his world crumbles when she is not near. He’s in college now, and living on his own in a small apartment. Much like part 1’s opening about all the ways Peter can be humiliated on the way to school, this one piles it on real thick about what a shit sandwich life still hands to him every day. (read the rest of this shit…)
BECKY (2020) is a pretty quick and simple thriller with a promising hook: neo-Nazi escaped convicts invade a vacation home looking for a valuable item, and it’s up to a 13-year old girl to improvise enough weapons to seriously fuck them up. Gritty HOME ALONE, I guess. It somewhat delivers on the premise, mostly in the area of (as the rating says) “grisly images and strong bloody violence.”
Becky (Lulu Wilson, OUIJA: ORIGIN OF EVIL) is an extremely pouty youngster who is not on good speaking terms with her dad (Joel McHale, DELIVER US FROM EVIL, MORTAL KOMBAT LEGENDS: SCORPION’S REVENGE) as they drive to the lakeside cabin together. We learn that she’s having trouble dealing with the death of her mother a year ago; conveniently the “nostalgically watching old home movies to mourn a deceased family member” storytelling device can now be done with handheld electronics. (read the rest of this shit…)
Other than my long-held above average Ms. Pac-Man skills, I cannot claim to be a gamer. I have very little experience playing the video game Mortal Kombat, so I mostly know it as the one they play on acid in Larry Clark’s BULLY. But I’m only human; I have the same weakness for mystical fighting tournaments, magic ninjas, monster violence and spines being pulled out as anybody, button-masher or otherwise. So I’m always open to checking out any cinematic developments related to the Mortal Kombat intellektual property, and that’s good because the recent DTV animated feature MORTAL KOMBAT LEGENDS: SCORPION’S REVENGE is one of the franchise’s best konkoktions to date.
Although I kind of enjoy the silly PG-13 live action movies MORTAL KOMBAT and even MORTAL KOMBAT: ANNIHILATION, I appreciate that this cartoon is super-duper hard-as-fuck R strictly for violence. No boobs, don’t remember the cursing, a few references to balls (because Sonya Blade repeatedly crunches Johnny Cage’s), but the rating is for tons and tons of bloody, reprehensible bodily deconstruction. Pretty frequent finishings and fatalities and flawless victories in this one. (read the rest of this shit…)
“You! Guy possessed by a demon! You’re comin with me, pal!”
DELIVER US FROM EVIL takes place in a horror movie Bronx. It’s all gloomy cinematography of wet streets at night, filthy, decrepit apartments, an ancient Latin invocation carved into walls or flesh. A malevolent demon monster or whatever is spookifying the place, so wherever our hero goes the power cuts out or the light bulbs burn out or they flicker like a strobelight (sometimes for an entire knife fight scene).
Also I think the filmatists are trying to play off of our primal fear of animals, so the Iraq War prologue features tarantulas, a snake and a bat. Another early scene involves a zoo with the animals loose (and lights out, of course) and the heroes get chased by a bunch of lions. Later a major piece of evidence is a security camera tape of a dude talking to a lion. And you got your usual cat scares like in all movies and also a crucified kitten and if you saw the trailer you’ll remember the scene of the hero’s daughter in bed at night getting spooked by her weird hooting owl doll. Sadly that James-Wan-esque scene climaxes with a jack-in-the-box with blood on its face. The ol’ evil clown standby. Boo.
“At last we will reveal ourselves to the Jedi.”
Patrolling this world we have macho NYPD Sergeant Ralph Sarchie (Eric Bana). He was raised Catholic, sure, but doesn’t believe in all that mumbo jumbo, etc. He’s renowned by his colleagues for catching a child killer with the first draft name “Marvin the Molester” and punching his face to death. He works too much his wife is pregnant she never sees him when he is home it’s like he’s not even there she never knows if she’s gonna get that call in the middle of the night he missed his daughter’s birthday she cried herself to sleep, all that. But somehow every case he gets connects to this weird supernatural thing with a mysterious guy who walks around acting scary with his Darth Maul hoodie up at all times even though he’s never in the numerous scenes where it’s pouring rain.
Sarchie also has a wiseass partner with seven deadly sins themed tattoos who carries two big knives that he uses to fight suspects instead of guns which in my opinion is not regulation. He’s played by Joel McHale from Community and the local Seattle sketch show that Bill Nye the Science Guy started on, Almost Live!. I know from an interview with director/co-writer Scott Derrickson that McHale has been his best friend for years and supposedly this character is more like the real him than anything he’s ever played. Apparently he really is obsessed with knives and maybe even wears a backwards baseball hat and sleeveless shirts all the time. Still, I had a hard time accepting the funny asshole guy from TV as this David Ayer type character, even when he tried to do an accent.
But he does wear an Alice in Chains t-shirt out of hometown pride so that’s good I think. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Gary Jive on Fatal Deviation: “@The Cosh – I was at the GFT too! Yeah, the movie pretty much sucked but it was an interesting…” Apr 29, 07:27
Martijn on Fatal Deviation: “If you’re looking into first martial arts movies made in… an interesting one might be the Dutch film Fighting Fish…” Apr 28, 23:24
Adam C aka TaumpyTearrs on Fatal Deviation: “Seconding the love for 1900HOTDOG.com and the Dogg Zone podcast. They also did an episode about Trancers 2 right around…” Apr 28, 23:01
Adam C aka TaumpyTearrs on Redline (2009): “I am genuinely jealous you got to experience this on the big screen, the speed and fluidity of the animation…” Apr 28, 21:51
Hammer Time on Fatal Deviation: “Holy crap. You got chocolate in my peanut butter! You got peanut butter in my chocolate. Okay, so Cracked (name-checked…” Apr 28, 21:10
The Cosh on Fatal Deviation: “@Gary I actually saw that at the GFT. The only thing I remember about it was being surprised how young…” Apr 28, 16:26
Gary Jive on Fatal Deviation: “I once worked on The Purifiers – a Scottish kung fu movie. It was basically The Warriors in a futuristic…” Apr 28, 14:04
Stephen on Fatal Deviation: “Vern, I’m here for the Moving Target review if you ever end up doing one. Still feels surreal that Roger…” Apr 28, 14:04
Uncle-Imshi on Fatal Deviation: “This was mocked ruthlessly by the few people here in Ireland who knew of its existence. Classic begrudgery. I’m delighted…” Apr 28, 10:57
CJ Holden on Fatal Deviation: “Okay, Boyzone were NOT a rockband. They were a boygroup, but one of those that tried to pass as a…” Apr 28, 08:25
Schmoe Gunn on Bullet to the Head: “This one is uneven, but all the ingredients are strong flavors and they go well together. All the characters are…” Apr 27, 15:49
pegsman on The Getaway (1972): “As usual I’m late to the party (but I had to read everything just to see if anyone took a…” Apr 26, 22:57
Ben on They Will Kill You: “I think the big strength this has over say kill Bill is that kill Bill always felt like a homage…” Apr 26, 17:28
Rawbeard on Normal: “I’ve not seen Normal but I also want to recommend Free Fire by Ben Wheatley if you haven’t seen it…” Apr 26, 14:59
Curt on The Getaway (1972): “I completely agree about the 1970s being an interesting era for all those reasons. It’s the “I only like chocolate…” Apr 26, 10:27