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Posts Tagged ‘Gary Cole’

The Gift (2000)

Tuesday, January 25th, 2022

The year was 2000. For the the third year in a row, Sam Raimi released a “this is the more serious Sam Raimi” type of movie. Though it combines a thriller story with southern gothic atmosphere and some supernatural elements, it’s his only movie to date that seems in a similar mode to A SIMPLE PLAN. And the script is by that film’s co-star Billy Bob Thornton, along with his long time writing partner Tom Epperson. The two had broken through as writers with ONE FALSE MOVE (starring Bill Paxton), followed by the lesser known A FAMILY THING and DON’T LOOK BACK. On the DVD extras for THE GIFT, star Cate Blanchett says that Thornton told her about the script while they were filming PUSHING TIN together. If it was his idea to cast her in the lead, good idea, Billy Bob.

Blanchett (not long after her first Oscar nomination for ELIZABETH) plays Annie Wilson, a widow raising three boys in a small town in Georgia. The titular gift is her clairvoyance, inherited from her grandmother (Rosemary Harris, UNCLE VANYA), which she uses to make a living, seeing clients in her home. She’s very helpful and beloved by most of the town, though treated with suspicion and superstition by a few assholes. (read the rest of this shit…)

A Simple Plan

Thursday, January 20th, 2022

“You work for the American dream. You don’t steal it.”
“This is even better.”

A SIMPLE PLAN is the first Sam Raimi movie not to be easily recognizable as a Sam Raimi movie. It even has a Danny Elfman score that’s not recognizable as a Danny Elfman score. It’s a grim, uncomfortable neo-noir, stylistically subdued, what little humor it has dry enough that it likely doesn’t register with everybody. If anything, it seems most akin to BLOOD SIMPLE by Raimi’s former roommates/CRIMEWAVE co-writers/DARKMAN cameo-ers the Coen Brothers, transplanted to a snowy Minnesota environment more like FARGO.

Like THE QUICK AND THE DEAD it was a for-hire project, but this time he didn’t want it to feel like any of his other movies. He and cinematographer Alar Kivilo (THE LOOKOUT) agreed that the camerawork should be simple, “invisible,” basically the opposite of what everyone loves about his earlier films. I don’t advocate doing that all the time, or even often, or honestly ever again, but here it definitely works for him. (read the rest of this shit…)

Vern Revvs Up For TALLADEGA NIGHTS THE BALLAD OF RICKY BOBBY !!

Wednesday, August 2nd, 2006

Merrick here…

Here’s the inimitable Vern with a look at TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY – a film I really, really enjoyed (the racing sequences were surprisingly well done, too!)

What does Vern think? Read on…

I don’t usually review these “comedy” type movies for you guys but I felt like maybe I should do this one just to show some of my talkback pals that I do know how to laugh and have a good time, etc. I think last time I reviewed a comedy for you guys it was the fucking WEDDING CRASHERS movie and I caught some hell in the talkbacks for saying that it was “something your friend’s girlfriend who you hate would claim is really good.” Of course, America is in a vulnerable state right now so she quickly fell in love with the movie and they are still happily married. So I was very wrong when I said nobody would remember it two weeks after it came out on video. Even I still remember the movie and how much you motherfuckers are crazy for thinking it’s good. (read the rest of this shit…)