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Archive for the ‘Comedy/Laffs’ Category

Basket Case 3

Wednesday, November 12th, 2025

BASKET CASE 3 (advertised with the subtitle THE PROGENY, but that’s not on the actual credits) came a year after part 2 and continues in a similar vein. Once again, they knew exactly which “previously on” footage would make an incredible opening (Belial doggystyling Eve).

We’re still at Grannie Ruth’s place. She re-separated the twins after Duane’s little self-surgery, and luckily she has a padded cell and straitjacket for him. (Where does she get the money for this stuff? Is she eligible for grants?) Duane has been spaced out for months, giving Grannie an excuse to straight up tell him/us what’s going on now: Belial has gotten Eve pregnant, and “no one’s exactly sure what will come out of her,” so they’re all getting on a school bus for a road trip to  Georgia, because some guy named Uncle Hal (Dan Biggers, MIDNIGHT IN THE GARDEN OF GOOD AND EVIL) is “the only doctor I’d trust with a delicate case like this.” (read the rest of this shit…)

Basket Case 2

Tuesday, November 11th, 2025

You know from the jump that BASKET CASE 2 (1990) is gonna have a little more money behind it than the first one, because it has both Troma and Shapiro Glickenhaus credits. That’s power right there.  For those just joining it starts with footage from the end of part 1, with poor Duane and his murderous, surgically separated lump brother Belial hanging off a hotel sign, falling and splattering in front of screaming New Yorkers. We also get a news report from Times Square, describing Belial as “a small, grotesque monstrosity” and a “small, twisted deformity whose most startling feature is an unnervingly human face” and a “strange little being” that “might actually be human.”

An old lady, Grannie Ruth (Annie Ross, PUMP UP THE VOLUME), and her adult granddaughter Susan (Heather Rattray, “White House Press Conference Reporter [uncredited],” DEEP IMPACT) flip through the channels watching all the coverage, and seem to know who the Bradleys are, and they head to the hospital to free them. By that time though the boys have already escaped on their own and added to their crime spree. (Henenlotter pulls a HALLOWEEN II by having hospital staff hitting on each other before becoming victims.)


(read the rest of this shit…)

One Battle After Another

Tuesday, October 14th, 2025

(there will be spoilers)

I was pretty sure I’d like Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER, but I was surprised to walk out feeling it was the movie of the year. That’s not only because it speaks so deeply to our exact moment of political insanity, but because it’s such an exhilarating viewing experience – confident, masterful filmmaking, very effective as a thriller, but also extremely funny, absurd and original. It’s possibly Anderson’s most traditionally entertaining movie but it doesn’t feel in any way watered down or compromised.

I saw it in bona fide IMAX, where its Vista Vision format fills the entire screen, so the anxiety-inducing score by Johnny Greenwood rumbles in your jaw as you stare at a scraggly, sweaty, 37-foot-tall Leonardo DiCaprio face fretting and scowling. Then sometimes it switches to a taller version of a Sergio-Leone-type-shot where two tiny characters stand apart on opposite sides of the screen. That’s the full range of cinema right there.

The credits say this was inspired by (not adapted from) the book Vineland by Thomas Pynchon. I was surprised when I learned that character names like Perfidia Beverly Hills, Virgil Throckmorton and Junglepussy didn’t come from the book. These little heightened details spike a mostly naturalistic feeling world with exaggeration and draw attention to the authentic ridiculousness of our world. Sometimes that feels more real than if it was realistic. (read the rest of this shit…)

Villains

Thursday, October 9th, 2025

VILLAINS is a 2019 indie movie I’ve wondered about for a while. It uses the reliable formula “somebody tries to rob a house and discovers a horrific thing going on there.” Other ones that come to mind are THE COLLECTOR, LIVID and DON’T BREATHE. This is a much jokier take on the format than any of those, more of a dark comedy than anything, but I’d say it’s at least horror adjacent. There are maniacs doing something crazy, it takes death seriously, it stars two perhaps underrecognized greats of contemporary horror… yeah, I’ll count it as horror.

It’s about a couple of addled deadbeats named Mickey (Pennywise/Orlok/The Crow himself Bill Skarsgård) and Jules (Maika Monroe, THE GUEST, IT FOLLOWS, WATCHER, LONGLEGS) who clumsily rob their last gas station, intending to use the money to move to Florida and start a new life selling seashells. Trouble is they run out of gas on a remote, wooded road. They are not criminal masterminds.

On foot they find a large, isolated house where no one seems to be home. They break in, hoping to steal the car in the garage or come up with some other escape plan. But they face a moral dilemma when they find a young silent girl (Blake Baumgartner, MADELINE’S MADELINE) chained up in the dark basement. (read the rest of this shit…)

Hell of a Summer / Clown in a Cornfield

Monday, October 6th, 2025

HELL OF A SUMMER (2023) is a horror comedy playing off of the format of FRIDAY THE 13TH and other summer camp slashers. It’s not like a Jason movie, it’s based on the whodunit slasher model that was popular in the late ’90s, but that puts it in line with the first FRIDAY THE 13TH and SLEEPAWAY CAMP movies, so I’ll allow it. Anyway I have an interest in the topic, so I decided to see it even though it’s written and directed by two of the kids from GHOSTBUSTERS: AFTERLIFE. Nothing against Billy Bryk and Finn Wolfhard, but there were already two SCREAM movies before they were born, so the chances that their commentary on the genre was gonna offend my old school slasher sensibilities seemed high. I had to turn off THE FINAL GIRLS for horror nerd reasons and that’s a well regarded movie. I’m sensitive.

But I’m okay with this one. It’s pretty funny.

Like many of the FRIDAYs it’s about the counselors gathering and getting into some shit before any kids get there. We know from a fireside prologue that the owners of Camp Pineway, John (Adam Pally, ASSASSINATION OF A HIGH SCHOOL PRESIDENT) and Kathy (Rosebud Baker, TURNABOUT) will be permanently absent thanks to some psycho in a cheap devil mask. I like this intro because the couple have a really natural chemistry, making fun of and laughing with each other, really humanizing them in the brief time before they’re slasher fodder. Good adults in a slasher movie. It immediately gave me more faith in the youths behind the camera. (read the rest of this shit…)

Play Dirty

Thursday, October 2nd, 2025

Man, this new straight-to-Amazon-Prime movie PLAY DIRTY is some kind of monkey’s paw shit for me. It’s the great Shane Black (THE NICE GUYS) writing and directing for the first time in seven years, returning to crime movies for the first time in nine years, and it’s based on my favorite crime series ever, Richard Stark’s Parker books. The catch is that most of what I want from a Shane Black movie (such as the quippy dialogue) I definitely do not want in a Parker adaptation, and they originally had Robert Downey, Jr. cast in the role, which seemed like a problem. Could he really seem intimidating enough to be Parker, and more importantly would he even know how to shut the fuck up with his little smart ass comments? I didn’t think he would.

But I wish I could’ve found out, because Downey got replaced with Mark Wahlberg (PLANET OF THE APES), also a poor fit but in a less intriguing way. Downey is a totally different type than the character, while Wahlberg sorta aspires to being the right type, he just doesn’t have enough of it. I know people dislike him now due to past crimes, dumbass interviews and lowered quality standards, but I’m too old to entirely let go – I haven’t forgotten that exciting alchemy of the most uncool pop rapper of the ‘90s winning us over with a great performance in BOOGIE NIGHTS, nor have I forsaken THE BIG HIT, THREE KINGS, I HEART HUCKABEES, THE DEPARTED, THE OTHER GUYS, THE FIGHTER, etc. So it’s not Marky Markophobia when I say he doesn’t seem believably cunning enough, or intimidating enough. The other characters have to treat him as if he is, but I don’t quite buy it. I don’t feel it. I don’t feel the vibrations. (read the rest of this shit…)

Honey Don’t!

Tuesday, September 16th, 2025

HONEY DON’T! is Margaret Qualley lesbian crime comedy #2 from Ethan Coen and his wife/editor Tricia Cooke. When the first one, DRIVE-AWAY DOLLS came out last year we learned that 1) though only Coen is credited as director he considers it a directing team 2) don’t worry, she’s a lesbian (they have an unusual marriage) 3) they can make a really funny movie even if it’s not as slick as FARGO and shit.

It took me a couple weeks to get to this one, and the reviews I saw were dire, but I figured I’d still get some laughs from it. Instead I came out honestly confused what those people were talking about. It’s not just not as bad as they say, it’s straight up a good movie. To my surprise it’s more serious than the last one, still funny and absurd but an actual neo-noir/pulp/crime type deal, like a detective novel my cool building manager two apartments ago would’ve left in the free book box in the laundry room. It has fewer big laughs than DOLLS, but by design, and I think it’s much better directed – nicer looking, more seamless in its storytelling, more interesting balance of tone. I’d have to guess that what people are rejecting is not some messiness or failure but just the shaggy quality of this style of crime story where a bunch of stuff happens by accident or coincidence and nobody fully figures out what’s going on or achieves what they’re trying to (which is, of course, part of its world view and one of the main things that’s fun about it). (read the rest of this shit…)

The Toxic Avenger (remake)

Tuesday, September 9th, 2025

Man, a Hollywood remake of THE TOXIC AVENGER has almost happened a million times since, what, the ‘90s? I always thought something like that would be funny or interesting or maybe even good. For a while they said it was gonna be for kids, a live action version of the cartoon Toxic Crusaders. Fifteen years ago it was gonna be from the director of HOT TUB TIME MACHINE with Arnold Schwarzenegger as the villain (but he did TERMINATOR GENISYS instead? I love you Arnold but you gotta get your priorities straight). Later it was gonna be the director of SAUSAGE PARTY, a movie I did not finish but I wondered if an animator would want to give us a goopy partly animated Toxie I thought that could be cool. But it became more promising when Macon Blair, the star of Jeremy Saulnier’s MURDER PARTY and BLUE RUIN, and director of I DON’T FEEL AT HOME IN THIS WORLD ANYMORE, signed on to write and direct. That was in 2019, so that’s how many years I’ve been waiting just for this version. One of my friends saw it at Fantastic Fest two years ago and raved about it, but it went without a distributor until finally the TERRIFIER people Cineverse picked it up. These things take time I guess.

It’s hard to live up to all that, but I still had a great time with Blair’s transmutation of my questionable childhood favorite. It has some of the spirit of what we love about the original, blended with a concoction of entirely new active ingredients. It’s not the same story or even the same character, Melvin Ferd. Instead Peter Dinklage (THE THICKET) plays Winston Gooze, who is also a janitor (this time at a sinister pharmaceutical company called Bi-Toxiphetamine Hydroxylate) but he’s a grown man whose wife died of cancer and now he struggles to make a connection with his teenage stepson Wade (Jacob Tremblay, THE PREDATOR). If I had been guessing what the TOXIC AVENGER remake would be about the entire time they were developing it I would’ve needed at least a couple more months to come up with that one. That may be the single most surprising change from the original: this one is sincere about some things. (read the rest of this shit…)

The 40 Year-Old Virgin (20th anniversary revisit)

Thursday, September 4th, 2025

August 19, 2005

I completely forgot that I reviewed THE 40 YEAR-OLD VIRGIN when it came out in 2005, but there it is. It’s not the kind of movie I normally review, but I thought it would be important to include in this series as the most influential comedy of the summer and as the opposite of WEDDING CRASHERS. That one was about smarmy well-paid pickup artists really falling in love while trying to just get laid via deception, this is about an awkward dork who works as a stocker at an electronics chain store and doesn’t own a car who has spent his life deliberately not trying to get down women’s pants, and the lie to the woman he’s falling for is just not telling her that he’s okay with not having sex yet because he’s scared he’ll do a bad job.

SUMMER 2005Steve Carell (last seen in BEWITCHED) plays Andy, friendly but socially awkward action figure collector whose life changes after his co-workers David (Paul Rudd, HALLOWEEN: THE CURSE OF MICHAEL MYERS), Jay (Romany Malco, URBAN MENACE, TICKER) and Cal (Seth Rogen, DONNIE DARKO) very reluctantly decide to invite him to fill a vacancy in their after-hours poker game in the store. He does such a bad job of joining in their locker room talk that they figure out he’s a virgin and make it their quest in life to help him change that. “From now on your dick is my dick. I’m getting you some pussy,” vows Jay. (read the rest of this shit…)

Nobody 2

Wednesday, August 20th, 2025

I think NOBODY (2021) is a minor action classic of the 2020s, and honestly kind of a miracle in how well it accomplished its task of turning the most unlikely actor – Bob Odenkirk, “Concert Nerd,” WAYNE’S WORLD 2 – into a credible action star. It’s a good enough story and gimmick that he might’ve gotten away with okay action scenes, but he trained like a motherfucker to do actual great ones. The only former SNL writer or DR. DOLITTLE 2 voice actor to do so to date. There’s nothing quite like it.

NOBODY 2 is merely a fun sequel to that. But that’s okay.

It’s notable as the Hollywood debut of one of my favorite working directors, Timo THE NIGHT COMES FOR US Tjahjanto, and though it’s a for-hire work that can’t compete with the impact of his bloody Indonesian epics, it shows his sensibilities for hectic combat and imaginative gore fused with a genuine care for his characters. Crafted to zip by in 89 minutes means it lacks his usual scope, and there’s also none of his John Woo-esque melodrama. In fact it leans even a little more comedy than the first NOBODY, and maybe that tonal difference is why none of the action scenes thrilled me as much as the bus scene in the first one. But they’re good scenes, and grounded in simple story and character ideas that really work for me. (read the rest of this shit…)