"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Jack Haven’

Teenage Sex and Death at Camp Miasma

Thursday, August 27th, 2026

TEENAGE SEX AND DEATH AT CAMP MIASMA is the third movie from writer/director Jane Schoenbrun. I haven’t seen WE’RE ALL GOING TO THE WORLD’S FAIR (2021), but I did see I SAW THE TV GLOW (2024), which was released by A24 to great acclaim and adulation.

I confess I didn’t get that one. Didn’t even feel qualified to review it. I love its look, and I was impressed by its creation of a ‘90s tv show called The Pink Opaque that its characters are obsessed with. It’s like the show Videodrome would make in response to the popularity of Buffy the Vampire Slayer. But I struggled with watching Justice Smith, who was so charismatic on The Get Down, play such a charmless, passive lead. I’ve read that’s because it’s a trans allegory and the character is repressed, and that’s another thing: there is no way on earth that I would know this was a trans allegory without reading about it. It’s interesting to read about, and it’s a movie that means so much to so many (including plenty of cis people I know), but I simply can’t decode it. I can appreciate the vibes, but in that case it wasn’t enough.

CAMP MIASMA is another trans allegory, but it’s more on my frequency. Maybe some of the very specialized things it’s about are also more universal, or maybe it’s just that it’s funnier. But it sure doesn’t hurt that it’s about slasher movies. Up and coming young indie director Kris Williams (Hannah Einbinder, Hacks) has been hired to reboot a long-running, now moribund summer camp slasher series called CAMP MIASMA. The opening credits have a very detailed montage of franchise history, with 14 movies that mostly line up with the FRIDAY THE 13TH sequels, except there’s a Christmas one and an ARMY OF DARKNESS one and I think a HALLOWEEN 6 thorn cult reference. The most important inspiration, though, is SLEEPAWAY CAMP, with the killer’s psychosis attributed to being raised as both a boy and a girl. Kris says they hired her, a known lesbian, in a cynical attempt to launder the problematicness out of the i.p. (read the rest of this shit…)

Queens of the Dead

Wednesday, February 11th, 2026

QUEENS OF THE DEAD is a 2025 zombie comedy written and directed by Tina Romero. Yes, that Tina Romero. The one who was in LAND OF THE DEAD.

Oh shit, yeah — and also George Romero’s daughter. She’s continuing the family business in the sense that she made a movie and it’s zombies and it’s a diverse cast and it contains commentary about our times. But she’s got her own thing going stylistically and tonally – this is flashy, neon, and undeniably a comedy. It cares about its characters and the deaths can hurt, but laughs are the priority, scares are not.

Now, I don’t want this to sound wrong, but just for context I don’t really follow or get drag. I did recently enjoy THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT and I think that gave me some appreciation for the artistry and humor of it, but it’s not really a tradition I relate to I guess. So I have no clue how this plays to people who are closer to that world. I tried to sell a drag-savvy co-worker on it and he seemed skeptical.

But personally I was very impressed by the character credited as “ZombiQueen” (Julie J, whose IMDb “Known for” section includes Bang Bus and Street Blowjobs). She opens the movie strutting into a church, meticulously decked in gaudy rhinestones, giant blue hair, silver boots and nails, on a mission to pray to God because “after the day I’ve had I need a word with Her.” But her day gets worse. She gets a chunk of her shoulder (and costume) bit off by a zombified priest. (read the rest of this shit…)