Archive for the ‘Comedy/Laffs’ Category
Tuesday, November 7th, 2023
BABY ASSASSINS is a 2021 Japanese film that I really enjoyed on Hi-Yah! a while ago and it has a sequel coming out soon (it already played at Fantastic Fest), so I figured I better get off my ass and finish writing the review. This is a movie that has some really well-executed fighting and bloody violence, but it’s really not focused on action. It’s mostly a very dry comedy about the lives of two freshly-graduated-from-high-school roommates, Mahiro (Saori Izawa, stunt double in the last two RUROUNI KENSHINs and SNAKE EYES) and Chisato (Akari Takaishi, MY HAPPY MARRIAGE), whose “main job is killing.”
The movie opens in the back room of a convenience store, where Mahiro is badly interviewing for a job, which turns out to be an undercover mission to kill the manager. She shoots him and fights the rest of the staff on her way out, until Chisato shows up to help finish them off and joke about how annoying the manager was. Just a couple of friends getting through life together.
(read the rest of this shit…)
Tags: Akari Takaishi, Akitani Mone, Kensuke Sonomura, Masanori Mimoto, Saori Izawa, Satoshi Uekiya, Yasukaze Motomiya, Yugo Sakamoto
Posted in Reviews, Action, Comedy/Laffs | 1 Comment »
Monday, October 30th, 2023
I enjoy the work of director Jeremy Saulnier. He did the bleak, regular-dude-sloppily-getting-revenge movie BLUE RUIN in 2013, followed by the punks vs. bigots favorite GREEN ROOM in 2015, and then he kind of went off the radar because HOLD THE DARK (2018) only exists in the mists of Netflix, but I liked that one too.
Those three movies paint a certain picture of what kind of filmmaker Saulnier might be. They may have moments of humor, but they’re all very grim and dry, the emphasis on their unblinking look into the dark fringes of life, with a particular fascination for people not too cool to step into enormous fuck ups and messes that movie characters usually don’t. In BLUE RUIN, for example, the protagonist steals a gun to use in a murder, but it has a lock on it, so he tries to break it off with a rock, and breaks the gun. In HOLD THE DARK a guy shoots at cops from a barn with a high powered rifle and they just scurry around helplessly for several minutes until our protagonist gets a gun and takes careful aim… and then he can’t hit him either.
What I think is fairly unknown or forgotten about Saulnier is that his first film, a whole six years before the wide acclaim of BLUE RUIN, presents that view of life in the context of a straight-up horror comedy. (read the rest of this shit…)
Tags: Beau Sia, Bill Tangradi, Chris Sharp, Halloween, Jeremy Saulnier, Macon Blair, Paul Goldblatt, Stacy Rock
Posted in Reviews, Comedy/Laffs, Horror | 9 Comments »
Thursday, September 21st, 2023
Yesterday when I reviewed LOVE AND MONSTERS I mentioned how much I enjoy the work of screenwriter Brian Duffield (JANE GOT A GUN, THE BABYSITTER, UNDERWATER), but I strategically avoided mentioning his directorial debut that came out just two weeks before LOVE AND MONSTERS, because I wanted to save that topic for today. SPONTANEOUS (2020) is another one that combines young romance and coming-of-age with a genre premise, and has some accidental pandemic parallels. It’s more of a teen movie than a sci-fi one, but it’s R-rated for “bloody images throughout.” Adapted from a 2016 book by Aaron Starmer, it follows its witty, acerbic protagonist Mara (Katherine Langford, KNIVES OUT) as she navigates a senior year punctuated by dozens of her classmates randomly exploding.
“What? Like a bomb?” asks her best friend Tess (Hayley Law, Riverdale) after the first one, Katelyn Ogden.
“No. Like… a balloon?” (read the rest of this shit…)
Tags: Brian Duffield, Charlie Plummer, Hayley Law, Katherine Langford, Piper Perabo, Rob Huebel
Posted in Reviews, Comedy/Laffs, Romance, Science Fiction and Space Shit | 18 Comments »
Wednesday, September 20th, 2023
LOVE AND MONSTERS is pretty much what the title says – the story of a lovestruck young man in a world of monsters. It takes place in a post-apocalyptic California, after 95% of the world’s population of humans has died off and the survivors live in small colonies hiding from giant bugs and reptiles. The filmmakers are wise enough to know that explaining that too thoroughly is for assholes, so it gets brushed over in a couple minutes of introductory narration from our protagonist, Joel (Dylan O’Brien, AMERICAN ASSASSIN). Something about an asteroid that we shot with missiles but then the missiles rained chemicals down that mutated cold blooded creatures. The after effects are depicted in news footage, Joel’s drawings, plus some clippings, such as the front page newspaper story “WHITE HOUSE IN CRISIS: PRESIDENT KILLED BY GIANT MOTH.”
When the shit pops off in his home town of Fairfield, Joel is at the make out spot, just crawling into the back seat with his adorable girlfriend Aimee (Jessica Henwick, “Bugs” from THE MATRIX RESURRECTIONS). Tragic and also convenient for us to get a wide shot of the chaos. The two have to hurriedly say goodbye before Joel evacuates with his parents (Andrew Buchanan [DRIVE HARD] and Tandi Wright [PEARL]). The pain of teen romance cut short by a move (in this case due to monster attacks rather than starting college or a parent having a career change) is palpable. (read the rest of this shit…)
Tags: Andrew Buchanan, Ariana Greenblatt, Brian Duffield, Bruce Spence, Dan Ewing, Dylan O'Brien, Ellen Hollman, Jessica Henwick, Matthew Robinson, Melanie Zanetti, Michael Matthews, Michael Rooker, post-apocalypse, Tandi Wright, Tre Hale
Posted in Reviews, Comedy/Laffs, Monster, Science Fiction and Space Shit | 11 Comments »
Monday, September 18th, 2023
OPERATION FORTUNE: RUSE DE GUERRE is the first of two Guy Ritchie films released in 2023. They came out so close together because this one was delayed more than a year for reasons reportedly including the pandemic, the bad luck of featuring Ukrainian gangsters right when Ukraine was invaded, and restructuring of distributor STX. I swear I heard it was going straight to video at one point, but then it suddenly hit theaters pretty much out of the blue, with predictably poor response.
It’s another Ritchie-Statham collab (their fifth), but not a gangster movie. Instead it’s a light-hearted spy caper, not an all-out comedy, but very jokey. It’s got the usual spy stuff: planting trackers, facial recognition software, meeting with buyers, pulling people into vans. And their mission takes them into the world of the super-duper rich, on yachts, in mansions, private jets, charity parties, bodyguards, art collections, jewelry auctions. A team of crafty good guys have to earn the trust of billionaire arms dealer Greg Simmonds (Hugh Grant, CLOUD ATLAS) before he sells a dangerous device called The Handle. (read the rest of this shit…)
Tags: Aubrey Plaza, Bugzy Malone, Carey Elwes, Eddie Marsan, Guy Ritchie, Hugh Grant, Jason Statham, Josh Hartnett, Lourdes Faberes, Max Beesley, Peter Ferdinando, spy
Posted in Reviews, Action, Comedy/Laffs | 26 Comments »
Thursday, September 14th, 2023
(disclaimer: Netflix continues to suck and needs to stop holding the American movie industry hostage by clinging to a clearly unsustainable exploitation-based business model. Also they have some good movies on there.)
I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (2017) is a darkly comedic crime tale in a subgenre I would maybe describe as suburban pulp. A very ordinary, relatable protagonist falls victim to a very ordinary crime (burglary) and, compounded with the other indignities of her life (like some motherfucker always letting his dog shit on her lawn, even with a sign specifically saying not to do that), it pushes her past her usual timid boundaries into seeking some sense of justice. That gives her a peek into an underworld of corruption and depravity on the fringes of her town (filmed in and/or around Portland, Oregon). Nothing big time – just some rich assholes and some meth head weirdos, but certainly outside of her previous experience.
Melanie Lynskey (THE FRIGHTENERS) plays Ruth – single, depressed, put upon nursing assistant. The grimness of her existence is well summed up by the title as well as the first few minutes of the movie. It’s a series of illustrations of the overwhelming shittiness of modern living, most of them relatable, but also a pretty outrageous one where an elderly patient is watching cable news and growls just about the most obscenely racist thing you can imagine, then immediately dies. Later, her grieving son asks if there were any last words. (read the rest of this shit…)
Tags: Christine Woods, David Yow, Devon Graye, Elijah Wood, Gary Anthony Williams, Jane Levy, Lee Eddy, Macon Blair, Matt Orduna, Melanie Lynskey, Netflix, Portland, Robert Longstreet, Sundance Jury Prize
Posted in Reviews, Comedy/Laffs, Crime | 6 Comments »
Monday, September 11th, 2023
Not to brag but we all know the secret to my great success in this most respected artform of filmatic criticism is my appeal to the youths. You almost definitely can’t tell, it’s basically imperceptible to the human eye, but the individual pictured to the left here is not a cool young teen. He is in fact an adult man of age. But he wears a headband and passes for a youth. That’s pretty much what my reviews are like. Grown up, but ageless, vital, wearing a headband with a picture of a skull on it. Cool.
My timeless words and topics reach out even to generations that have largely abandoned the watching of movies, let alone the reading about them, in favor of other forms of expression such as short video clips of some jackass looking into their phone jabbering about some inane topic or other. I just get them and they get me so it’s not necessary, but just in case I’m gonna pander to that important demographic by offering this fun “back to school” themed review. If I know Gen-whichever-letter-we’re-on-now as well as I think I do those little dorks are gonna flip for my thoughts on Martha Coolidge’s PLAIN CLOTHES, an obscure 1988 bomb about a cop going undercover as a high school student to prove his brother didn’t murder his teacher.
Arliss Howard, in his mid-thirties and fresh off of FULL METAL JACKET, plays 24-year-old Seattle Police Department detective Nick Dunbar. He’s introduced undercover as an ice cream man while his partner Ed Malmburg (Seymour Cassel, HONEYMOON IN VEGAS), whose out-of-fashion mustache and suits signify a generation gap, is on lookout. Nick hates being around so many kids, but when he goes to complain about it to his captain (Reginald VelJohnson right before DIE HARD), who’s sipping from a “Trust Me I’m a Father” mug, is deeply offended and yells that it’s “goddamned unamerican” to not like kids. (read the rest of this shit…)
Tags: Abe Vigoda, Alexandra Powers, Arliss Howard, Dan Vining, Diane Ladd, George Wendt, Jackie Gayle, Loren Dean, Martha Coolidge, Max Perlich, Reginald VelJohnson, Robert Stack, Scott Frank, Seattle, Seymour Cassel, Suzy Amis, undercover
Posted in Reviews, Comedy/Laffs, Crime | 8 Comments »
Friday, September 1st, 2023
August 26, 1983
STRANGE BREW (on screen title: THE ADVENTURES OF BOB & DOUG McKENZIE: STRANGE BREW) is a silly lowbrow comedy that I loved when I was kid, and that holds up well from an adult perspective, though I probly don’t have a much deeper understanding of what specific Canadian observations and stereotypes the characters are playing off of. No problem. They’re still funny.
Rick Moranis and Dave Thomas direct, co-write and star as their SCTV characters Bob and Doug McKenzie, the winter hat and earmuff wearing, beer guzzling stars of the Canadian-themed talk show Great White North. In the opening scene they host their show and demonstrate the difference between TV format and movie format, then they introduce their DIY post-apocalypse epic THE MUTANTS OF 2051 A.D., a very funny fake-bad movie that coincidentally (?) has parallels to fellow Summer of Nub release SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE. Bob’s character even spots “a mutant in the forbidden zone” (played by Doug). (read the rest of this shit…)
Tags: Angus MacInnes, based on a sketch, Canada, Dave Thomas, Joel Silver, Lynne Griffin, Max von Sydow, Mel Blanc, Rick Moranis, SCTV, Steve De Jarnatt, William Shakespeare
Posted in Reviews, Comedy/Laffs | 21 Comments »
Friday, August 18th, 2023
I took my time writing about BARBIE, the smash hit pop culture phenomenon from director Greta Gerwig (LADY BIRD, LITTLE WOMEN) and Mattel Films (MONSTER HIGH, TEAM HOT WHEELS, MAX STEEL), so all the takes have pretty much been taken, and I’m sure everybody who hasn’t seen it has heard by now that many people love it. I’m another one of those people. I’ll try not to go on too long about it, but I want to pay my respects, and I promise some of the aspects I’m most interested in are not what most of the other reviews focus on.
In this time of Barbiemania I don’t need to go into detail about all of the movie’s joys, but indulge me on a few of them. First of all, I’m a sucker for a movie with this extreme of a dedication to creating a stylized, artificial world. It’s comparable to movies like POPEYE, SPEED RACER or BATMAN RETURNS in that respect. And what the hell, I’ll say THE FLINTSTONES too, though I want to stress that especially in that example I’m just talking about the heightened sets, props and costumes, not equating them in overall quality. (read the rest of this shit…)
Tags: Alexandra Shipp, America Ferrera, Ariana Greenblatt, Greta Gerwig, Helen Mirren, Issa Rae, Kate McKinnon, Margot Robbie, Mattel, Noah Baumbach, Ryan Gosling, Sharon Rooney, Simu Liu, Sylvester Stallone, Will Ferrell
Posted in Reviews, Comedy/Laffs | 37 Comments »
Wednesday, August 9th, 2023
August 12, 1983
I believe we’ve discussed once or twice in this series, and possibly in other contexts, that in 1977 there was this movie called “STAR WARS” that absolutely knocked pop culture on its ass, and the thing still hasn’t recovered. One of the biggest and longest lasting pop culture creations so far. More than a phenomenon. Practically a religion.
Would you care to guess what was #2 at the U.S. box office that year, and therefore also a big deal? It was SMOKEY AND THE BANDIT, the directorial debut of stuntman Hal Needham. Though I’m not aware of a disco version of its theme song, it made more money than CLOSE ENCOUNTERS OF THE THIRD KIND or SATURDAY NIGHT FEVER. It was huge.
SMOKEY AND THE BANDIT II came out the August after EMPIRE STRIKES BACK, and did pretty well, if not as well. Now we have SMOKEY AND THE BANDIT PART 3 released in the August after RETURN OF THE JEDI. This time it acknowledges its sister trilogy by opening with text that says, “Once upon a time, there was a famous Sheriff. It was not so long ago in our very own galaxy……..” (read the rest of this shit…)
Tags: Burt Reynolds, car chases, Colleen Camp, David Dashev, David S. Cass Sr., Dick Lowry, Faith Minton, Jackie Davis, Jackie Gleason, Jerry Reed, Pat McCormick, Paul Williams, Sharon Anderson, Stuart Birnbaum
Posted in Reviews, Comedy/Laffs | 15 Comments »
