Posts Tagged ‘Walton Goggins’
Tuesday, September 3rd, 2024
Well, my friends, it’s after Labor Day. Time to stop wearing white shoes according to Serial Mom, and time to wrap up the summer retrospective according to me. Some interesting movies that were released at the end of the summer include Richard Rush’s COLOR OF NIGHT (yet another legendarily hated movie at the time time, I thought it was kind of interestingly crazy when I watched it years later) and Roger Avary’s KILLING ZOE (which I’ve always sort of liked but never nearly as much as I wanted to), both released on the 19th. The 26th gave us another Tarantino-connected movie that was a huge deal at the time, Oliver Stone’s NATURAL BORN KILLERS.
I previously reviewed that one so thoroughly that I not only covered the movie, but the earlier script and the making of book, so I’m not going to rehash it much here. I do want to note that Oliver Stone was one of the directors most associated with boomer self analysis – rightly or wrongly, his movies were a big part of the way people my age conceived of the Vietnam War, the JFK assassination, and of course The Doors. But here in the summer of GUMP he was more interested in being contemporary, cutting edge, of-the-moment. I found the movie’s hyperactive collage style annoying at the time, but I can respect it more now, and it was obviously influential for other movies I initially and/or still find annoying like DOMINO and CRANK. His choice to recruit Trent Reznor to produce the soundtrack album proves that the movie is more Lollapalooza than Woodstock. It was also an early foray into cinema for the future Academy Award winning composer (though of course we all know he was in Paul Schrader’s LIGHT OF DAY in 1987, plus “Head Like a Hole” was in CLASS OF 1999 and PRAYER OF THE ROLLERBOYS and “Dead Souls” was in THE CROW).
This finale to the Summer of ’94 series will focus on a triptych of movies with this sort of generational torch passing as part of their plot. They are stories about young people and the lessons they learn from older mentors. (read the rest of this shit…)
Tags: Boaz Yakin, Casey Siemaszko, Chris Conrad, Constance Towers, Ed Harris, Giancarlo Esposito, Hilary Swank, Malcolm McDowell, Melanie Griffith, Michael Cavalieri, Michael Ironside, N'Bushe Wright, Pat Morita, Richard Benjamin, Samuel L. Jackson, Sean Nelson, Walton Goggins
Posted in Comedy/Laffs, Crime, Drama | 9 Comments »
Wednesday, April 3rd, 2024
The producer I always associate with THE CROW is Edward R. Pressman. That’s a guy with a storied career – his name is on everything from BADLANDS to CONAN THE BARBARIAN to BAD LIEUTENANT, and he played Mr. Trend in CRIMEWAVE. He died last year but will have his credit on the upcoming THE CROW movie.
Apparently not involved in that new one was the guy who brought the project to Pressman in the first place, Jeff Most. According to a 2005 interview with Clint Morris at Moviehole, it all started when the young producer was looking for a comic book artist to do illustrations of a John Shirley script he was trying to get made. Someone told him to look at James O’Barr’s recently published The Crow and he was so impressed he reversed his plans and had Shirley write a script based on the comic. But getting someone to finance an R-rated comic book movie was difficult. He says 51 people said no before Pressman said yes. (read the rest of this shit…)
Tags: Bharat Nalluri, Bill Mondy, David Lea, Edward R. Pressman, Eric Mabius, Fred Ward, Jodi Lyn O'Keefe, Kirsten Dunst, Matt Greenberg, Walton Goggins, William Atherton
Posted in Reviews, Action, Comic strips/Super heroes | 14 Comments »
Thursday, July 12th, 2018
I think this new TOMB RAIDER is kinda good. You probly shouldn’t listen to me because I also kinda liked the new THE MUMMY, and this doesn’t have the benefit of cool monsters.
It’s very much the opposite of what I liked about the previous movies based on this same video game series. I watched LARA CROFT: TOMB RAIDER and LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE each ten years after they came out, and very much enjoyed Angeline Jolie’s shamelessly larger-than-life super heroine who parachutes into people’s Jeeps while talking to them on the phone, punches and hitches rides on sharks to escape flooded ruins, rides motorcycles on the Great Wall of China, etc. She has the talents and wits and acrobatic wire-fu skills to easily come out on top in any impossible situation, and that’s why it’s fun.
So I was skeptical when I saw that the new one was going for a “realistic” approach (partly based on a newer version of the video game). Doesn’t sound as fun to me. And Alicia Vikander, as much as I liked her in EX_MACHINA and THE MAN FROM U.N.C.L.E., looked silly to me in the trailers, leaping off crumbling cliffs, getting tossed around and scraped up and still John McClaning her way out of the rubble. She seemed too small and skinny and delicate for that to be believable. So when word on the movie was dire I gave up most of the hope that had been instilled in me by my admiration for director Roar Uthaug’s slasher movie COLD PREY and especially his viking-ish chase movie ESCAPE. (Once again, I highly recommend that movie.) (read the rest of this shit…)
Tags: adventure, Alicia Vikander, archaeology, Daniel Wu, Dominic West, Roar Uthaug, video games, Walton Goggins
Posted in Action, Reviews | 27 Comments »
Tuesday, March 29th, 2016
AMERICAN ULTRA is an action… I want to say comedy?… about what would happen if a totally unlikable stoner who works at a Cash ‘n Carry turned out to unknowingly be a brainwashed government super killer who has been missing and the CIA tries to take him out so he finds himself killing a bunch of dudes in self defense and doesn’t know why. THE BOURNE IDENTITY meets some dude you know’s unproductive early 20s.
But it’s not jokey like a Cheech and Chong picture or THE PINEAPPLE EXPRESS. Mike, the horrible loser protagonist, is played by Jesse Eisenberg (CURSED) with his usual cold distance, minus the intelligence. He’s not the funny or huggable type of stoner either, he’s just the kind that you’re supposed to like because he has a dream of creating a generic “underground comic” about a monkey (it could be this generation’s MONKEYBONE in my opinion) and mumbles quasi-deep philosophical bullshit comparing his life to that of a tree. In narration he humblebrags about being “a fucked up couple” with his long-suffering, oh-that-poor-woman, someone-really-needs-to-have-an-intervention-with-her-about-that-terrible-boyfriend-that-is-sucking-away-her-life-essence-every-second-of-the-day girlfriend Phoebe (Kristen Stewart, JUMPER). But, sorry bud, these two aren’t even Sid and Nancy, they’re just a guy who disappoints his girlfriend by saying they’re going to Hawaii and then instead having a panic attack and bringing her home to make her an omelette and then burning it. (read the rest of this shit…)
Tags: Connie Britton, Jesse Eisenberg, John Leguizamo, Kristen Stewart, Max Landis, Nima Nourizadeh, Topher Grace, Walton Goggins
Posted in Action, Reviews | 37 Comments »
Wednesday, December 30th, 2015
(SPOILERS. This is a don’t-read-before-seeing-the-movie review.)
Quentin Tarantino tries out a couple new tricks in his new one, THE HATEFUL EIGHT: he shot in extra-wide 65mm Cinemascope, and helped hook up a bunch of theaters with 70mm projectors (and projectionists, I assume) to show an early, longer version of the movie complete with an overture, intermission and program. He got Ennio Morricone to compose and orchestrate some new music for it (Tarantino’s only previous original scoring was some bits by RZA and Robert Rodriguez for the KILL BILLs). But it also feels pretty familiar: his second extreme-racism western in a row, with chapter titles like KILL BILL, full of conversation suspense scenes like INGLOURIOUS BASTERDS, mostly one location like RESERVOIR DOGS, some non-linear jumps like most of his movies, and a cast with plenty of his regulars (Samuel L. Jackson, Kurt Russell, Tim Roth, Michael Madsen, James Parks, Zoe Bell, Waltong Goggins [I almost forgot he was in DJANGO UNCHAINED). Just as INGLOURIOUS BASTERDS got away with some out-of-the-blue, seemingly incongruous narration by Jackson, HATEFUL EIGHT follows up its intermission with some omniscient narration that you suddenly realize is Tarantino himself. I can see why some people would hate that, but I loved it. I mean, who are we fooling, we all know it’s this guy talking to us through this movie anyway. And it helps kick off the second half with an energy the first was lacking.
Here’s something brand new for a Tarantino movie: I didn’t immediately love it. I’m honestly still trying to figure out how I feel about it. I’m not sure I get it. I remember that with both INGLOURIOUS and DJANGO I had misgivings on the first viewings that later seemed completely irrelevant. With the former it was thinking that Brad Pitt seemed like Brad Pitt playing a funny character, he didn’t inhabit the character the way previous Tarantino leads had. With the latter it was that Tarantino had never done a movie that followed one character chronologically, and it seemed kinda too simple for him. Both of those seem like dumb complaints to me now, and I loved both movies without reservations on subsequent viewings. Even so, their first times I liked better than this first time. (read the rest of this shit…)
Tags: Bruce Dern, Demian Bichir, Ennio Morricone, James Parks, Michael Madsen, Quentin Tarantino, Samuel L. Jackson, Tim Roth, Walton Goggins, Zoe Bell
Posted in Reviews, Western | 133 Comments »
Wednesday, April 15th, 2015
There are many great shows that have transcended or elevated the television artform, that have been compared favorably to cinema or to great novels. Some of them I’ve seen, some I’ll catch up with some day. But Justified was my kind of show. It was full of badass bravado, dry humor, a love of language and personality. Like the Elmore Leonard books that inspired it it was accessible and unpretentious, but also smart and original. I like to think it could be enjoyed by snooty book lovers as much as by people who liked Walker, Texas Ranger.
I came to it as an enjoyer of Leonard. I remember hearing there was gonna be another show based on one of his characters, starring Timothy Olyphant, and I was curious to check it out in case it might be decent. Then I happened to see an extended preview, a clip of the scene from the pilot where Raylan meets Dewey Crowe and bangs his head against a steering wheel. And I thought oh shit, this actually looks seriously good. I’m gonna have to make an effort to actually watch a TV show from the beginning. And come to think of it I watched the entire series as it aired each week, that’s pretty rare for me.
Leonard has not had a good track record on television. I don’t mean in quality of adaptation, but in survival. There was that show of Maximum Bob with Beau Bridges. It got good reviews and was cancelled before I ever caught an episode. Years later there was Karen Sisco. I thought, now how do you make a TV version of a character that was so perfectly portrayed by Jennifer Lopez in the best Elmore Leonard adaptation ever? And then Carla Gugino came and changed my idea of who that character is. And that one I did manage to watch most of the episodes but again, cancelled before the season even finished. And neither show has ever been released on the home video.
So it’s surprising and great that not only was Justified so good, but it had the chance to last for six seasons, continue to grow in popularity, and go out on a high note. And on purpose – I’m sure FX would’ve let them make two or three or four more seasons if they’d wanted to. (read the rest of this shit…)
Tags: Elmore Leonard, Timothy Olyphant, Walton Goggins
Posted in Blog Post (short for weblog) | 26 Comments »
Monday, October 14th, 2013
There are lots of funny things in MACHETE KILLS. For a while it coasts on enjoyably stupid jokes, like the ridiculous trailer for part 3 of the series that it opens with. Early on it has a little faux-serious melodrama, playing it almost straight when a clash with rogue soldiers, a Mexican drug cartel and an army in lucha libre masks leads to the death of Machete (Danny Trejo, DEATH WISH 4: THE CRACKDOWN, MARKED FOR DEATH)’s partner. I like the setup, with a redneck Arizona sheriff (William Sadler, DIE HARD 2) failing to hang Machete before he gets called in by the president (Charlie Sheen, NAVY SEALS, credited as Carlos Estevez) who offers him citizenship in exchange for doing a dangerous mission. I thought the joke of casting him was to have a guy as crazy as Sheen as the president, like wasn’t Mickey Rourke the president in MASKED AND ANONYMOUS? It honestly didn’t occur to me until seeing him on a White House set that his dad played the president in The West Wing (not to mention playing Kennedy). Anyway, the best part is the idea that this unsavory slasher/wife-and-daughter-fucker/assassin gets to sit in the White House and hear his offer.
Trejo’s face is even more rugged than ever, if possible, and he doesn’t have to joke around. He’s fun to watch just being that same character, but now equipped with various high-tech variations on machetes to chop people up with. Robert Rodriguez (credited as sole director this time, and also with his name above the title, but only a co-story credit) once again fills the movie with a huge, unlikely cast, mostly playing colorful gimmicky characters: Mel Gibson (PAPARAZZI) as a weapon inventor/space cultist planning to blow up the world, Demian Bichir (2012 best actor nominee for A BETTER LIFE) as a revolutionary/terrorist/something, Amber Heard (DRIVE ANGRY) as a government agent undercover as a beauty queen, Walton Goggins/Cuba Gooding Jr./Lady Gaga/Antonio Banderas all playing the same assassin called El Camaleon, Vanessa Hudgens (SPRING BREAKERS) as a girl that’s in one part, Sofia Vergara allowing Salma Hayek some dignity by stepping in to play the deadly Madam character with army of killer prostitutes (see also Lucy Liu in THE MAN WITH THE IRON FISTS, Zoe Bell in BAYTOWN OUTLAWS, etc.) (read the rest of this shit…)
Tags: Alexa Vega, Amber Heard, Antonio Banderas, Charlie Sheen, Cuba Gooding Jr., Danny Trejo, Demian Bichir, Jessica Alba, Lady Gaga, Marko Zaror, Mel Gibson, Michelle Rodriguez, Robert Rodriguez, Sofia Vergara, Tom Savini, Vanessa Hudgens, Walton Goggins, William Sadler
Posted in Comedy/Laffs, Reviews | 45 Comments »
Monday, April 1st, 2013
GI JOE: THE RISE OF COBRA was a stupid fucking movie from a shitty director. I loved it. It was just so un-self-consciously ludicrous that it was hard not to enjoy. Like a hyperactive little kid that you would never want to be a parent to but just seeing him jump around giggling for a minute makes you laugh.
The directionist was Stephen “THE MUMMY” Sommers, a veteran of loud, dumb, rhythm-less and weirdly low rent big budget summer blockbuster type movies. The guy couldn’t direct his way through a “DIRECTORS ONLY” door, but he’s excited enough about ninjas and funny masks and shit that he accidentally made a fun one. I would say he made RISE OF COBRA fun not so much through his talents as through a series of coincidences. (read the rest of this shit…)
Tags: Adrianne Palicki, Arnold Vosloo, Bruce, Bruce Willis, Byung-hun Lee, Channing Tatum, DJ Cotrona, Elodie Yung, Jon M. Chu, Jonathan Pryce, Ray Park, Ray Stevenson, RZA, The Rock, Walton Goggins
Posted in Action, Bruce, Reviews, Science Fiction and Space Shit | 96 Comments »
Monday, November 12th, 2012
After the election on Tuesday, which brought us 4 historic gay rights ballot victories, the first openly gay Senator and the most women in the Senate ever, it was a no-brainer to spend Friday night watching Spielberg’s movie about Abraham Lincoln and his people’s fight to eke together a coalition to pass the 13th amendment to the Constitution, ending 400 years of slavery. Also, SKYFALL was sold out.
(read the rest of this shit…)
Tags: Abraham Lincoln, Bruce, Bruce McGill, Civil War, Dane DeHaan, Daniel Day-Lewis, David Strathairn, Gloria Reuben, Hal Holbrook, Jackie Earle Haley, James Spader, John Hawkes, Lukas Haas, Sally Field, Steven Spielberg, Tim Blake Nelson, Tommy Lee Jones, Tony Kushner, Walton Goggins
Posted in Drama, Reviews | 43 Comments »
Monday, August 9th, 2010
When I saw the terrible WWE Films theatrically released post-action movie THE CONDEMNED I said that I liked “Stone Cold” Steve Austin’s screen persona, “his gravelly voice and his Plissken-esque don’t-give-a-fuck attitude,” and predicted that “If he was given an actual character to play in a movie by people who knew how to make a real movie, he could be at least as good as Roddy Piper.” I was probly thinking a lowbrow studio movie like a DEATH RACE or something, but this’ll do: a surprisingly compelling DTV underground fighting movie from Jeff King, the director of Seagal’s KILL SWITCH and DRIVEN TO KILL (which it just occurred to me oughta be the name of a movie where Seagal plays an ex-CIA NASCAR driver or Tokyo drifter. Coulda woulda shoulda). (read the rest of this shit…)
Tags: Countdown to The Expendables, DTV, Jeff King, Stone Cold Steve Austin, underground fighting, Walton Goggins
Posted in Action, Reviews | 37 Comments »
