First thing I want to say is that I’ve been calling this movie “Oppy” while having no idea that it’s what everyone calls him in the movie. I guess it’s just the natural, instinctive nickname that comes to mind for J. Robert Oppenheimer, even before “J.R.”
Second thing I want to say is that I was so wrong about the phenomenon of OPPENHEIMER! I had been confused as to why people were talking about it as a sure-thing blockbuster smash, but here I am finally having seen it after 3 weeks of sold out shows at the Imax. I had to give in and buy the tickets a week in advance, and the show did sell out in the same theater that never filled up for DEAD RECKONING, JOHN WICK 4, CREED III, DIAL OF DESTINY, etc. There’s lots of hype about it being shot for Imax format, and this is is the only full Imax format screen in the state, so that’s important context. But still – a 3-hour R-rated drama about a scientist selling out every show every day for weeks? Just because Christopher Nolan directed it? Hooray for the auteur theory! (read the rest of this shit…)
Here’s something for a limited audience: Spike Lee, following his guerilla-style, filmed-in-three-weeks, released-in-41-theaters 
NOTE: This movie’s win for Best Picture – Drama last night at the Golden Globes has been received with controversy, mostly involving the morality of rewarding a director who is awash in allegations of sexual assault. I barely mention that aspect in this review because I was able to separate the art from the artist and completely reject the movie on its own merits. It would be an embarrassing choice even if it was made by saints. 
My friends, the time has come for the THRILLING CONCLUSION to the Twilight Saga review saga. This is the one where the most crazy shit happens, especially in a big deadly snow battle between all the characters. So I had fun. If you support me on Patreon thank you, if not thank you also but consider signing up some time if you can. Either way, more reviews coming soon and
NEED FOR SPEED is based on a video game I guess, but it seems like a THE FAST AND THE FURIOUS sequel from an alternate timeline where TOKYO DRIFT never happened, or a weird idea for a gritty reboot of the SPEED RACER licensed trademark franchise property.
