Posts Tagged ‘Martin Scorsese’
Friday, April 24th, 2020
“I just wanted to leave my apartment, maybe meet a nice girl. And now I’ve got to die for it!”
AFTER HOURS is Martin Scorsese’s take on the “staying up all night and a bunch of crazy shit happens” movie (see also INTO THE NIGHT, MIRACLE MILE, EDMOND). This one follows Paul (Griffin Dunne), a young word-processing drone who lives alone in a small apartment in New York City. After a boring day at work he goes to a cafe to re-read what he says is his favorite book, Tropic of Cancer by Henry Miller. A woman named Marcy (Rosanna Arquette, same year as SILVERADO) is by herself at a nearby table, notices what he’s reading and says “I love that book.” He doesn’t even hear her at first. But she starts trying to quote it.
Suddenly she moves to his table to get him to look at the weird cashier (Rocco Sisto, INNOCENT BLOOD, ERASER, THE AMERICAN ASTRONAUT), who seems to be practicing dance moves. She’s about to leave but they have a short, weird conversation that includes 1) telling him she’s staying with her friend Kiki Bridges and 2) giving him Kiki’s phone number so he can inquire about her sculptures of bagels and cream cheese. (read the rest of this shit…)
Tags: Catherine O'Hara, Griffin Dunne, John Heard, Joseph Minion, Larry Block, Lina Fiorentino, Martin Scorsese, Michael Powell, Rocco Sisto, Rosanna Arquette, takes place in one night, Teri Garr, Tim Burton, Verna Bloom
Posted in Comedy/Laffs, Reviews | 18 Comments »
Tuesday, December 10th, 2019
Well, this is the world now: Martin Scorsese has an excellent new gangster epic starring Robert De Niro, Joe Pesci and Al Pacino (plus Harvey Keitel!) and it pretty much went direct to video. Not “We can’t justify the budget for a theatrical DARKMAN 2” DTV, just “It’s easier to get money from Netflix than from a real movie studio” DTV. I wish I had gotten my shit together to see it in its week at Cinerama, like many of my friends did – I’m glad I managed to see ROMA and DOLEMITE IS MY NAME in theaters. But for THE IRISHMAN: I HEARD YOU PAINT HOUSES (actual onscreen title) I turned the lights off, put the phone far away and got the ol’ attention span out of storage for the full cinematic living room experience.
It’s written by Steve Zaillian (SCHINDLER’S LIST, MISSION: IMPOSSIBLE, GANGS OF NEW YORK, AMERICAN GANGSTER, MONEYBALL, THE GIRL WITH THE DRAGON TATTOO) but it definitely has some of that GOODFELLAS spirit: tons of narration (sometimes with gimmicks, like it’s in his head then switches to fourth-wall breaking), jumping around through time, quick comical/horrifying cutaways to things he mentions, some slo-mo, nearly wall-to-wall music, but also some guitar noodling (the score is by Robbie Robertson). And there’s a long steadicam shot at the beginning but instead of going into a hot club it’s going into an assisted living joint. So this is old man GOODFELLAS. (read the rest of this shit…)
Tags: Action Bronson, Al Pacino, Anna Paquin, Harvey Keitel, Jimmy Hoffa, Joe Pesci, mafia, Martin Scorsese, Netflix, Robbie Robertson, Robert De Niro, Steve Zaillian
Posted in Crime, Reviews | 92 Comments »
Monday, December 30th, 2013
THE WOLF OF WALL STREET is the incredibly entertaining new movie from director Martin Scorsese (Michael Jackson’s BAD), based on the memoir of scumbag fraudulent stockbroker Jordan Belfort (executive producer of SANTA WITH MUSCLES), adapted by Terence Winter (writer of a 50 Cent video game and 2 episodes of The Cosby Mysteries). Leonardo DiCaprio (POISON IVY) plays Belfort in the saga of his meteoric rise from innocent Wall Street rookie to multi-millionaire cokehead innovator in greed and callous thievery. After THE GODFATHER and all these other classics that show how organized crime operates like a business, here Scorsese flips it around to show how business acts like gangsters.
Man, we take it for granted after so many big, showy movies with great directors – or we don’t want to admit it ’cause he’s still got kind of a baby face and we remember when he made the teenage girls faint in their pants – but jesus, DiCaprio sure has turned into a good actor. WOLF is Scorsese picture #5 for him, and it seems for a while like he’s mostly doing his usual moves. He’s got the intensity, the energy, the accent that’s old timey and not very naturalistic but he goes so all-in that I buy it, the face that teeters between boyish and Benicio Del Toro. Early in the movie he even crash-lands a small aircraft and stumbles away, as if he’s doing callbacks to THE AVIATOR. He should do that in all his movies, it could be his “I’ll be back.” (read the rest of this shit…)
Tags: Jean Dujardin, Jon Bernthal, Jon Favreau, Jonah Hill, Kyle Chandler, Leonardo DiCaprio, Martin Scorsese, Matthew McConaughey, Rob Reiner, Robin Leach, Sharon Jones, Spike Jonze, Terence Winter, white collar crime
Posted in Comedy/Laffs, Crime, Reviews | 144 Comments »
Tuesday, December 6th, 2011
HUGO is the new “picture” from Martin Scorsese (GOODFELLAS). Like HAPPY FEET TWO it’s in 3D and like THE MUPPETS it’s a nostalgic revival of bygone popular entertainment and involves visiting a long-since-given-up former legend and getting him to reluctantly think about the old days. But in this case it’s the work of early cinema pioneer George Melies. So the history lesson seems more appropriate here. I wasn’t convinced that we needed to be reminded what the Muppets are, but when it’s silent film, yeah, maybe explain some of that shit, Scorsy. (I don’t feel comfortable calling him ‘Marty,’ so I use ‘Scorsy.’)
(read the rest of this shit…)
Tags: 3D, Asa Butterfield, Ben Kingsley, Chloe Grace Moretz, Emily Mortimer, Martin Scorsese, Ray Winstone, Sacha Baron Cohen
Posted in Family, Reviews | 43 Comments »
Monday, February 22nd, 2010
SHUTTER ISLAND is alot like JURASSIC PARK. Outside experts are called in to a remote island where some unusual shit goes down. They’re shown the operation, the security setup, the layout. Then there’s a big ass storm so they can’t get off the island, the electric fences go down and the captives get loose and it’s bedlam. But it’s the criminally insane instead of dinosaurs, and it’s the guy who plays GANDHI instead of the director of GANDHI who’s their guide on the island. There are other minor differences, like for example this one is less about people staring in awe at dinosaurs and more about piecing together the traumatic events that haunt the hero, and figuring out how they tie into this mystery which unfolds in a surreal horror movie atmosphere and within the context of the 1950s, with the lingering horrors of WWII still in people’s minds as well as the fear of the hydrogen bomb and of communism, and most importantly during the psychiatric community’s bumpy transition from barbaric surgical methods to more modern psychotropic drugs and verbal forms of therapy. Otherwise though it’s pretty much the exact same movie, a blatant ripoff. (read the rest of this shit…)
Tags: Ben Kingsley, Dennis Lehane, Leonardo DiCaprio, Mark Ruffalo, Martin Scorsese
Posted in Reviews, Thriller | 100 Comments »
Thursday, January 28th, 2010
BRINGING OUT THE DEAD is Martin Scorsese at his most nightmarish and hallucinogenic, a movie almost entirely in helicopters-overhead-paranoid-end-of-GOODFELLAS mode. That’s ’cause it’s about night shift EMT workers, which I think we can safely assume is probly a pretty stressful job. The movie is written by Paul Schrader based on one of those “this job is fucked and we’re all on drugs” type exposes, like Kitchen Confidential was for chefs.
Man of the hour Nic Cage plays Frank Pierce, who doesn’t get enough sleep and thinks he sees the ghosts of everyone he’s failed to save. He has a hard time feeling like a hero since most of the calls he gets are DOA or false alarms. He’s always doing CPR on dead babies or begging the hellishly overcrowded hospital to take in a vegetable. He’s so tired of bum-out cardiac arrests (“COME ON, PEOPLE!” he scolds) that he’s happy dealing with the notoriously foul-smelling drunk Mr. O, who calls in every time he’s wasted. The one time Frank does succeed in resuscitating a guy he feels guilty about it and imagines the man telling him to let him die. (read the rest of this shit…)
Tags: Mark Anthony, Martin Scorsese, Nicolas Cage, Patricia Arquette, Paul Schrader, Tom Sizemore, Ving Rhames
Posted in Comedy/Laffs, Drama, Reviews | 60 Comments »
Saturday, August 29th, 2009
It’s Michael Jackson’s birthday. Would’ve been his 51st, and if all had gone perfect he would’ve been 17 shows into his run at the 02 in London. Hard to picture. It really feels to me like this country is going through a time of massive change, like the tectonic plates are shifting beneath us. It figures that the same year we have our first black president we also have to lose Michael and the last Kennedy brother. All earlier than I expected, but maybe we’re ahead of schedule. The big live news events of the year: an inauguration and two memorial services. And both Kennedy and MJ instantly reborn as beloved legends.
Now you’re really gonna think I’m a weirdo (though I’ve never owned a chimp) but the truth is I would’ve known it was Michael’s birthday anyway. For some reason it’s a date I always remember, so I usually watch at least a little bit of MOONWALKER. But this year, during all the mourning and memorializing, I picked up the MICHAEL JACKSON VIDEO GREATEST HITS – HISTORY dvd. I had been obsessing over the dancing in his videos. MTV had a marathon, but they kept showing the shorter versions. I was jonesing to see that scene they cut out of “Black Or White” where he smashes the car while grabbing his crotch and yelling. It’s on this DVD (the cover calls it “the controversial ‘Panther’ version”).
But the highlight for me was the “never-before-seen 18-minute long version of ‘Bad’.” (read the rest of this shit…)
Tags: Martin Scorsese, Michael Jackson, Paul Calderon, Wesley Snipes
Posted in Musical, Reviews | 40 Comments »
