THE MANDALORIAN AND GROGU is kind of a different approach to a Star Wars picture: a small, standalone adventure. The fate of the galaxy is not at stake, there is no chosen one, no prophecy. It’s not even a prequel or an origin story. Coming from the popular Disney+ series The Mandalorian has given people the impression that it requires homework, but I assure you there is nothing at all you need to know that’s not there in the movie. It’s just one story about the titular bounty hunters on a mission, and not the mission that changed it all. Just a mission. To misquote M. Bison, it’s not the most important day of your life. It’s just Tuesday.
So it’s in the same world I love visiting in that epic space opera, but truly it’s a western or a samurai movie. That’s what I like about the show too, and I was skeptical about turning it into a movie instead of doing another season, but it turns out it’s fun to see these guys in one contained story with movie level production values. It’s light on the force, but high on some of the other things I love in Star Wars: a bunch of fantastical settings, outlandish creatures and robots, lots of them animated, some puppets, even some stop motion by Phil Tippet Studios. (read the rest of this shit…)
You may not pick up on it, but I sense a strong anti-Ewok sentiment in our culture, even to this day. It might seem like an insignificant hatred compared to that of Gungans and Prequels, but it exists. I think it’s mostly people who were in their teens or early twenties when 
