WATCHER – not to be confused with the Netflix show The Watcher or the Keanu Reeves movie THE WATCHER or the early UPN anthology series hosted by Sir Mix-a-Lot The Watcher – is an excellent psychological horror/suspense thriller that’s a Shudder exclusive and also came out on blu-ray and DVD a few weeks ago. Maika Monroe (INDEPENDENCE DAY: RESURGENCE) stars as Julia, a young woman who moves to an apartment in Bucharest with her husband Francis (Karl Glusman, THE NEON DEMON).
Francis is American, but his mother is Romanian, and he speaks the language, but Julia doesn’t. So she’s immediately out of sorts from having to have her husband translate what people say to her as well as to speak for her. Then the very first thing she sees when they pull up to their building is a creepy guy (Burn Gorman, PACIFIC RIM) looking out a window across the street. Of course their apartment has a huge window facing right at this dude, but at first she doesn’t worry too much about it. (read the rest of this shit…)
Though BODIES BODIES BODIES is one of this year’s crop of A24 horror releases, its slick filmatistic style, hedonistic twenty-something characters and aggressive electronical dance music soundtrack remind me more of non-horror A24 movies like 
“Motherfucker, there are coffins in the basement!”
This is not an official announcement of an ending to Slasher Search – just a realistic assessment that there aren’t many more of what I’m searching for out there. So I’ll share them with you when I find them, but I hope you won’t be disappointed if they end up being few and far between.
HALLOWEEN ENDS, the conclusion to David Gordon Green’s 
ACCIDENT MAN: HITMAN’S HOLIDAY is the latest real-deal Scott Adkins movie (like, he’s the star, not just a guest appearance), and joins the first 
There’s this slasher sequel 
HELLRAISER (2022) is the new straight-to-Hulu HELLRAISER movie. It’s a genuine, bonafide reboot, by the original definition of the term – it doesn’t seem to work as a sequel, but it’s certainly not a remake, it’s just starting over, I guess. And it’s certainly a new start in that it’s getting more attention and being treated more like a real, existing movie than the DTV sequels that came out in 2018, 2011, 2005, 2002 and 2000. That’s partly because it’s a polished, well-directed movie with plenty of production value, and it was intentionally written to be the new HELLRAISER. Much of the series, as you may know, was just a perpetual rights retention machine – the Weinsteins ramming Pinhead into an unrelated horror script and dumping one out so they could retain the rights to dump another one out to retain the rights further down the road. Now, at last, the rights have escaped Miramax Hell and are sheltering at Spyglass Media Group (who also got 
I don’t know why it took me this long, but I finally decided to catch up with the two Mike Flanagan joints I hadn’t seen yet (not counting the dramas he made during and immediately after college, or the TV series The Firefighter Combat Challenge). He made his entry into horror in 2006, with a shot-on-video-in-one-room short called Oculus: Chapter 3 – The Man with the Plan. Like George Lucas with 
I just made my second appearance on “‘I Must Break’ This Podcast,” where I seem to go to discuss movies that Dolph Lundgren is briefly in. 
