Archive for the ‘Reviews’ Category
Thursday, March 24th, 2022
“Folks here, they don’t make no never mind who you are or what you done.”
The first shot in Guillermo Del Toro’s Depression-era noir movie NIGHTMARE ALLEY is of Bradley Cooper dragging a wrapped-up corpse into frame. It reminded me of the teaser trailer for THE HILLS HAVE EYES 2 (2007). That was not a good movie, but it was a great teaser, so when a best picture nominee reminds me of it, that’s pretty impressive. If BELFAST or THE POWER OF THE DOG started out like the legendary Lady in the Lake teaser for LEATHERFACE: TEXAS CHAINSAW MASSACRE III they would move up a notch for me, personally.
Cooper’s character Stan is inside a small house in disrepair, and he drops the body into a hole in the floorboards, puts on his coat and hat, takes a moment to contemplate and light a cigarette, sets the place on fire and leaves. If anybody walked into the movie exactly two minutes and saw him on a bus out of town they probly spent a good chunk of the movie thinking he was a good ol’ salt of the earth everyman trying to survive day-to-day through hard, humble work. The rest of us had to watch him very unsettled, wondering what he’s up to, questioning the sincerity of everything he says or does. ‘Cause you can never fully trust a corpse dragger. (read the rest of this shit…)
Tags: Bradley Cooper, carnival, Cate Blanchett, Clifton Collins Jr., Dan Laustsen, David Strathairn, Guillermo Del Toro, Kim Morgan, Mark Povinelli, Peter MacNeill, Richard Jenkins, Ron Perlman, Rooney Mara, Toni Collette, Troy James, Willem Dafoe
Posted in Crime, Reviews | 44 Comments »
Tuesday, March 22nd, 2022
DEADLY GAMES (1982) – not to be confused with the much better DEADLY GAMES (1989) a.k.a. DIAL CODE SANTA CLAUS – is a slasher movie that I guess was very rare on video until now. I never came across it during my Slasher Searches, but now Arrow put it out on a nice blu-ray.
This is hardly one of the greats, but you know me, I’m a scholar, and I like seeing all the different variations and permutations of the formula. This one is interesting in that it takes place in a little bit more of a world of adults than most of them. And it’s not one of those crude regional movies – for the most part the production values and acting are slick and professional. And Steve Railsback is in it! If Steve Railsback is in it it’s a real movie.
The deadly games begin when Linda Lawrence (Alexandra Morgan, THE HAPPY HOOKER GOES HOLLYWOOD) is alone in her fancy hillside house and gets creepy phone calls from a strange man (calling from a phone booth improbably located in sight of her isolated home). She’s scared, then convinces herself she’s fine. She talks to a boyfriend on the phone and tells him, “No, I don’t look like Janet Leigh” before getting in the shower. Always the PSYCHO shower scene references in these things. Anyway, a guy in a ski mask attacks her and she falls out the window. (read the rest of this shit…)
Tags: Alexandra Morgan, Colleen Camp, Jere Rae Mansfield, Jo Ann Harris, June Lockhart, Sam Groom, Scott Mansfield, slashers, Steve Railsback
Posted in Horror, Reviews | 16 Comments »
Monday, March 21st, 2022
Would you believe I’d never seen NEMESIS (1992) before? I’d heard claims it was one of the better movies for director Albert Pyun and/or star Olivier Gruner, but I didn’t get around to it until now. From the cover I always thought it was gonna be kind of a TERMINATOR knock off, so I was very surprised and impressed when it opened seeming more like BLADE RUNNER in the style of THE KILLER.
It starts in Los Angeles, 2027 A.D., which does not look overly futuristic, but is covered in an eerie orangy brown haze. Alex Rain (Gruner, who had only been in ANGEL TOWN) is in a hotel for a liaison with a woman, but then he shoots her in the head, revealing a bunch of wires and electrodes. “God damn cop,” she says. “God damn terrorist” he replies. Though he very poorly delivers a one-liner to her exploded head, he looks very cool when he walks out of the hotel with a Chow Yun Fat style tie-overcoat-and-sunglasses look, passing a bunch of people in the hallway who take a minute to figure out he’s the cop who shot their friend. But then they follow him. (read the rest of this shit…)
Tags: Albert Pyun, Branscombe Richmond, Brion James, Cary-Hiroyuki Tagawa, cyberpunk, Deborah Shelton, Jackie Earle Haley, Jennifer Gatti, Marjean Holden, Marjorie Monaghan, Olivier Gruner, Sneaky Pete Kleinow, Sven-Ole Thorsen, Thomas Jane, Tim Thomerson, Yuji Okumoto
Posted in Reviews | 23 Comments »
Thursday, March 17th, 2022
WRONG TURN (2021) was marketed as a remake of WRONG TURN (2003), but is I think either a bonafide reboot (starting over from the beginning) or un-subtitled sequel (after they dropped the original title, WRONG TURN: THE FOUNDATION). If you consider the premise of the six previous WRONG TURN movies to be “travelers are hunted by a family of deformed cannibals,” then this is not a remake. It’s more like a re-asking of the question “what if some young people got attacked in some woods in West Virginia?” that gets a different answer.
I like the structure of it. It begins with grey-haired real estate agent Scott Shaw (Matthew Modine, TRANSPORTER 2) out of his element driving through Appalachia in search of his missing daughter Jen (Charlotte Vega, AMERICAN ASSASSIN). He finds an inn that she and her friends stayed at, and only knows they meant to hike an Appalachian trail. The police chief isn’t much help and also asks “Who’s the Black fella?” when he sees her boyfriend Darius (Adain Bradley, 2 episodes of Riverdale) in a photo. Locals at a bar basically tell Mr. Shaw to give up because if she got lost in those woods she’s surely dead. Rude. But he says he’s not gonna give up. (read the rest of this shit…)
Tags: Adain Bradley, Adrian Favela, Alan B. McElroy, Bill Sage, Charlotte Vega, Dylan McTee, Emma Dumont, Matthew Modine, Vardaan Arora
Posted in Horror, Reviews | 6 Comments »
Wednesday, March 16th, 2022
I was excited to watch INVINCIBLE as soon as it came out, because it’s the first major Marko Zaror role I’ve been able to see since SAVAGE DOG in 2017. Since then he’s been in something called THE GREEN GHOST that I don’t think has come out, he had a tiny appearance in ALITA: BATTLE ANGEL, he doubled young Will Smith in GEMINI MAN, and it looks like he was in one episode of a Marvel TV show that I haven’t watched because it’s a crossover of several other Marvel shows I haven’t watched. I’ve missed him, so it was exciting to finally have another movie with his name on the cover.
Unfortunately, this is not what I consider to be a good movie, and not bad in an interesting enough way to recommend it to most people. It does however once again demonstrate Zaror’s extreme talent and professionalism – not just anyone could be in a production this shoddy and still be good in it, so for that reason I don’t regret watching it. (read the rest of this shit…)
Tags: Daniel Zirilli, Jason Archilla, Johnny Strong, Marko Zaror, May Myat Noe, Michael Pare, Sally Kirkland, Vladimir Kulich, Wych Kaosayananda
Posted in Action, Reviews, Science Fiction and Space Shit | 2 Comments »
Tuesday, March 15th, 2022
CURFEW is a 1989 New World Pictures joint, a kinda sleazy, kinda odd home invasion thriller that I never heard of until Vinegar Syndrome recently released it on blu-ray. In the dream-like opening scene, a guy named Bobby Joe Perkins (John Putch, JAWS 3-D, MACH 2) excitedly cuts a piece of cake for a not-very-enthusiastic-looking young woman. Suddenly a menacing man appears at the door – it’s his brother Ray Don (Wendell Wellman, SUDDEN IMPACT), who storms in and attacks the young woman, over Bobby Joe’s protests.
Then all the sudden the Perkins brothers are in prison together. Then all the sudden they’re out of prison together. At times the editing of this movie is incoherent, but there are other times when it’s got a good momentum to it. They stop to talk to some ranchers, cut to the ranchers already dead and the brothers wearing their clothes. Some of it works. (read the rest of this shit…)
Tags: Christopher Knight, Gary Winick, John Putch, Kyle Richards, Peter Nelson, Wendell Wellman
Posted in Horror, Reviews, Thriller | 4 Comments »
Monday, March 14th, 2022
FUTURE SHOCK is a 1994 horror(ish) anthology, it seems very made-for-cable, though it apparently was made-for-video. Or at least as a compilation it was – I believe it’s made from two pre-existing short films tied following a new story and a wraparound.
The connective material stars none other than Martin Kove, who was in a prolific post-KARATE-KID period of his career – that year he also appeared in WYATT EARP, WYATT EARP: RETURN TO TOMBSTONE (yes, a TV movie that came out the same year as the better known one), ENDANGERED, SAVAGE LAND, GAMBLER V: PLAYING FOR KEEPS, DEATH MATCH, CAGNEY & LACEY: THE RETURN, plus a Burke’s Law and a Kung Fu: The Legend Continues. Here he’s rocking Swayze/Gibson style long hair, but playing a mostly buttoned down character, Dr. Langdon (yes, THE DA VINCI CODE was originally written as FUTURE SHOCK fan fiction but Kove refused to be in the movies because he knew they were gonna be fuckin boring, that’s why they almost didn’t make them and obviously regretted when they did [citation not necessary]), a psychiatrist who uses virtual reality to help his patients face their fears. (You see? In the form of little Twilight-Zone-ish short stories.) (read the rest of this shit…)
Tags: Amanda Foreman, anthology, Bill Paxton, Brion James, David DuBos, Eric Parkinson, Greg Grunberg, J.J. Abrams, James Gray, James Karen, Martin Kove, Matt Reeves, Oley Sassone, Richard Hatem, Rick Rossovich, Sydney Lassick, Tim Doyle, Vivian Schilling
Posted in Horror, Reviews | 7 Comments »
Friday, March 11th, 2022
(there will be spoils)
Yes it’s true, comic book super heroes hold too much of a monopoly on movies and television right now. I agree, we get it, but also I enjoy the genre. And of all the ongoing super hero franchises the one I get most excited about is Batman.
Tim Burton’s 1989 BATMAN was a foundational movie for me, and I believe it kicked off the first real era of comic book movies, since SUPERMAN: THE MOVIE didn’t have many riding its coattails. I don’t think it could’ve happened with another character. There was something about the zeitgeist at that time, that the world was ready to see Batman on screen, and the marketing ingeniously took advantage of that. More importantly, the specific psychological and visual qualities of the “dark” Super Friend and his evil clown nemesis attracted Burton and gave him a weirdly perfect canvas on which to fuse his particular talents with blockbuster filmmaking, and create something that felt simultaneously of our past and completely new.
Because that was the first one, a distinct, stylized look was an expected element of comic book movies throughout the ‘90s, paving the way for the likes of DICK TRACY, THE CROW, TANK GIRL… I’d even throw in gaudier digital age ones like SPAWN and THE MASK for at least having their own looks. And Burton’s followup, BATMAN RETURNS, is still one of the most beautiful looking comic book movies to date. It only makes sense, being adaptations of an illustrated medium, but it’s a tradition somewhat neglected in the era of shared universes and realistic CG. I think THE BATMAN is one of the ones that brings it back. It looks stunning, and completely unlike other movies of the same genre, or even about the same character. (read the rest of this shit…)
Tags: Andy Serkis, Barry Keoghan, Colin Farrell, DC Comics, Greig Fraser, James Chinlund, Jeffrey Wright, John Turturro, Matt Reeves, Michael Giacchino, Paul Dano, Peter Craig, Robert Pattinson, Zoe Kravitz
Posted in Action, Comic strips/Super heroes, Reviews | 137 Comments »
Wednesday, March 9th, 2022
After the one-two punch of THE TOXIC AVENGER PART II and THE TOXIC AVENGER PART III: THE LAST TEMPTATION OF TOXIE in 1989, the live action Toxic Avenger sat out the entire 1990s. He missed grunge, the rise and fall of Death Row Records, Hypercolor shirts, everything. During that time Lloyd Kaufman oversaw The Toxic Crusaders cartoon, went to court with New Line Cinema, and directed three non-Toxic movies: SGT. KABUKIMAN N.Y.P.D. (1990), TROMEO AND JULIET (1996) and TERROR FIRMER (1998).
By now Troma had become some sort of institution, with a younger generation working for them for little or no pay because they grew up on the movies. It was also a harder time to create humor more tasteless than what was popular. Kids had seen Tom Green pretend to hump a dead moose on cable, the whole world had been charmed by Cameron Diaz with semen in her hair, and Jackass started airing a month before CITIZEN TOXIE came out. In 1996 Troma had given a limited release to a 1993 indie called ALFRED PACKER: THE MUSICAL (retitled CANNIBAL! THE MUSICAL) by young filmmakers Trey Parker & Matt Stone. The following year, Parker & Stone’s South Park started on Comedy Central and became a pop culture phenomenon. It was during South Park season 4, while the two Troma-boys-made-big were being canonized as the edgy provocateurs and envelope-pushing satirists of their era, that the fourth TOXIC AVENGER movie finally hit the screen. (read the rest of this shit…)
Tags: Barry Brisco, Carla Pivonski, David Mattey, Gabriel Friedman, James Gunn, Joe Fleishaker, Lloyd Kaufman, Patrick Cassidy, Stan Lee, Trent Haaga, Troma
Posted in Comedy/Laffs, Monster, Reviews | 30 Comments »
Tuesday, March 8th, 2022
Murakami Wolf Productions was an American animation studio founded in 1967 by Jimmy T. Murakami and Fred Wolf. Murakami was an animator at the UPA studio and then co-directed the live action Roger Corman films HUMANOIDS FROM THE DEEP and BATTLE BEYOND THE STARS in addition to animated features like WHEN THE WIND BLOWS and segments of HEAVY METAL; Wolf had been an animator on The Alvin Show and The Flintstones before directing such hippie era TV artifacts as The Point, Free to Be… You & Me and Puff the Magic Dragon. In the late ‘80s the toy company Playmates hired Murakami Wolf’s new satellite studio in Dublin to produce a mini-series based on a culty black-and-white comic book to test the waters for a possible line of action figures. It was called Teenage Mutant Ninja Turtles, and you may remember the hubbub – cowabunga, fight for rights and your freedom to speak, Michelangelo is a party dude, etc.
Several years later, after the entire world had been shaken to its core by the effects of Turtle Power, I guess it seemed to some of those guys like any weird underground shit could be magically turned into a massively lucrative, completely inexplicable pop culture phenomenon. According to Lloyd Kaufman’s book, an agent named John Russo asked if he’d ever considered making his unrated gore and boobs franchise THE TOXIC AVENGER into a G-rated kiddie cartoon, and introduced him to Buzz Potamkin, Emmy-nominated producer of the Berenstain Bears cartoons, the Cartoon All-Stars to the Rescue anti-drug PSA and Hawaiian Punch commercials. Potamkin and Murakami Wolf proposed turning THE TOXIC AVENGER into a kid friendly cartoon – an idea that became one 13-episode season of The Toxic Crusaders, which aired in syndication between March 1st and May 20th, 1990. (read the rest of this shit…)
Tags: Chuck Lorre, Lloyd Kaufman, Michael J. Pollard, Troma
Posted in Reviews, Cartoons and Shit | 9 Comments »
