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Posts Tagged ‘Mark Korven’

The Lighthouse

Thursday, November 17th, 2022

Friends, I am here to announce that I have officially transitioned from guy who intellectually respected and sort of liked THE WITCH to card carrying Robert Eggers Fan Club member and honorary district captain. The dominos that fell were first viewing of THE NORTHMAN —> second viewing of THE NORTHMAN —> second viewing of THE WITCH —> finally getting it together to watch THE LIGHTHOUSE. Eggers has a unique style and approach and I’m tuning more and more into his frequency. This one is interesting because it’s clearly the work of the same director, except his sophomore movie here has some humor in it. Actual laughs. And I’m not counting the farts.

The time and location for this one is 1890s New England, on a tiny lighthouse island, and mostly inside the lighthouse. Ephraim Winslow (Robert Pattinson, THE ROVER) is a young rookie contractor just starting a four week gig as a lighthouse keeper with veteran “wickie” Thomas Wake (Willem Dafoe, LIGHT SLEEPER, SPEED 2). The style is black and white, square 1.19:1 aspect ratio, appropriate for a movie set in a claustrophobic vertical structure. I’d seen pictures and it looks so old-timey with Pattinson’s giant mustache and Dafoe’s upside down pipe that I pictured it as one of those stylized retro movies mimicking old silent film techniques. But no, it’s all very raw, filmed largely in remote locations with harsh climates, and a lighthouse they constructed. Looks fuckin stunning. (read the rest of this shit…)

The Black Phone

Monday, June 27th, 2022

(beware The Spoiler)


THE BLACK PHONE is a solid, straight forward horror tale set in a Denver suburb in 1979, when a succession of boys have gone missing. Locals blame it on someone they call “The Grabber.” The story centers on a kid named Finney (Mason Thames, young Walker in the new version of Walker: Texas Ranger), who’s either in middle school or high school (definitely pre-driver’s license age).

His life is not the easiest, but he gets by. He and his sister Gwen (Madeleine McGraw, AMERICAN SNIPER) have to walk on egg shells around their alcoholic father (Jeremy Davies, punk rock Toyota commercial) as well as various bullies closer to their own age. On Fridays Gwen sleeps over at a friend’s and Finney “takes care of” Dad – tucking him in and watching Emergency! by himself.

It’s a pretty tight movie, but I appreciate that it doesn’t rush the section where it establishes Finney’s daily life and the ominous mood of the place and time. One day there’s a fight outside of school, some big creep named Moose (J. Gaven Wilde, HALLOWEEN KILLS) calling a smaller kid named Robin (Miguel Cazarez Mora) a slur and taking a swing at him, at which point we learn that Robin is some kind of junior high Billy Jack who this kid absolutely should not have fucked with. Finney doesn’t know how to do that when he gets chased into the restroom by three dickheads, so it’s a relief when Robin walks in. Turns out they’re friends, though I get the sense it’s one of those friendships where one (Finney) is in awe of the other and feels surprised and lucky the guy even talks to him. (read the rest of this shit…)

Resident Evil: Welcome to Raccoon City

Monday, February 14th, 2022

To me, I suspect, the phrase “Resident Evil” will always mean the Milla Jovovich sci-fi-action-horror series that spanned six movies and fourteen years, kicking off at the start of the 21st century zombie movie revival, swerving into mimicry of MAD MAX and THE MATRIX, and ending somewhat disappointingly, but also somewhat admirably, with yet another look and feel. It’s a unique pop culture creation, a pleasingly lowbrow mix of styles, sampling a wide range of gimmicks and trends (zombies, nu metal, wire fu, 3-D, speed-ramping) and teaching me to really like Paul W.S. Anderson after all. But in 2016 they called it quits and moved on to MONSTER HUNTER.

I personally wasn’t looking for a reboot (in the original sense of the word – actually starting over fresh) as a straight horror movie. But it makes sense, since, from what I understand, that’s what the video games that inspired the movies were like. (In fact, George Romero directed a commercial for the video game and was attached to a movie version well before Anderson.) And I’m happy to report that in contrast to the first RESIDENT EVIL (one of the only entries in the series I didn’t much enjoy) this new one called RESIDENT EVIL: WELCOME TO RACCOON CITY is actually a pretty good little horror movie. (read the rest of this shit…)