Man, you guys have been trying to get me to watch this one forever. Now I’ve seen it, so I’m not sure what’s next on the list. Paddy Considine plays Richard, a soldier back in the small English town where he grew up, planning some kind of a revenge. We know this because of the first line of the movie: “God will forgive them. He’ll forgive them and let them into Heaven. And I can’t live with that.” So he’s basically the Christ equalizer, the guy who goes around pre-emptively un-forgiving people before Jesus shows up to forgive them. It could be called THE UNFORGIVER. (more…)
Posts Tagged ‘revenge’
Dead Man’s Shoes
Friday, March 12th, 2010Hit!
Monday, June 8th, 2009
See, this is the type of gold I’m always digging for. This is why I keep browsing and renting weird old movies I don’t know much about. I’m trying to find a movie like HIT!. Last time I rented a Billy Dee Williams movie it was AGENT 00-SOUL, which I’d wanted to see for years only to discover it’s not a serious movie, it’s a “comedy” where he just keeps tripping on things and falling out of things. It makes the worst Leslie Nielsen movie look like the Coen Brothers.
But HIT! is not only a serious movie, it’s revenge-meets-arthouse, almost like POINT BLANK. It’s an ambiguous, slow-burn revenge movie with great performances and character moments and a creepy Lalo Schifrin score. There’s more care put into the buildup and the little moments than into the action movie parts, but they’re good enough for that to be a fair trade.
In the beginning a teenage girl dies from a heroin overdose. Billy Dee plays her father, some kind of CIA agent. He doesn’t talk until 15 minutes into the movie. Before that he just smolders. His boss tries to help him out, tries to send him on a vacation. But he wants to go after the source – not the street pushers, but the top of the pyramid, some guys in Marseille who run a heroin cartel. Of course the agency tells him not to, and of course he does it anyway. (more…)
Driven To Kill
Monday, May 18th, 2009The new Seagal picture DRIVEN TO KILL comes out Tuesday on DVD and futuristic Blu-Ray discs. It’s the one formerly called RUSLAN where he is a Russian gangster turned crime novelist. Check out my review at The Ain’t It Cool News.
Collateral Damage
Wednesday, May 13th, 2009
After revisiting THE RUNNING MAN I decided it would be a good time to catch up on a more recent Schwarzenegger movie I had skipped before.
COLLATERAL DAMAGE is a dumb movie, and not the good kind of dumb. On paper it sounds like it has a zeitgeisty post-911 exploitation revenge premise, but it completely fails to deliver on that premise. It supposedly (according to director Andrew Davis in the DVD extras) means to subvert expectations by having a hero who saves lives instead of takes them, but that point gets muddled too. It’s not a good action movie and it sure as shit doesn’t come across as an effective drama about war, terrorism, interventionism, the cyclical nature of violence, or intercontinental travel.
Arnold Schwarzenegger plays Gordy Brewer, fireman. One day he’s going to pick up his wife and kid, gets there a little late, but just in time to see them get blown up by a terrorist attack. (If you ever see your family from a distance and you’re all smiling and waving lovingly as you approach each other, that means they’re about to be killed so be careful.) He sees the guy responsible (Cliff Curtis, American authority figure in LIVE FREE OR DIE HARD, Colombian terrorist in this one) disguised as a motorcycle cop, so various FBI and CIA types question him and he gets an inside look at the investigation. (more…)
Ong Bak 2
Friday, May 1st, 2009
Usually I prefer to wait to see a movie on the big screen, but when I saw an import DVD of ONG BAK 2 I just couldn’t resist. What on earth is that guy gonna jump off of or over in this one? Who or what will find their bones crushed by his bones? And the thought of that little guy running around on top of elephants… I don’t know man. I wasn’t gonna sit around waiting if I didn’t have to.
I think we all agree that Tony Jaa is the closest thing we got to a New Jackie Chan. Not that his persona or humor is the same or anything. But he’s an inhumanly great martial artist and stuntman whose movies make our jaws drop with feats of physical prowess and death defiance. They don’t make too many of those these days so it’s a big deal. I don’t know about you but I really hadn’t quite had a “holy shit, a guy really did that!?” reaction like that since the heyday of Jackie.
I’m sure Jaa has had chances to come to Hollywood and skip forward to the current TUXEDO era of Jackie’s career, and fortunately he’s resisted so far. Now we know he’s following his own path, because Jackie’s never directed an APOCALYPSE NOW style out-of-control epic. In his directorial debut Jaa went over budget, over schedule, disappeared into the jungle, showed up on some TV show crying, even scared the Weinsteins into un-investing (man, more people should try that trick). Eventually his mentor and director of BORN TO FIGHT Panna Rittikrai took over directing to hep him finish it up in a professional, non-fleeing-into-jungle type manner. The result is a sometimes crazy, always impressive traditional martial arts fantasy, sort of like APOCALYPTO meets CONAN THE BARBARIAN as produced by the Shaw Brothers. (more…)
The Last House on the Left (2009)
Tuesday, March 17th, 2009
WARNING: This review contains spoilers for LAST HOUSE ON THE LEFT remake, LAST HOUSE ON THE LEFT original, VIRGIN SPRING, CHAOS, THE HILLS HAVE EYES remake, and URBAN LEGEND.
Well well well, what do we have here? Looks like a remake of a Wes Craven movie, already unofficially remade as a Demon Dave DeFalco movie, itself based on an Ingmar Bergman movie based on a 13th century ballad based on a legend of why a particular Swedish church was built. I’m not sure the modern moviegoer is concerned with the origin story of the Kärna church, so we gotta wonder what exactly the reason is for this remake. The answer, of course, is that the original movie was first called KRUG AND COMPANY, they didn’t call it LAST HOUSE ON THE LEFT until it had been traveling around for a while. They made it up after the fact, it didn’t really mean anything, so in the movie they never mentioned the location of the house. I saw the trailer for the remake where somebody’s driving down a road and says “it’s the last house on the left.” This is the reason to remake it, you can finally go back and establish that!
Well, actually that line’s not in the movie, and come to think of it there are no other houses in the area at all. “Last house on the left” is not an accurate description of this house. It should be called ONLY HOUSE ON THE STREET. So I guess geographical accuracy is not in fact the reason for the remake. The reason is because they’re going through IMDb and just remaking every god damn movie that ever existed. (more…)
Darkman
Friday, February 27th, 2009I believe you’re all familiar with the director Sam Raimi. You know – kind of a smart ass, wears a tie, master of energetic camerawork, loves the Three Stooges. These days I guess people just think of him as the guy who did the three Spider-man pictures. Nerds curse his name because although the first two touched their hearts and moved their souls the third one was kind of dumb and had a part where he did an evil dance, and apparently in the comic book it is made very clear that the whole point of the Spider-man character is that he would never do an evil dance like that. The Punisher or Blade maybe would do one under the influence of sorcery or an alien ray, but Spider-man – never. So even if Sam Raimi did direct THE EVIL DEAD, EVIL DEAD 2, ARMY OF DARKNESS, SPIDER-MAN, SPIDER-MAN 2, THE QUICK AND THE DEAD and A SIMPLE PLAN it doesn’t matter, that’s all moot now, like Michael Richards’ comedy after he used the n word.
But with this review we gotta transport ourselves back to the early 1990 when Raimi was an underdog, a cult director who had done two drive-in masterpieces and one disowned comedy, and here he was trying to break into the post-BATMAN studio game with a movie that was big budget for him but small compared to the movies it was gonna be held up against. It’s kind of like a comic book movie: a super hero origin story, with music by Danny Elfman, and with ‘man’ in the hero’s name. It’s also kind of a horror movie: he’s a mad scientist and a burnt up Phantom of the Opera type freak whose scarring turns him crazy and murderous. But mostly I think it’s like an action movie: it has R-rated violence, he’s getting revenge one-by-one on the criminals who wronged him, there’s explosions and stunts, and one of the screenwriters is Chuck Pfarrer, the ex-Navy SEAL who wrote NAVY SEALS and HARD TARGET.
Future Academy Award nominee Liam Neeson plays Dr. Peyton Westlake, a scientist working on a liquid skin substitute for burn victims. When his girlfriend (future Academy Award winner Frances McDormand) discovers proof that her sleazy boss (Logie award winner Colin Friels) is making bribes Westlake gets caught in the crossfire and a gang of criminals blows up his lab with him inside. Everybody thinks he’s dead but his burnt near-corpse winds up a John Doe in a hospital where the doctors take the liberty of giving him an experimental surgery that severes his nerve endings so he won’t feel the burns. The only negative side effects are that he has lost the sense of touch and that he has very sensitive emotions that can cause him to fly into a blind rage with an adrenaline rush that gives him the strength of ten men. Otherwise everything is fine. (more…)
Hit List
Monday, July 14th, 2008Here’s a VHS only action piece from director William Lustig, who I got some respect for due to the sleazy horror movie MANIAC and the badass Robert Forster revenge thriller VIGILANTE. (whoah, I never realized how similar those two titles are.) This one is closer to VIGILANTE although it was a work-for-hire deal for Lustig and not his usual New York-based independent filmmaking.
Basically this is the story of a regular guy whose kid is mistakenly kidnapped and he tries to get him back. I thought because of the title that he would have a list of people to get revenge on, but really he’s just going after this one guy who has his kid.
Like VIGILANTE alot of the fun is in the ridiculous way the story unfolds. There’s this mobster (Leo Rossi) who gets busted and the feds are trying to get him to turn over on his mentor (Rip Torn!). Torn has a badass hired killer to take care of any potential prosecution witnesses, so the feds have Rossi and his son cooped up in a suburban house. But the phone is tapped so the killer is dispatched to this address.
Meanwhile, our hero’s son is having trouble being picked on by bullies. His “Uncle Brian” (Harold Sylvester in a Steve James-style thankless role as the badass African-American friend who gets killed immediately) teaches him a few karate moves. Then he shuts the door too hard and the 9 on their address flips over to look like a 6. So the killer comes to the wrong house, shoots Uncle Brian and mom and kidnaps who he thinks is Rossi’s son. (more…)
The Exterminator
Thursday, February 7th, 2008THE EXTERMINATOR is a crude but enjoyable vigilante action movie from 1980. It’s kind of in the vein of ROLLING THUNDER but closer to the quality level of THE PARK IS MINE. Robert Ginty plays a troubled Vietnam vet whose best friend (Steve James, more on him later) gets paralyzed by a gang so he kills them in revenge, then decides to declare himself The Exterminator and go murder various criminals. Now that I think about it this is actually in the vein of THE PUNISHER (either version), but it came before those movies.
You know this movie means business when the very first shot is the main character being tossed through the air by a huge explosion. There’s not even a studio logo before that, that is the very first shot. It starts out with a gruesome battle in Vietnam that explains why a dude would be troubled enough to become The Exterminator. There’s a very realistic and disturbing beheading in this scene. Stan Winston was one of the effects guys. It’s one of those action movie paradoxes because on one hand these things are what torments the main character, they are what cause him to go crazy and what he flashes back to when he’s murdering criminals. But on the other hand we think they are awesome. We want to see explosions and beheadings. As viewers, what’s worst for him is best for us. We are cruel gods.
(Not so, by the way, in most horror movies. In horror movies if they’re working you are hoping the person gets away. I mean how many beloved horror movies can you think of that show very little violence? HALLOWEEN, TEXAS CHAIN SAW, and many earlier classics. There are many. But an action movie is not an action movie if it doesn’t show the action. That makes it a drama. I don’t know why these “torture porn” people aren’t up in arms about action movies. I guess we’ll have to wait until they start making good ones again, then they’ll go after them.) (more…)
Death Sentence
Sunday, September 30th, 2007Kevin Bacon plays a regular ol’ businessman guy whose son is randomly murdered in a gang initiation killing/convenience story robbery by tattoo-having, muscle car-driving, meth-dealing fantasy skinhead gangsters. When it becomes clear that the killer will only get a few years in prison he decides not to testify so that the case will be dropped and then he hunts the guy down and murders him. That is why it is called DEATH SENTENCE. The end. (more…)
