"I take orders from the Octoboss."

Max Payne

MAX PAYNE is the story of the conveniently named Max Payne (Mark Wahlberg), a burnt out shell of a man working as “a glorified file clerk” in the dark caverns of the cold case department of the such and such police department. (IMDb says New York, I thought it was supposed to be one of those New York-like nameless Every-Cities, but whatever.) But actually he doesn’t work, he just spends his days gloomily trying to find out who killed his wife and baby an unspecified time period ago. (Long enough ago that his wife’s co-workers don’t recognize him.)

Everybody describes Max as this scary guy – they think he never sleeps, and at one point a guy compares interaction to him with kids holding their breath as they walk past a graveyard. But Wahlberg is in his regular grimacing badass mode. He’s cool but the way they talk about him he should be a walking mess of a man, not just a sculpted tough guy who doesn’t smile. Oh well.

Max PayneThere’s a good scene early on where three junkies try to jump Max in a public restroom and are disturbed to find that he knows their names and what they’ve been doing all day. “You’re following us?” one of them says. “No, I’m following you,” he says. Ass kicking ensues. Another nice touch in this scene: he takes the guy’s gun but instead of firing it at him he throws it in the sink and pulls out his own, more powerful gun.

But as the mystery begins to unfold we start to see musclemen with ritualistic tattoos and shadowy demons chasing after people. In the end it turns out to have a reasonable explanation but at the time you worry this is some kind of CONSTANTINE type deal. Unfortunately the character and action scenes are only about halfway there and the mystery isn’t involving enough to fill the gap.

This is one of those movies where at the end there’s a credit sequence that seems like it was designed to go at the beginning. As the names appear, flames noisily spray across the screen, things explode into sparks, bullets fly past. The title of the movie racks itself and ejects a bullet casing. I always enjoy credits that explode or bleed, but isn’t that a little dishonest for a movie that was originally released PG-13? Anyway, I’m glad they saved it for the end because this way I was able to be surprised and laugh every time an unexpected actor showed up: Mila Kunis from FORGETTING SARAH MARSHALL as a tough Russian mafia girl (not sure if wearing sunglasses is enough to make that convincing), BATMAN AND ROBIN’s Chris O’Donnel as a corporate drone, Screen Actor’s Guild award winner Chris “Ludacris” Bridges as a police detective, Beau Bridges as a character named “B.B.” which I will go ahead and assume stands for “Beau Bridges” and that this is a 100% factual re-creation of events from his actual life. Bridges is a nice old friend of Max’s, so I’ll let you guess whether he will die horribly for helping Max or whether he will turn out to be the bad guy.

In the interest of fairness I want to mention that I was impressed by O’Donnel’s performance. He did a great job of portraying the nervous paranoia of a guy who has to decide between helping Max Payne and staying alive. One of the better moments in the movie is when he’s in his office trying to appear helpful to Max Payne, everything seems to be going okay and then Max goes over and locks the door. Gulp.

The trailer for the movie kind of looked like a John Woo homage, so I was semi-interested until I found out about the PG-13. It turns out it’s not much of a shootout movie anyway, although it has its share of moments where it gets silent as Wahlberg falls backwards or a bullet fires in very, very, very slow motion. But it’s not so much a John Woo tribute as Woo filtered through the Matrix and probaly into the video game this was based on.

The city has a stylized look, sometimes looking almost black and white and always snowing (I think the only time you see sunlight is in flashbacks and visions of the afterlife). It reminded me of SIN CITY although thankfully it didn’t have that phony green screen look. But it made me wonder if SIN CITY and THE SPIRIT have killed the stylized city for now. Especially after the 1989 BATMAN there were so many movies that took place in a heightened, heavily art designed city that looked somewhere between reality and a cartoon. I used to enjoy that sort of look, and it’s not like they do a bad job on this one, but I think maybe it just doesn’t cut it anymore. Or maybe I’m getting too old.

The snow in the movie doesn’t look very real, it’s the fake snow that’s too light so it floats in all directions instead of just down. This is of course a small complaint but there’s a scene where Mila Kunis knocks on a door and a feather that is part of the fake snow bounces off the door and floats off, casting a large, distinctly-feather shaped shadow on the door. A goof like that is not really the sign of a bad movie but the fact that I rewound it three times and found it more interesting than what was actually going on probaly is.

In that same vein, I got a chuckle in a part where gunmen signal each other before kicking a door in, and the one guy gestures four times. Who goes on the count of 4? How did the other guy know not to go on 3?

If you do watch this movie – which I don’t really recommend unless you’re bored and it’s on cable, on a plane or your friend left it at your apartment – I suggest watching until the end of the credits. There they have a nod to one of my all time favorite badass maneuvers, the Unspoken Agreement of Revenge. This would’ve been a cool way to set up the sequel if, you know, there had been a reason to make one.

This entry was posted on Sunday, January 18th, 2009 at 3:04 pm and is filed under Action, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

6 Responses to “Max Payne”

  1. Finally saw this on HBO – expectations were rock-bottom so I strangely didn’t think it was that bad. Easily better than Hitman, Mortal Kombat II, Super Mario Bros, or the Boll films (faint praise, I know).

    Sure, it’s too light on action (it takes EXACTLY one hour for the first real shootout to happen, which is not good in a 90 minute movie), and the script is weak (why couldn’t they just use the plot from either of the two games?). Plus Ludacris can’t act to save his life, and Mila Kunis looks like someone’s kid sister trying to play tough, but whatever – the action sequences are exciting and fun to look at, and that’s good enough for me right now. It’s actually kind of bold that in a movie based off a game that’s basically a love-letter to John Woo, the action scenes were nothing like Woo (and thankfully nothing like Bay – no quick cuts, just good solid 80s style action).

    BTW – the lack of blood didn’t really detract – I’ll take a shotgun blast that throws a guy back 20 feet over squibs anyday.

  2. This movie sucked. Just saw it one HBO. Completely bland, by-the-numbers and not even executed with any degree of style or personality to distract from the rigid formula. Good action? Not really, seeing as how every action scene is Mark Whalberg of Mila Kunis stand still and empty clips into largely empty rooms and people fall down. The only vaguely funny part was when Wahlberg takes the drug, and stands up and does a lion’s roar in slow motion with a really ANGRY look on his face. That was hilarious.

  3. As someone who’s a big fan of the game, this movie is a huge failure. This should’ve been a balls-out R-rated John-Woo style action movie, with multiple epic shootouts. It’s supposed to be a dark, gritty, and dirty detective story, instead it’s shot like its Sin-City, all this fake glossiness. A big shame because I had thought if any game could be turned into a successful movie, it would have been this one.

  4. I haven’t seen the movie yet, but I heard it was only loosely based on the games, which are semi-satirical (ie lots of funny moments) takes on the “hard boiled revenge story”

    they’re also really good from a pure gameplay stand point

  5. The Mona Sax character is something Linda Fiorentino should have played back in her prime.

  6. Man, did I have a crush on Fiorentino when I saw THE LAST SEDUCTION….

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