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Posts Tagged ‘Dick Warlock’

Raven Hawk

Thursday, December 15th, 2022

TAPE RAIDER ALBERT PYUN TRIBUTE PART 3: RAVEN HAWK

RAVEN HAWK is yet another Albert Pyun movie only released on VHS in the States. The only one of this review trilogy to not include any cyborgs. According to IMDb, it was #3 of five Pyun releases in 1996 (the others being ADRENALIN: FEAR THE RUSH, NEMESIS 3: TIME LAPSE, OMEGA DOOM and NEMESIS 4: DEATH ANGEL), but was filmed in 1993. It was meant for theatrical, but ended up premiering on HBO. Written by Kevin Elders (writer of IRON EAGLE, director of SIMON SEZ, therefore a legend), it’s a very basic but pretty appealing revenge movie. It follows in the tradition of the THUNDER WARRIOR trilogy (itself inspired by the success of the BILLY JACK series) in trying to mine the thrill of a Native American hero standing up to racist white bullies and land stealers. But what makes it stand out is that the hero is played by bodybuilding champion Rachel McLish, who was in PUMPING IRON II: THE WOMEN and then stole the show in ACES: IRON EAGLE III.

In the prologue, Senator Stansfield (John de Lancie, Days of Our Lives, Star Trek: The Next Generation) – who’s on the phone talking in an evil voice while a naked lady lounges by the fire nearby – pressures his stooge Thorne (William Atherton, DIE HARD) to finish “negotiations” with the tribal council to approve a land deal to build a nuclear power plant. (In a dark touch, he says if they don’t do it now the Department of Transportation will build a freeway there. Either way, the Natives are fucked.) (read the rest of this shit…)

Child’s Play 2

Tuesday, November 22nd, 2016

tn_childsplay2“It doesn’t matter. Wherever I go, Chucky will find me.”

CHILD’S PLAY 2 is an unnecessary but entertaining continuation of the story of young Andy Barclay (Alex Vincent) and that time when his mom accidentally bought him a doll that was possessed by the soul of Chicago serial killer Charles Lee Ray, a.k.a. The Lake Shore Strangler.

We pick up two years later. Andy is being put into foster care while his mom Karen is in a psychiatric hospital for believing in killer dolls. We only see her in a photo, but I’m gonna assume she’s in there doing pullups and getting buff like Sarah Connor when she was locked up for similar reasons. Andy goes to stay with Phil (Gerrit Graham, POLICE ACADEMY 6) and Joanne (Jenny Agutter, AN AMERICAN WEREWOLF IN LONDON) Simpson, though Phil doesn’t seem to like him and has very reasonable concerns about whether they’re qualified to raise a horribly traumatized kid.

Andy grew up in a small apartment in the city, now he’s in this huge house, he gets his own room with a bunch of toys, which he’s excited to see, but obviously he misses his mother. He doesn’t know when he’ll see her again, or how long he’ll be able to stay here. And he’s never had siblings before, but now there’s this teenager named Kyle (Christine Elise, BODY SNATCHERS). He walks into her room and she’s smoking and gives him attitude. She’s been the for three weeks but hasn’t unpacked because she’s never been able to stay anywhere for more than a month, and doesn’t expect that pattern to change. Andy overhears the Simpsons talking about him and feels bad, he gets scared of dolls, he’s not used to having a dad at all, let alone a strict one. But Kyle reassures him that Phil’s not that bad (she’s had much worse). So it’s just a movie about the challenges of being a foster child or a foster parent and stuff like that. That’s pretty much it. (read the rest of this shit…)

Halloween II

Tuesday, October 6th, 2015

tn_halloweeniiHALLOWEEN II is… not HALLOWEEN. But I guess that’s why they added the “II” on it. I should’ve caught that.

Continuing immediately from the end of John Carpenter’s genre-defining much-imitated timeless unkillable masterpiece classic, and using most of the same crew (including cinematographer Dean Cundey), it’s able to imitate the style enough to recapture the feel sometimes. Other times it just emphasizes how outstanding and impossible to duplicate Carpenter’s touch was.

To be fair, this was written and produced by Carpenter and Debra Hill, scored by Carpenter, who also chose the director, Rick Rosenthal (who later ended the series in disgrace with HALLOWEEN: RESURRECTION) on the basis of a short he directed. Then, when it was filmed and Carpenter didn’t think it was scary enough he went and shot gorier death scenes. So he has a hand in it, for good or bad.

This is one of the rare sequels that just continues exactly from the ending of the last one. So it starts by replaying the ending of the original, where Dr. Loomis (Donald Pleasance) shows up to rescue Laurie (Jamie Lee Curtis) by shooting Michael “The Shape” Myers (in the new footage played by stunt coordinator Dick Warlock, the only major cast change), who then disappears. I always wonder if the end of HALLOWEEN, a series of shots of empty locations, was meant to imply that Michael could be anywhere, or that he IS everywhere. But part II goes with the first choice. He snuck off.

The sequel proper begins with an excellent steadicam P.O.V. sequence. Carpenter has his scene from the point-of-view of young clown-costumed Michael spying on and then murdering his sister on Halloween night. Rosenthal has adult Michael walking around dark Haddonfield unseen by unsuspecting suburbanites. We hear his breath, the dogs barking and nearby cars driving by as he walks through an alley and looks into people’s homes. Some of the innocents he comes across are doomed, most will not know how close they came, or that they walked right past him without noticing his presence. (read the rest of this shit…)