Posts Tagged ‘Kris Kristofferson’

Planet of the Apes (2001 remake)

Wednesday, July 27th, 2011
tn_pota2001

chapter 10

logo_summer2001smallreleased July 27, 2001

Well, so far this summer of 2001 we’ve been having hasn’t been too hot. But at least we got that new Tim Burton movie coming out, right? I don’t know why they gotta remake PLANET OF THE APES but it’s a great cast and that guy knows what he’s doing, I’m sure he’ll do something interesting with it.

Nope. 10 years later I’m not sure I need to explain why the PLANET OF THE APES remake is no good. I don’t remember there being an argument about it at the time, or ever encountering anybody that liked it in the decade since. It was a bad idea, it was not good, let’s all pretend it never happened. The end.

But I’m doing this thing so let’s do it. (more…)

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The Tracker

Friday, January 8th, 2010

tn_thetrackerKris Kristofferson is… THE TRACKER. He’s like Tommy Lee Jones in THE HUNTED, except this is the Old West so it’s probly both a more common skill set and a more useful one. He’s a guy who can glance at some footprints in the dirt and tell you how many people were there, their size, what kind of horses they had, how long ago it was, possibly their political beliefs and religious backgrounds. There’s a part where he points out where a horse is leaning to the right on every fourth step and that means the rider is holding his gun a certain way which means he’s left handed. (Which I don’t think turned out to be important, it was just showing off I guess.) Man, I couldn’t even tell which one was the fourth step, but this guy’s so used to knowing this shit he thinks it’s easy to explain. His name is Noble Adams and he’s famous enough that the guy he’s after is honored and almost star struck when he finds out who’s tracking him. (more…)

Freedom Road

Thursday, January 7th, 2010

tn_freedomroadTime for a little history lesson. Not about the American post-slavery period known as Reconstruction (which is what this movie is about) but about TV movies. It’s hard for young people to wrap their heads around now, but there was a time when TV movies actually could be big events, a major shared element of our culture. This was when there were only a few channels, and none of them were SyFy, and movies about giant komodo dragons or snakes were not yet common. Believe it or not there were even sometimes TV movies where the people making them actually tried to do a good job. In fact, there were honest to God movies on TV that put some theatrical films to shame, like Spielberg’s DUEL and Carpenter’s SOMEONE’S WATCHING ME. Of course, most of them weren’t as good as that, but alot of them were at least memorable. In the ’70s and ’80s there were true crime movies to creep the shit out of us, like THE HILLSIDE STRANGLERS, THE DELIBERATE STRANGER, I KNOW MY FIRST NAME IS STEVEN. Or if you want to get real frightening there was the nuclear war movie THE DAY AFTER.

1979’s 4-hour mini-series FREEDOM ROAD fits into the Important Historical Epics category like ROOTS or SHOGUN or I WILL FIGHT NO MORE FOREVER or some James A. Michener type shit. It’s about a man who goes from a slave to a soldier to a delegate to an educated black man to a senator and freedom fighter uniting former slaves with lower class whites to stand up against racist politicians and thugs and create a stable life for themselves. But the main reason to watch it is the star: Muhammad Ali. (more…)

Lords of the Street

Friday, September 19th, 2008

Take a look at that cover there. If you know me then you know I had to watch that movie.

I’m not stupid. I knew it would be, uh… problematic. “Probaly unwatchable” is I believe how I pre-described it to friends. But I figured as long as it stars the team of DMX and Kris Kristofferson I’m gonna get something out of it.

True, DMX has failed to deliver on the promise I thought I saw in him when I first saw BELLY. He seems to have pretty much lost his mind (up in here, up in here) and is not above making cameos in unwatchable DTV garbage in order to pay the legal bills for his poor driving, impersonating of federal officers and lack of dog feeding. So DMX alone is not a selling point.

But teamed with Kris Kristofferson? Blade’s mentor? FIRE DOWN BELOW’s villain? Mohammed Ali’s white cohort in the TV movie FREEDOM ROAD? Guy who should play me in a movie if Nick Nolte is not available? Could the creators of the albums ‘The Silver Tongued Devil and I’ and ‘It’s Dark And Hell Is Hot’ really be standing side by side, weilding their guns in a fortress of flames and sparks?

That is a hell of an odd couple there. Those two names above the title sold me. They didn’t even need to bother with that terrible photoshopping, they already had me. (more…)

Payback

Saturday, January 1st, 2005

Well in late December as I was preparing to face down the ol’ Y2K problem I got to thinking about the old Mad Max and Road Warrior movies I used to like so much, and that got me thinking about Mel Gibson, the young Australian actor who played Mad Max.

Well okay, I admit that Mel hasn’t amounted to as much as we as a society thought he would back in those days, but that doesn’t mean you can Write the man off entirely. I know what you are thinking, this dude hasn’t done shit since Mad Max so just forget about him. But sometimes even after he’s considered washed up by the general public an actor or actress is still putting out high quality type performances with little recognition.

At the video store I found one Mel Gibson film called Ransom, about a kidnapping. I figured okay this will be good, it’s probaly about a cop named Ransom, I’m thinking most likely John Ransom. Well turns out he’s not John Ransom, Ransom is just the name of the movie and not Mel Gibson. He’s not a cop either, he’s just a rich guy. But his name isn’t Ransom. So I decided to give this one a pass and pickup Payback instead.

Turns out his name is Porter in Payback but at least he’s not some rich guy. He’s not a cop either but come to think of it why the fuck does the star of an action movie have to be a cop anway? I mean nothing against McClane but let’s face it, if you had to pick one occupation of guys you want to hang out with, it’s not going to be a fucking cop, jesus. That’s why I haven’t been watching as much TV lately, I mean if I want to see cops and lawyers I’ll just answer the door. (more…)

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Bring Me the Head of Alfredo Garcia

Saturday, January 1st, 2005

Bring Me the Head of Alfredo Garcia. Can you believe that? Bring Me the Head of Alfredo Garcia. Has there ever been a better title for a film of Badass Cinema, because I don’t think there has. Leave it to Sam Peckinpah, that lovable old drunk who spent his whole career fighting with studios and filming innocent kids standing by the side of the road watching as horrible atrocities took place in slow motion to come up with a title like that. I don’t think that one will ever be topped.

I really like Peckinpah, especially one that I guess is not generally considered one of his best, The Getaway. I like that this is a guy who makes violent westerns and crime movies but instead of trying to dazzle the audience with explosions and car chases, he seems to pour his filthy old grizzled alcoholic soul into it. All of his frustrations, problems and paranoid delusions seem to end up in there somewhere. He knows that a good personal film is not necessarily about some dude reading poetry and being misunderstood by the ladies.

I never knew what this one was about, but I always wanted to see it because of that title. And people recommend it to me all the time as one of the greats of Badass Cinema. It placed #77 on the original Badass 100, but with its reputation and inevitable some day release on American DVD, I bet it will slip up a little higher if we ever revise that list.

But I gotta be honest, just to help out anybody that might be in that same situation. As great as this movie is, it is not as COMPLETELY FUCKING BAD as the title may imply. And I’ll explain why but let me tell you what it’s about first.

The movie starts out like a beautiful postcard in some Mexican villa somewhere. Ducks swim in a little lake while a young girl, obviously pregnant, sits at the shore. The girl gets brought inside to face her rich and powerful dad, who has his men rough her up until she will say who the father is: Alfredo Garcia. The old man is sad. “He was like a son to me.” And then of course he tells his men there will be a million dollars for whoever brings in this Alfredo’s head. (more…)

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Blade II

Monday, March 25th, 2002

Earlier this week I saw a highly anticipated sequel, based on an old comic book character, a half man/half vampire who has become the best vampire killer there is. He travels the world, even during sunlight, cloaked in black, wielding a sword, slaying vampires. This time around he is after the same prey as a macho team of fighters who are both his rivals and reluctant allies. Their quest takes them to the seat of vampire royalty, and along the way – against his nature – he forms a tender friendship with a female on the rival team of fighters, and stays with her until the end.

That wasn’t Blade II though, it was some cartoon called Vampire Hunter D: Bloodlust. Actually that’s what it says on the box, but the title screen just calls it Vampire Hunter D. (Just like the ticket stub for Blade II called it Blade II: Bloodhunt, but the title screen just called it Blade II.) This movie has rightfully been praised for its cartoon drawing, which is very detailed and elegant. Much more interesting than that blue hair, big eye japanese stuff certain musty smelling individuals can’t get enough of. But what surprised me though, I thought the story was real good.

It’s got kind of a Hong Kong feel because none of the characters are really the good guys or the bad guys. At first you have to side with D, because he’s hired to save this girl who’s been kidnapped by a vampire. But later you learn that she’s actually in love with the vampire, and went willingly. D’s quest starts to become morally questionable, especially since he’s doing it for the money. At first he convinces himself that the girl doesn’t know what she’s doing, she’s been seduced, whatever. But the vampire really seems to like her – I mean, he walks into sunlight, his skin boiling, screaming in pain, just to embrace her. How many cartoons have art this good, characters this ambiguous, full of this much violence and monsters AND emotion? Definitely one of the best cartoons of last year, it pees all over those movies that were nominated for the cartoon oscar. Even the monsters one. (more…)

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