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Posts Tagged ‘DC Comics’

Joker

Tuesday, October 8th, 2019

I think my favorite movie by director Todd Phillips (ROAD TRIP, STARSKY & HUTCH) is still his 1993 student film HATED: GG ALLIN & THE MURDER JUNKIES. It’s a documentary about an infamously transgressive punk singer skipping parole to do a tour where he kind of plays music, but the shows usually end soon after he shoves someone’s banana up his ass or smashes a woman’s nose with a beer bottle or shits on stage and throws it in the crowd. Phillips was clearly aware of the absurdity of his subject, but also in awe of someone living their life as a human middle finger. The director’s new film, JOKER, won the Golden Lion at the 76th Venice International Film Festival, and shows an evolution in his film craft, but not necessarily in his world view.

Let’s take a moment to consider that when BATMAN & ROBIN came out there is no way in hell any of us could’ve guessed that in 22 years one of our generation’s most respected actors would star in a super-fucked-up hard-R ‘70s period piece Scorsese knockoff character study vaguely based on (and officially branded as) an iconic Batman villain. Much less that it would be controversial only for reasons other than “it’s too scary for kids.” It’s a crazy world we’re living in. Almost like… the Joker. Oh my god. (read the rest of this shit…)

Shazam!

Tuesday, August 20th, 2019

SHAZAM!, as a super hero premise, is no Batman. Or Aqua Man. Or Plastic Man. Or Meteor Man. He’s just some kid who meets a fuckin wizard in a cave who gives him the ability to turn into your standard adult muscular flying off-brand Superman-type cape guy. For the several years that they were talking about making a SHAZAM! movie, even when The Rock was gonna play the bad guy, I assumed I wouldn’t bother to watch it. But when it finally got made by LIGHTS OUT director David F. Sandberg – The Rock has a producer credit, but isn’t in it – it had a good enough trailer that I gave it a shot on video.

It begins in the past, when a kid (Ethan Pugiotto, MY BIG FAT GREEK WEDDING 2) and his dad (John Glover, MEET THE HOLLOWHEADS, BATMAN & ROBIN) and older brother (Landon Doak) are involved in a car accident, and as it’s happening the kid somehow flashes from the backseat of the car to the cave where the wizard (Djimon Hounsou, ELEPHANT WHITE) explains the mythology of the movie, which involves magic powers he has to pass on to a new hero, and monster statues representing the seven deadly sins. But after some simple testing I guess the wizard determines this kid is a dick and not worthy of the powers in question, so he turns him away. (read the rest of this shit…)

Aquaman

Friday, December 28th, 2018

AQUAMAN is about a Superfriend, but it’s much more than a comic book movie. Arthur Curry (Jason Momoa, Baywatch) is the son of a lighthouse keeper (Temuera Morrison, STAR WARS II, THE MARINE 2) and the Queen of Atlantis (Nicole Kidman, BMX BANDITS). After his mom was taken away and possibly killed by her kingdom, Arthur grew up a landlubber, but with some clandestine swim and fight training by the vizier Vulko (Willem Dafoe, SPEED 2: CRUISE CONTROL). Like Arthur, the movie is a bridge between two worlds, that of an action movie and an epic fantasy. And Momoa, having been so good in BULLET TO THE HEAD and BRAVEN, but more known for Game of Thrones and CONAN THE BARBARIAN, is the perfect actor to do that.

Arthur, a.k.a. The Aquaman is a beer-stein-pounding lout and freelance swimming vigilante living in a small coastal town. In the opening he rescues the crew of a submarine from high-tech pirates – his version of stopping a grocery store or mini-mart robbery. Though he can communicate with fish, he’s your basic rowdy tough guy complete with black duster and slo-mo glory shots accompanied by rockin guitars just this side of “Bad to the Bone.” So he’s resistant to all this heir-to-the-throne-of-Atlantis shit, but by the end he’s given the beast-riding, lightning-throwing, fantasy painting god opportunity that CONAN failed to provide for Momoa. (read the rest of this shit…)

Justice League

Tuesday, November 21st, 2017

(SPOILERS)

Sometimes, you know, Superman dies, so a bad guy decides to conquer the world, so you have to put together a team of other super heroes to fill in for Superman, but then you decide to bring him back to life, but he seems evil at first and fights you, but then he chills out while you fight the CGI guy, then he shows up. JUSTICE LEAGUE is a perfectly watchable, okay super hero romp, with a hefty serving of the humor everyone thought was missing in the last two Superman pictures, but no more sense, and very little of the gravity or operatic style. Goodbye worshipful awe of Superman, hello green screened-in undercutting gags.

Oh, but don’t worry, when Aqua-Man smashes through a building it’s been painstakingly established that it’s in an abandoned town. That’s the most important thing, obviously.

The invasion foreshadowed at the end of BATMAN V. SUPERMAN: DAWN OF THE LIVING JUSTICE is at hand. Batman knows it because a Geonosian “Parademon” flies up while he’s hanging a thief off a rooftop. I think he was using the poor guy as bait (the things smell fear), but possibly it’s just a weird thing that happens while he’s on the job. I like that when the creature appears Batman and the criminal seem to completely drop their conflict and have a conversation about how fucked up things are since Superman’s death. A little bonding between fellow humans. A nice moment. (read the rest of this shit…)

Batman & Robin (20th Anniversary Ice-travaganza)

Tuesday, June 20th, 2017

BATMAN & ROBIN is 20 years cold, and CHILLED TO PERFECTION!

“There’s nobody else to blame but me. I could have said, ‘No, I’m not going to do it.’ I just hope whenever I see a list of the worst movies ever made, we’re not on it. I didn’t do a good job. George did. Chris did. Uma is brilliant in it. Arnold is Arnold.” –Joel Schumacher to Variety, 2014

a survey of summer movies that just didn’t catch on

It was June 20, 1997, and I thought BATMAN & ROBIN was the stupidest, most tasteless, worst big budget movie ever made. After the wholesale awfulness of BATMAN FOREVER went over well with audiences willing to sanction its buffoonery, Warner Brothers allowed director Joel Schumacher to go full Schumacher for the next one. It’s the same admirable, director-friendly approach that led to Tim Burton’s BATMAN RETURNS, and the bean counters would come to regret it once again. Schumacher’s purest artistic vision is like the aftermath of a rainbow sherbet fight in the costume storage warehouse for an ice skating troupe. He keeps the moody Elliot Goldenthal score and themes of mourning and vengeance, but buries them in a day-glo fantasia of overacting, bad puns, fetishistic rubber costumes and theme park stunt show style super hero battles. For me it became Exhibit A in any argument against the “It’s Not Supposed To Be Shakespeare/Check Your Brain At the Door” school of summer blockbuster permissiveness.

I wasn’t wrong. But twenty years later to the day, after many truly great summer movies, some of them even starring Batman, it’s easier for me to appreciate the uniqueness of BATMAN & ROBIN – the outrageously tacky designs, the subversively in-your-face homoeroticism, the laugh-out-loud ludicrousness of the plot and dialogue and settings and action, and especially the spectacle of Arnold Schwarzenegger in a bulky metal costume and glittery blue makeup as Mr. Freeze, playing like a simultaneous parody of over-the-top Batman villains, blockbuster excess and his own penchant for groan-worthy one-liners. He makes more than two dozen ice or cold related cracks without losing his boyish, gap-toothed Arnold charm.

Today I am prepared to admit that I own BATMAN & ROBIN on Blu-Ray. And have watched it twice in that format. And on purpose.

Ah shit, you guys. I like this stupid movie now. (read the rest of this shit…)

Wonder Woman

Wednesday, June 7th, 2017

Remember when they first announced Gal Gadot would be playing Wonder Woman, and people complained? I remember, because to those of us of the Fast & Furious faith, we knew her as Gisele, and it offended us that they would disrespect her like that. We knew she could be good.

Turns out she’s great. I can’t imagine a more perfect actor for this interpretation of the character. She’s the best thing about an overall sturdy movie.

In a quick prologue, young Diana – they never call her Wonder Woman, but I will, because I don’t feel like I’m on a first name basis with her – gently defies her mother Queen Hippolyta (Connie Nielsen, SOLDIER, DEMONLOVER, 3 DAYS TO KILL) to train with her badass aunt General Antiope (Robin Wright, BEOWULF, MONEYBALL, THE GIRL WITH THE DRAGON TATTOO) to become a great warrior. She lives a good life of training montage and power discovery on the all-female island of Themyscira, until one day a fuckin dude floats up on shore.

It’s Steve Trevor (Chris Pine, SMOKIN’ ACES), a WWI flying ace and Allied spy shot down while trying to escape with stolen plans for a deadly chemical weapon. German soldiers attack and feel the wrath of the Amazons, a great action scene where Antiope gets the most badass move: a flip and mid-air simultaneous firing of three arrows that hit three different foes. So clearly Wonder Woman learned from the best. (read the rest of this shit…)

Steel

Tuesday, May 16th, 2017

tn_steelIn 1998, we got the first ever black Marvel super hero on film, Wesley Snipes as BLADE. An important milestone in pop culture, a breakthrough for Wesley Snipes, one of the great films of the decade and of the comic book genre. It’s momentous no matter how you cut it. For the record, though, DC was ahead of the curve. They had their first black super hero on film one year and one week earlier than Marvel.

But, uh, to be clear it was… Well, it was STEEL. There’s no other way to say it. The movie was STEEL. That’s the only thing about it.

Shaqille O’Neal is Steel (Christian name John Henry Irons), an inventor of experimental weapons for the U.S. military. We first meet him demonstrating a sonic cannon test model with his friend Sparks (Annabeth Gish, WYATT EARP) and some fucking asshole named Nathaniel Burke (Judd Nelson, NEW JACK CITY). We know John is a nice guy because he’s telling a senator about his weapons being non-lethal.

“You like that?”

“Not killing? Yes ma’am, I do.” (read the rest of this shit…)

Suicide Squad

Monday, August 8th, 2016

tn_suicidesquadFor many years, Warner Brothers had pretty good luck making Batman and Superman movies. With SUPERMAN: THE MOVIE they pretty much invented the comic book movie. With BATMAN they reinvigorated it. Sure, there were those Joel Schumacher movies that put the whole venture in peril, but then they took the genre to the next level when they let Christopher Nolan start over and do his very successful and influential trilogy. They’ve had more hits than misses, I think.

But now the rival Marvel Comics company has their whole interconnected movie universe thing, and everybody’s gonna be jealous of their neighbor’s sports car, I guess, so WB is trying to do one of those for DC Comics. So far this has caused excitement followed by disappointment.

But the upside is that because they’re desperate to show off all these characters they own they went for the cool idea of SUICIDE SQUAD, a comic where a bunch of the villains from other comics are taken out of prison and forced on dangerous missions for the government, DIRTY DOZEN or Snake Plissken style. Popular bad guy characters are able to be enjoyed as anti-heroes, and get some amount of redemption for that time when they tried to rob a bank but the Flash caught them or whatever. The movie version is written and directed by David Ayer. That’s the guy who used to be known for writing TRAINING DAY, but more recently he’s come into his own as a writer/director with END OF WATCH, SABOTAGE and FURY. He can also brag that he has a writing credit on THE FAST AND THE FURIOUS. (read the rest of this shit…)

Batman: Assault On Arkham

Thursday, August 4th, 2016

tn_batmanaoasummer2016originsBATMAN: ASSAULT ON ARKHAM is one in a long series of DTV animated movies based on the super hero works of the DC Comics company (#20 out of 26 so far, according to Wikipedia). This is a particularly too-PG-13-for-kids one (a sex scene, exploding heads, a few naughty words, bullets going into a decapitated body, unceremonious deaths of characters your kid may love if he or she is weirdly knowledgeable of third-string DC villains), and although it’s marketed as a tie-in to the Batman Arkham City video games it’s actually a Suicide Squad cartoon with Batman as a supporting character.

We all know the concept of Suicide Squad now, thanks to this summer’s live action version. It’s a DIRTY DOZEN type team but instead of army troublemakers the members are the enemies of various super heroes. This version starts when shady government official Amanda Waller (CCH Pounder, FACE/OFF) oversees her SWAT team getting The Riddler (Matthew Gray Gubler, EXCISION) snatched out from under them by the fucking Batman (Kevin Conroy, YOGA HOSERS). They want Riddler for some secret black ops something or other, but Batman gets him into the regular legal system, locked up in Arkham Asylum. (read the rest of this shit…)

Batman v Superman: Dawn of Justice

Monday, March 28th, 2016

tn_bvs(HEAVY SPOILER REVIEW)

Here’s a weird thing about gigantic blockbuster movies based on popular licensed characters: you can end up making a sequel aimed less at the fans of the first movie than at the people who saw it once and have still not stopped complaining about it. At least that’s the fool’s errand that director Zack Snyder and writer David S. Goyer (this time rewritten by Academy Award winner Chris Terrio) chose for themselves on BATMAN von SUPERMAN: DAWN OF JUSTICE, which selects as its primary theme the criticisms that people had of part 1.

To this day I don’t feel like I understand the widespread outrage at MAN OF STEEL for having a comic book style battle between super beings where buildings were destroyed in the process. I still haven’t noticed this standard applied to any other movie or comic book (including the cover of the very first issue of Superman!) and I stand by everything I said in this essay about how wild misinterpretations of MAN OF STEEL have become conventional wisdom. Still, I gotta thank all of you for doing that because I suspect it inspired the most intense and cinematic section of BATMAN vehemently opposed to SUPERMAN, in which we see the Superman v Zod battle from an even more human perspective than before. Specifically, from Bruce Wayne’s point-of-view as he runs fearlessly into the destruction and tries to help.

We only see the Kryptonians in tiny glimpses, far away, high in the sky. Mostly we see raining glass and brick and glowing energy beams in their wake. They truly are gods. And now we specifically see that rubble landed on one guy and are told that a woman is missing. And Bruce Wayne doesn’t like it.

(SPOILER: Bruce Wayne is Batman.) (read the rest of this shit…)