"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Daniel Waters’

Batman Returns

Monday, July 11th, 2022

“It’s the so-called normal guys who always let you down. Sickos never scare me. At least they’re committed.” —Selina Kyle

“He had graduated to a point where he wanted to make movies that are his movies. And this is one hundred percent Tim’s movie.” —BATMAN RETURNS producer Denise DeNovi


On June 19, 1992 we got a blockbuster super hero movie unlike we’d seen before or have since. Since Tim Burton’s BATMAN RETURNS was about as much of a sure thing hit as a studio could ever have, and because the director had been unsure about doing another one, Warner Brothers left him alone to do what he wanted. So it’s a rare combination: an expensive summer blockbuster based on pop culture icons, but also an odd, personal film by an earnest visualist director without much interest in crowdpleasing spectacle. Okay, maybe that describes 1990’s DICK TRACY also, but this is DICK TRACY’s much freakier second cousin. As the first sequel to the movie that made comic book adaptations a hot commodity it was in a unique position to make up most of its own rules about what a super hero sequel is supposed to be, and it wasn’t timid about it.

I’ve written before about my love for the era of comic book movies that started with BATMAN and ended around BLADE or X-MEN. Since the medium that inspired them was still considered nerd shit, since digital FX were in their infancy, since most of them never worried about setting up a sequel let alone a cinematic universe, and since most were heavily influenced by what Tim Burton had done in BATMAN, the genre was very different from what it is today. There was far less literal fidelity to the source material (for good and bad), and relatively few attempts to depict extravagant super powers and creatures, meaning less falling back on visual effects sequences. Some tried to reimagine a pulpy past (THE ROCKETEER, THE SHADOW, THE PHANTOM, DICK TRACY), while the ones trying to be new and contemporary often celebrated colorful outsiders and weirdos (THE CROW, THE MASK, BARB WIRE, TANK GIRL, X-MEN). And I think my favorite thing about them is that they didn’t usually take place in “the real world.” They depended on a stylized look with big sets on sound stages, matte paintings and miniatures to create their own heightened reality. (read the rest of this shit…)

Hudson Hawk

Thursday, May 27th, 2021

“Certainly I am a lot to blame for the film but I can’t say the alchemy of it was well balanced. What I have always said about my participation in action films in general is that I like to cut the head off of a rhinoceros and put a giraffe’s head on it. For some people, a rhinoceros with a giraffe’s head on it is interesting and something to look at. ‘Wow, you don’t see that every day!’ Other people will say ‘That is wrong! That is an abomination against nature! Kill it now! Get it out of my sight!’”

—HUDSON HAWK screenwriter Daniel Waters to Money Into Light, 2016


May 24, 1991.
Yes, THELMA & LOUISE, BACKDRAFT and HUDSON HAWK were all released on the same day. (Also ONLY THE LONELY and WILD HEARTS CAN’T BE BROKEN.) And cinema was never the same.

I reviewed HUDSON HAWK 11 years ago, and I stand by that review. There are many things about the movie that don’t work, but none of them overshadow how much it makes me laugh or how much I enjoy seeing, as the quote above puts it, “a rhinoceros with a giraffe’s head on it.” So read that review if you’d like to hear more detail, including my theory about its flop status being partly caused by Eddie “Hudson” Hawk being in many ways the opposite of John McClane. But this is so much the type of movie I love to look at in a summer retrospective – an attempted blockbuster, using star power and production value to try to draw normal people into something kinda weird – that I felt I should rewatch it and add further thoughts in the context of the other 1991 releases. (read the rest of this shit…)

Demolition Man

Wednesday, May 9th, 2012

tn_demolitionmanIsn’t DEMOLITION MAN a weird one? Sci-fi/action moosh up, Sylvester Stallone plays cryogenically frozen supercop Jack Spartan, cryogenically unfrozen Captain America style to capture his arch-nemesis Simon Phoenix (Wesley G.D. Snipes) in a jokey future society of wimps.

Spartan is a typical non-iconic Stallone character – mumbly, down-to-earth, see-through-the-bullshit everyman, except when he goes into battle, then he’s so prone to blow shit up that he’s nicknamed Demolition Man against his wishes.

(read the rest of this shit…)

Hudson Hawk

Wednesday, April 28th, 2010

tn_hudsonhawkBruceTo celebrate the release of my new review book that’s named after Bruce Willis it’s only appropriate that I review a Bruce movie I never reviewed before. And by far the most requested title in that category is the notorious-flop-turned-minor-cult-movie HUDSON HAWK.

I’ll start by laying out the three basic schools of thought about why HUDSON HAWK crashed and burned. (read the rest of this shit…)

The Adventures of Ford Fairlane

Saturday, May 23rd, 2009

tn_fordfairlaneWhat the fuck is this? is a fair reaction to the existence of FORD FAIRLANE. All you can really do is try to set your mindclock back to 1989 and picture it from the perspective of the people setting it up.

I mean you got the hottest action producer, Joel Silver of DIE HARD and LETHAL WEAPON fame. He’s got the rights to this “rock ‘n roll detective” character taken from some magazine column or Herfy’s tray-liner comic strip or something. To rewrite the script he hires Daniel Waters, hot shit young writer of HEATHERS in his first for-hire job. But who can we get to direct? Who is rock ‘n roll enough? How about that Finnish guy who did NIGHTMARE ON ELM STREET 4? His hair is practically to his ass, I think he could do it. Renny Harlin had been toiling away on a version of ALIEN 3 that never got made, and this was kind of his entry into the world of action. In fact, Joel Silver hired him for DIE HARD 2 after seeing the dailies for this one. (read the rest of this shit…)