So once again we have survived.

Posts Tagged ‘adventure’

Tarzan and the Lost City

Monday, July 25th, 2016

summer2016originstn_tarzanBefore there was THE LEGEND OF TARZAN there were over 200 other Tarzan movies, and before those there were 26 books by Edgar Rice Burroughs, and books by other people, and radio plays and cartoons and records and cereals and pajamas. But for the purposes of Summer 2016: Origins I wanted to watch the previous live action Tarzan, the Tarzan movie of the ’90s, TARZAN AND THE LOST CITY (1998) starring Casper Van Dien (followup to his debut STARSHIP TROOPERS).

It turns out some of the things I liked about LEGEND’s approach had already been done in this one. LOST CITY begins with Tarzan already a lord and having to return to the jungle and his old ways to help somebody. It also has a respect for the native African characters, showing them as his close friends who he comes to help. And it has bad guys who are arrogant European assholes plundering Africa (although they’re just stealing diamonds, not abusing workers/enslaving people like in LEGEND). They start by stealing from graves, which does not go over well with the locals. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Legend of Tarzan

Wednesday, July 13th, 2016

tn_legendoftarzanI’ve said it before and I’ll say it again: THANK YOU studios for continuing to make these expensive old-timey adventure character movies even though they are always financially disastrous. I for one appreciate the gesture!

Of this type of movie, Gore Verbinski’s THE LONE RANGER is far and away the most entertaining and masterful. THE LEGEND OF TARZAN is closer to the level of the last major Edgar Rice Burroughs adaptation, Andrew Stanton’s JOHN CARTER. It’s a little slicker than that one, but also a little more normal since it takes place on Earth with Earth type animals. Yet it’s not what I expected at all. It knows that you already know the basics about Tarzan, so it tries to walk that delicate line of giving you a different spin without sacrificing the classic Tarzan shit you expect. It also tries to capture some of the feel of stories written a hundred years ago while looking at matters of race, gender and culture with today’s eyes. And it does these things fairly successfully.

In the opening we meet Leon Rom (Christoph Waltz, INGLOURIOUS BASTERDS, THE GREEN HORNET), a cruel Belgian mercenary searching for the fabled diamonds of Opar, and Mbonga (Djimon Hounsou, AMISTAD, LARA CROFT: TOMB RAIDER: THE CRADLE OF LIFE), a menacing cheetah-masked Chief willing to trade the diamonds for the capture of his greatest enemy, name-withheld-but-cut-to-the-title-THE-LEGEND-OF-TARZAN®. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Young Indiana Jones Chronicles

Thursday, February 4th, 2016

tn_youngindylucasminusstarwarsThe Young Indiana Jones Chronicles was an ABC TV show that ran from 1992-1993. I never saw an episode. I still haven’t, because the version that’s on video is called The Adventures of Young Indiana Jones and it’s re-edited. According to legend (as well as Wikipedia) the Chronicles were hour long episodes about Indiana Jones as a young man having adventures and/or chronicles in different exotic locations. The stories would jump around in time, so sometimes it would be Sean Patrick Flanery (BOONDOCK SAINTS) as teen/early-twenties Indy, sometimes it would be Corey Carrier (school band cymbal player in THE WITCHES OF EASTWICK) as 8-10 year old Indy. And the episodes would be bookended by George Hall (BIG DADDY) as 93-year-old Indy (with eye patch) remembering the stories.

Wait a minute – that would mean in the then-present day? I always think of him in the WWII era, but it turns out he stuck around a while. Think about that. Indiana Jones was around for Woodstock, for disco, for “We Are the World,” for “Baby Got Back.” If he had grand kids there might’ve been an Indiana Jones and the Elusive Cabbage Patch Doll adventure one Christmas. None of this is covered in the show though.

The first season (1992) was 6 episodes, the second season they made 22, but only aired 18 before cancelling it. Then from 1994-1996 they followed it up with four TV movies for the Family Channel. Finally, in 1999 they paired up the hour long episodes, plus a couple new ones, and re-edited them into movies, which came out on VHS and later DVD. One major change was to remove all the segments with 93 year-old Indy, so you never get to see Indiana Jones in contemporary situations, like the one where he tells the story of his teenage love of cars after seeing a monster truck at the gas station.

(Do you think they said if Indy went to movies when he was in his 90s? Do you think he saw UNDER SIEGE?) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Indiana Jones and the Last Crusade

Thursday, January 21st, 2016

tn_lastcrusadelucasminusstarwarsINDIANA JONES AND THE LAST CRUSADE is the third one, and it’s the one that deals with that Holy Grail of elusive treasures, the Holy Grail. We find Indy’s father Henry Sr. was after it his whole life and getting real close and has a notebook full of clues he’s found and now he’s kidnapped. So Indy has to find his pops and hide that book from the Nazis and also there’s some guys sworn to protect the Grail who try to stop him.

Sr. is of course played by Sean Connery, and maybe that’s an in-joke because Spielberg did RAIDERS when he wanted a Bond type movie to do, but Connery doesn’t play him like 007. He plays him as a dork. He kinda acts like a little boy and wears a bow tie and tweed vest and is often in comical positions like riding in the sidecar of Indy’s motorcycle. Whenever Indy has to fight somebody, his dad has a look of admiration. He had no idea his kid could t. c. of b. like that.

The lady this time, Elsa (Alison Doody, A VIEW TO A KILL), is much, much, much more tolerable than TEMPLE OF DOOM‘s Willie Scott, which turns out to be a bummer when (spoiler) we find out that she’s a Nazi. Not only that but she managed to bone both generations of Joneses (a plot point requested by Connery). Which is her right, but kinda gross, right? I personally don’t think she’s right for Indy.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Indiana Jones and the Temple of Doom

Wednesday, December 16th, 2015

tn_templeofdoomlucasminusstarwarsOh no, Indy! Don’t go into that temple! That’s not a regular temple, that’s a temple of doom!

I practice religious tolerance, so if those guys want to eat monkey brains and bugs and what not, I’m not gonna judge. But in my opinion they should not be having child slaves and pulling a guy’s heart out of his chest and stuff. Not unless it’s consensual. I don’t care what their Bible of Doom says about it, you don’t go around doing that stuff, you guys. Or don’t rub our faces in it.

But I’m getting ahead of myself. INDIANA JONES AND THE TEMPLE OF DOOM has an amazing opening that scores big by being absolutely not at all what anybody thought would be the opening of the sequel (well, technically prequel) to RAIDERS OF THE LOST ARK. Instead of rugged Indy wearing leather, in some jungle or desert, covered in sweat and sand, maybe carrying a torch, cutting through cobwebs in an ancient burial chamber, it opens with a musical number in a glamorous Shanghai restaurant. Dr. Jones has no hat, and is wearing a white tux, as he conducts a tense merchandise exchange with nefarious gangsters willing to resort to poisoning and hitmen disguised as waiters to get what they want out of him. But for his part Indy is willing to resort to taking a showgirl (Kate Capshaw) hostage at knifepoint and fleeing with an orphan boy named Short Round (Jonathan Ke Quan) as his getaway driver. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Raiders of the Lost Ark

Thursday, December 10th, 2015

tn_raiderslucasminusstarwarsHave you guys seen this RAIDERS OF THE LOST ARK movie yet? I was always under the impression that it was pretty well known, but then they changed the title to INDIANA JONES AND THE RAIDERS OF THE LOST ARK so I guess it must’ve been one of those BY THE BOOK/RENAISSANCE MAN or EDGE OF TOMORROW/LIVE DIE REPEAT type of situations where it didn’t do well enough so they changed the title. The last resort of the marketing scoundrel. Anyway, this is the movie that Steven Spielberg made because he was sad they wouldn’t let him do James Bond and he wanted to make the fuckers pay dearly. He and George Lucas were kickin it V.I.P. style on the beach in Hawaii right after STAR WARS came out. They were probly like wearing cool shades, just hanging out pumpin some jams on the boombox, it was alot like this song is how I picture it, and it is said that the volleyball scene from TOP GUN was based on them. So George is spotting while Steven is doing some bench presses in my opinion and George starts talking about this old script he wrote with Philip Kaufman before STAR WARS, a thing called THE ADVENTURES OF INDIANA SMITH that’s kinda in the style of the old cliffhanger adventure serials. After they got home they ended up reworking the whole thing and having this guy Lawrence Kasdan (who was writing STAR WARS’S EMPIRE STRIKES BACK) do a new script.

So they got the ideas and production of Lucas plus the supreme directing chops of Spielberg, and they made a great movie. I love that the opening shot is the Paramount logo dissolving into an actual mountain. It’s a signal that they’re taking extra special care from the first frame on to make every detail great. I know there are exceptions to this rule (DOOM), but usually when the filmatists even put thought into how to make the studio logo cool that means there’s gonna be some serious elbow grease in this movie. No laziness. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Congo

Tuesday, June 9th, 2015

tn_congo

RELEASE DATE: May 19
RELEASE DATE: June 9

Here’s a funny thing that was different back in 1995: Bruce Campbell was so worshipped as a cult star that the idea of him being in a blockbuster movie was thrilling to people. He had done the EVIL DEAD trilogy and the MANIAC COP pictures and did a couple seasons of The Adventures of Brisco County Jr. but that didn’t really catch on in the mainstream. And he seemed like their secret but somehow they wanted everybody to know. He made it to the semi-big-ish time with little cameos in DARKMAN and THE HUDSUCKER PROXY, but people still wanted him to star in some big movie and be the next, I don’t know, Kurt Russell or somebody.

And then he was in the trailer for this new Michael Crichton movie CONGO. Had the misguided dreams of horror nerds come true at last? Would they be able to finally share their hero not just with the Johnny-come-latelies who saw ARMY OF DARKNESS before the other ones, but with the whole world?

Well, the fact that the camera zoomed in on his screaming face during the trailer seemed to indicate that he wasn’t gonna make it to the end. Still, word of disappointment spread fast when people saw the movie and discovered that he bites it in the opening scene. The whole movie is about a rescue mission to come find him, even though we got a pretty idea they’re gonna be rescuing a dead body. (They do manage to find John Hawkes still alive, but catatonic, and then he freaks out and dies.) Anyway, I mention this movie to people 20 years later, that’s still the first thing that comes up. The wound has not healed. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Yellow Hair and the Fortress of Gold

Wednesday, November 26th, 2014

tn_yellowhairI loved that female barbarian movie HUNDRA, and unfortunately there was never a sequel (let alone a James-Bond-style decades-long series like it deserved), but at least star Laurene Landon and director Matt Cimber reunited for this western adventure serial type deal. Landon plays the first-part-of-the-title character, daughter of Grey Cloud (Claudia Gravi) and “half breed” like Billy Jack, but living among the tribe. Unlike Hundra she’s surrounded by men, but like Hundra she doesn’t think they’re worthy of her (rejecting one suitor by defeating him in a wrestling match).

We begin mid-story with Yellow Hair’s buddy The Pecos Kid (Ken Roberson) in jail and with Colonel Torres (Luis Lorenzo) in possession of the fabled deer-horn-carved-into-a-wind-instrument that could help him find the legendary Aztec City of Gold. When the troops come after her tribe in their search for the gold she has personal reasons to find it for herself. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The 13th Warrior

Monday, August 25th, 2014

tn_13thwarriorex3-banderasTHE 13TH WARRIOR sounds like a pretty badass thing to be, but let’s be clear: Ahmed ibn Fadlan (Antonio Banderas) is number thirteen out of thirteen. In other words, the last guy to be picked.

Well, I guess it’s not exactly a nerd-in-gym-class scenario, they do want him. He’s drafted against his wishes. But not like he’s some John McClane type reluctant hero. He doesn’t want to go because he’s unqualified. He’s not a warrior, he’s an Arab poet who got too flirty with some caliph’s girl or something so they made him an ambassador and sent him packing, the poet equivalent of the alternate ending of TO LIVE AND DIE IN L.A. where he gets transferred to Alaska. Ahmad ends up hanging out with these “Northmen,” or vikings. Their king has just died and gone to Valhalla to kick it V.I.P. (vikings in paradise) style, but Ahmed is taken in by the heir apparent Buliwyf (Vladimir Kulich), shown some of their ways and pushed into service with this dirty baker’s dozen on a mission to protect a village that’s been attacked by monsters that come from the fog, ravage villages and tear off people’s heads. And they take the heads with them when they leave. Choppers keepers. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Kon-Tiki

Tuesday, January 28th, 2014

tn_kon-tikiKON-TIKI is light, well-constructed and direct, just like the raft it’s named after. It’s the true story of the Norwegian anthropologist Thor Heyerdahl embarking on a dangerous raft trip to try to prove that ancient Polynesia could’ve been populated by South Americans. This was before American Idol and stuff so back then you would have to try to prove or discover things to get famous. And then instead of a reality show you would film an actual documentary about your adventures. They just didn’t know any better, you know? I’m sure if Jacques Cousteau had known about sex videos he would’ve just done that instead of winning an Oscar by having an ax fight with a school of sharks while Louis Malle filmed him.

Anyway, Thor here comes up with this theory while living on an island, and he wants to write about it, but all the publishers of scientific books and magazines (I’m calling you out, National Geographic!) laugh him off as an idiot. He comes up with the raft idea but still has trouble getting funding, ’cause this was before Kickstarter. He has to go around talking to people who often think he’s a crazy man. Which he kind of is I guess. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.