"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

Avatar: Fire and Ash

Tuesday, December 23rd, 2025

I’m not gonna waste your time pretending you need my opinion whether to see AVATAR: FIRE AND ASH or not. If you don’t like these movies, no, don’t bother. If you do, obviously you’re gonna see it, it’s a new AVATAR! A new James Cameron! You’re not a heathen. And he’s still pretty much undefeated. The streak continues.

If I were to offer viewing advice it would be to avoid HFR (high frame rate) projection at all costs. I recklessly decided to see it at my favorite theater (SIFF downtown, f.k.a. Cinerama) despite my hatred for that format, and as soon as it started my heart just sank. When projected in this format, what seems like the majority of the movie is presented with the ugly screen saver sheen of 60-frames-per-second, but it repeatedly switches back to aesthetically pleasing 24 fps and if you’re like me you sigh with relief until it goes back and then you start grumbling to yourself again. It felt like I spent the whole 197 minutes fighting over the remote control with some guy who wants the motion smoothing on, so my level of concentration was not ideal for maybe the first 45 minutes. I was so taken out of the movie that a James Cameron directed air battle dropped dead in front of me like some Stephen Sommers clatter. Should be illegal. I’m never doing HFR again. (read the rest of this shit…)

Trancers

Monday, December 22nd, 2025

Would you believe I never saw a TRANCERS movie before now? And I’ve still only seen one. But when Dreadguacamole recently mentioned in a comment that it “goes pretty full-in on its christmas cheer” I decided that would be a good one to watch right now. Thanks for the tip. It’s a good balance – not a movie about Christmas that would feel weird to watch in some other time of year, but enough decorations here and there to make it kind of cool to watch when it’s seasonal.

I was aware that TRANCERS (1984) was directed by Charles Band (PARASITE), and that it reunited him with METALSTORM: THE DESTRUCTION OF JARED-SYN’s Tim Thomerson (UNCOMMON VALOR), now playing a character called “Jack Deth.” And that’s really all I knew. I’m filling in some blindspots here. Trying to become more cultured.

Turns out it’s a time travel movie and a zombie movie and a couple other things. It starts in 23rd century Angel City (FKA Los Angeles) and it immediately reminded me of some weird ‘80s comic book, because it has that era’s fascination with futuristic worlds where men try to seem like they’re out of some old detective novel. Not like BLADE RUNNER – it knows it’s cheaper, pulpier, not all gloomy and shit. But you got trenchcoats, a mix of futuristic and retro cars, a neon-ed out ‘50s style diner called Mom’s No. 3., and Jack’s big ears and enormous shoulder pads make him look more caricature than man (read the rest of this shit…)

Deathstalker (2025)

Wednesday, November 26th, 2025

I was a child of the 1980s, but not of HBO or Showtime. That’s probly why I never saw DEATHSTALKER (1983) until last week. Still, I knew the idea of DEATHSTALKER enough to be excited when I read that it was getting a rebootmakemagining from writer/director Steven Kostanski, the Canadian goofball who gave us PSYCHO GOREMAN, FRANKIE FREAKO, the makeup effects for IN A VIOLENT NATURE, and more. My hopes got even higher when I learned that it would star Daniel Bernhardt, one of the great henchmen of the JOHN WICK era but not usually a leading man since his days headlining the BLOODSPORT sequels. He was fun in the ‘90s but now he’s more distinguished, he has a giant sword, and there’s goblins and magic and shit everywhere. Some things do get better.

I asked around, and it does not seem to be a controversial statement that the remake is way better than the original. I kinda enjoyed catching up with that one, it has more flavor than some of the other CONAN cash-ins, and Lana Clarkson is in it pre BARBARIAN QUEEN, but I’ve already pretty much forgotten it. People seem to be fonder of DEATHSTALKER II, which is played for intentional laughs (but also a little chintzier). I’d say Kostanski’s is way better than both, and kind of pitched in the middle of them tonally. It definitely has some great jokes in it but overall seems to be sincere in its goal of having a great time with the swords and the sorcery. It’s a swordablast. (read the rest of this shit…)

Ghost Killer

Tuesday, November 25th, 2025

If you know me you know I love those Baby Assassins, the adorable pair of professional killers from the movies BABY ASSASSINS, BABY ASSASSINS 2 and BABY ASSASSINS 3, as well as the tv series Baby Assassins Everyday, which I’m currently watching now that it’s on Home Box Office Maximum. (You could start there, if you’re curious.) The Babies are two hilarious young Japanese women who have murdered for a living their whole lives but otherwise are total sweethearts who enjoy soups, desserts, friendship, etc. It’s hard to explain, but they’re the best.

So I didn’t need convincing when I heard some film festival hype about GHOST KILLER and I looked it up and saw it was BABY-adjacent. It’s written by BABY writer/director Yugo Sakamoto, and directed by BABY action director Kensuke Sonomura. You may also know him from directing HYDRA and BAD CITY or from choreographing John Woo’s MANHUNT. He’s developed one of the most distinct and consistent action styles of the modern era. You can’t really go wrong with Sonomura, and for better or worse this has more violence than desserts. (read the rest of this shit…)

Sisu: Road to Revenge

Monday, November 24th, 2025

SISU: ROAD TO REVENGE came out Friday. It’s a sequel to the 2022 film SISU but they didn’t put a #2 in the title, so some friends of mine saw the trailer and weren’t aware it was a sequel. I think that’s wise marketing – this is an old school standalone approach to a sequel where you wouldn’t even have to know there was another one to understand or appreciate the story. So yes, see this one first if you want to, you have my permission. But if you like either one of them I recommend watching the other.

The appeal of SISU, and now of the SISU movie series, is pretty straightforward. Aatami Korpi (Jorma Tommila, RARE EXPORTS: A CHRISTMAS TALE) is a particularly Finnish bad motherfucker, a rugged and scarred ex-commando who looks more like a farmer than an action star. Stubbornness is his super power; he’ll never give up or give in, so he goes to hell and back and then back to hell again and pretty much just gets dunked repeatedly in hell until he’s totally soaked in it but he keeps clawing his way out again and anybody who does anything to him along the way dies horribly at his hands. And one important thing is that he never says a damn word the whole time, because what is there to say other than you chose the wrong Laplander to fuck with? His deeds speak for themselves

The first movie would be a clever and well executed action/revenge movie in any era, but it happened to come out when it was particularly enjoyable to see some fascists get fucked up. It took place at the end of WWII, when a band of fleeing Nazi pillagers tried to steal the gold nuggets Aatami just found, and got elaborately, joyously slaughtered for it. In Chapter 4, “The Legend” we learned the backstory that he was a Finnish commando during the Winter War, when the murder of his family John-Wick-ed him into becoming a mythical “one-man death squad” known for killing over 300 Soviet soldiers. In SISU: ROAD TO REVENGE he will get a surprise opportunity to directly avenge his family while just trying to accomplish one task that he refuses to give up on. (read the rest of this shit…)

Red Sonja (2025)

Wednesday, November 19th, 2025

Okay, I’m gonna be up front about this: RED SONJA (2025) is a movie that I kinda liked, but it took some effort. It’s an underdog movie, you kinda gotta be rooting for it to work, I don’t know if it’s gonna win over anybody standing there with their arms folded. But maybe I’m wrong. It has a sincerity to it. It doesn’t seem self conscious. That can go a long way.

It’s set in the land of Hyrkania during the Hyborian Age. When Sonja (Matilda Lutz from the excellent Coralie Fargeat movie REVENGE) was a child her village was raided and she fled. (Unlike in some of the ’80s barbarian movies we don’t have to specify what horrible things the raiders did.) Since then somehow she became a hell of a fighter and lives tribeless in the forest, searching for her people. (read the rest of this shit…)

Predator: Badlands

Thursday, November 13th, 2025

At some point on this here internet I started seeing people refer to the alien species from the PREDATOR movies as “Yautja.” I sure never noticed anybody calling them that in the movies. Looking it up now I have learned it comes from a 1994 book called Aliens Vs Predator: Prey by Steve Perry and Stephani Perry*, which is a novelization of the original Aliens Vs Predator comics. Okay, so it seems the word has been around for a while, but still – Yautja mind if you think I’m gonna call those things anything other than Predators. That has always been my stance.

So I laughed when the very first thing on screen in the new movie PREDATOR: BADLANDS was the word “Yautja.” They use the word dozens of times, conservatively. So it’s official now – they’re Yautja, from the planet Yautja Prime. But in this review they’re Predators. (read the rest of this shit…)

One Battle After Another

Tuesday, October 14th, 2025

(there will be spoilers)

I was pretty sure I’d like Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER, but I was surprised to walk out feeling it was the movie of the year. That’s not only because it speaks so deeply to our exact moment of political insanity, but because it’s such an exhilarating viewing experience – confident, masterful filmmaking, very effective as a thriller, but also extremely funny, absurd and original. It’s possibly Anderson’s most traditionally entertaining movie but it doesn’t feel in any way watered down or compromised.

I saw it in bona fide IMAX, where its Vista Vision format fills the entire screen, so the anxiety-inducing score by Johnny Greenwood rumbles in your jaw as you stare at a scraggly, sweaty, 37-foot-tall Leonardo DiCaprio face fretting and scowling. Then sometimes it switches to a taller version of a Sergio-Leone-type-shot where two tiny characters stand apart on opposite sides of the screen. That’s the full range of cinema right there.

The credits say this was inspired by (not adapted from) the book Vineland by Thomas Pynchon. I was surprised when I learned that character names like Perfidia Beverly Hills, Virgil Throckmorton and Junglepussy didn’t come from the book. These little heightened details spike a mostly naturalistic feeling world with exaggeration and draw attention to the authentic ridiculousness of our world. Sometimes that feels more real than if it was realistic. (read the rest of this shit…)

Play Dirty

Thursday, October 2nd, 2025

Man, this new straight-to-Amazon-Prime movie PLAY DIRTY is some kind of monkey’s paw shit for me. It’s the great Shane Black (THE NICE GUYS) writing and directing for the first time in seven years, returning to crime movies for the first time in nine years, and it’s based on my favorite crime series ever, Richard Stark’s Parker books. The catch is that most of what I want from a Shane Black movie (such as the quippy dialogue) I definitely do not want in a Parker adaptation, and they originally had Robert Downey, Jr. cast in the role, which seemed like a problem. Could he really seem intimidating enough to be Parker, and more importantly would he even know how to shut the fuck up with his little smart ass comments? I didn’t think he would.

But I wish I could’ve found out, because Downey got replaced with Mark Wahlberg (PLANET OF THE APES), also a poor fit but in a less intriguing way. Downey is a totally different type than the character, while Wahlberg sorta aspires to being the right type, he just doesn’t have enough of it. I know people dislike him now due to past crimes, dumbass interviews and lowered quality standards, but I’m too old to entirely let go – I haven’t forgotten that exciting alchemy of the most uncool pop rapper of the ‘90s winning us over with a great performance in BOOGIE NIGHTS, nor have I forsaken THE BIG HIT, THREE KINGS, I HEART HUCKABEES, THE DEPARTED, THE OTHER GUYS, THE FIGHTER, etc. So it’s not Marky Markophobia when I say he doesn’t seem believably cunning enough, or intimidating enough. The other characters have to treat him as if he is, but I don’t quite buy it. I don’t feel it. I don’t feel the vibrations. (read the rest of this shit…)

Hansel & Gretel: Witch Hunters vs. Gretel & Hansel

Wednesday, October 1st, 2025

My recent revisit of THE BROTHERS GRIMM (2005) pushed me to finally get around to seeing HANSEL & GRETEL: WITCH HUNTERS (2013). I had wondered whether they were kind of in the same genre and yeah, turns out they’re more similar than I even guessed. Just like Gilliam’s movie this one starts out with a fairy tale inspired childhood flashback, then tells the story of a pair of traveling supernatural expert siblings hired to help a small town where the children have gone missing. Both movies even have Peter Stormare (GET THE GRINGO) as a cartoonish bad guy (this time he’s the sheriff who gets a chunk of his nose bit off by Gretel).

The major distinction is that they’re not con artists or skeptics – as the title suggests, Hansel (Jeremy Renner immediately following a run of THE TOWN, GHOST PROTOCOL, THE AVENGERS and THE BOURNE LEGACY) and Gretel (Gemma Arterton, CLASH OF THE TITANS) grew up to become witch hunters, and this being a twenty-teens studio movie that means they wear cool leather outfits, have fancy steam punk shotguns and crossbows, do lots of slo-mo spins and flips and what not. Yes, that kind of sounds like a parody movie-within-a-movie meant to satirize Hollywood excess (like something from LAST ACTION HERO, or the Max Landis action version of Huckleberry Finn from the pilot of Jean-Claude Van Johnson). Fortunately writer/director Tommy Wirkola (DEAD SNOW, VIOLENT NIGHT) takes the ABRAHAM LINCOLN: VAMPIRE HUNTER route of keeping a straight face and trying to make it cool instead of giving in to the temptation to prove to the audience that he’s in on the joke. I was worried for a second because there’s a joke at the beginning about drawings of missing children on milk bottles, but that was a one time occurrence. (read the rest of this shit…)