"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Todd Field’

Twister

Monday, May 11th, 2026

May 10, 1996

They’re scientists, but they’re cowboys. And they follow the wind. When they get the call they strut and they smile at each other knowingly as they hop into their Jeeps and trucks, slam on the gas and hurtle toward the danger, thinking nothing of it except ha ha, what a fun time we’re having here. They playfully exchange lingo-filled banter over the CB as they look up to the sky or down to the dots on their computer screens. They each have their own quirks and their own styles of musical accompaniment and their own ways of yelling “WAHOO!” in the face of God’s mighty wrath.

They are the wildpeople of weather, the maniacs of meteorology, the tornado terrorists, the thunder jockeys, the Doppler demons, the Hell’s Angels of nerds. They are the storm chasers, and they absolutely will not stop, ever, until they deploy their new device designed to release hundreds of small floating sensors into a tornado to measure it from the inside and obtain data that could potentially help improve early storm warning systems in the future.

(read the rest of this shit…)

Tár

Tuesday, January 17th, 2023

VÉRN ON TÁR

By now if you’re the type of person who would see TÁR but hasn’t seen TÁR you’ve probly already heard that TÁR is good and you don’t need me to sell you on it. It is indeed a great acting vehicle for Cate Blanchett (HANNA), a really smart and thought-provoking character study, and just an all around engrossing, original cinematic experience that doesn’t fit any of the templates of the kind of stuff I normally watch, and is all the more captivating for it. So I would encourage you to go through with it.

It’s written and directed by Todd Field, who we of course know mainly as the actor who played Nick Nightingale in EYES WIDE SHUT, and he was also in EYE OF THE EAGLE 2: INSIDE THE ENEMY, BACK TO BACK, TWISTER and THE HAUNTING. He suddenly became an acclaimed filmmaker with IN THE BEDROOM in 2001, then LITTLE CHILDREN in 2006, and then he disappeared into a puff of smoke until finally returning last year holding TÁR above his head like baby Simba.

Blanchett plays Lydia Tár, famous and respected classical composer and conductor, introduced to viewers as well as a live New Yorker Festival audience within the movie with a torturously long list of credits and achievements. She’s giving a faux-humble-but-clearly-very-impressed-with-herself Q&A, saying all her clever lines and opinions, explaining her interpretations of the meanings of famous musical works, brushing off being the first female conductor of the Berlin Philharmonic and being called “maestro” and not “maestra.” The audience loves her. She says she’s experienced no gender bias. Maybe just no other woman in history was ever qualified until her. That must be what it was. (read the rest of this shit…)

Eye of the Eagle II: Inside the Enemy

Wednesday, March 5th, 2014

tn_eyeoftheeagle2From ONE FALSE MOVE and DEVIL IN A BLUE DRESS, Carl Franklin seems like a pretty serious, respectable type director even though he’s working in the mystery genre. So what the hell was he doing in 1989 directing EYE OF THE EAGLE II: INSIDE THE ENEMY, a sequel to a Cirio H. Santiago Vietnam shootemup? Well, he was trying to do what a pretty serious, respectable type director would do with something like that.

Like most of the other black directors I’ve been writing about lately Franklin started out as an actor. He was in FIVE ON THE BLACK HAND SIDE and an episode of The Streets of San Francisco and shit like that. His first feature as a director was NOWHERE TO RUN (also from ’89), a drama that stars Jason Priestley but also has Sonny Carl Davis from THE WHOLE SHOOTIN’ MATCH in it. (read the rest of this shit…)