Taken on its own, ÆON FLUX (2005) is an interesting oddity among post-MATRIX techno-soundtrack sci-fi action movies. The look is clean and brightly lit, the premise is vague, it has some legitimately strange tech and costumes. One of its shootouts happens in a rose garden, another on a manicured lawn beneath blossoming cherry trees. A major third act action set piece involves hanging from and climbing up the gold-lame-scarf tail of a blimp called “The Relical.” To date I think it might be the only movie with a Relical in it.
It’s an MTV Films production, but’s that just because it’s based on a cartoon birthed by their envelope-pushing animation anthology Liquid Television. It doesn’t have any needle drops and doesn’t seem fully invested in being of the time, or of pop culture. If not for the generic beats in the score by Graeme Revell (MIGHTY MORPHIN POWER RANGERS: THE MOVIE) it would feel pretty otherworldly. (read the rest of this shit…)
GUY RITCHIE’S THE COVENANT really is the official title of Mr. Ritchie’s 2023 Afghanistan War action drama. You know – in the tradition of 
Hey folks, Harry here – Vern brings up a very important issue… Lee Marvin should have to fight Andy Serkis in a weird revenge film using the latest in time travel technology. What? Oh – read the review – you’ll get why that’s cool. Or maybe you intuitively get it. You rule. Here’s Vern…
