Posts Tagged ‘Summer of 1991’
Tuesday, June 8th, 2021
June 7, 1991. Despite the notable release of another odd Spike Lee movie, this week was won by more middle-of-the-road culture. It was the week that the original run of Twin Peaks ended. The #1 and #2 songs on the Billboard charts were “More Than Words” by Extreme and “I Wanna Sex U Up” by Color Me Badd. And the #1 movie was a nice normal comedy about wisecracking Billy Crystal birthing a cow to cope with the boredom of middle aged, middle class existence.
Like JUNGLE FEVER, CITY SLICKERS is about some lives upended and rearranged after a married man has an affair with a subordinate at his workplace. In this case the dude is Phil Berquist (Daniel Stern, C.H.U.D., FRANKENWEENIE), a wet blanket grocery store manager who is very unhappily married to a mean bully (Karla Tamburrelli, “Stewardess [Northeast Plane],” DIE HARD 2) until panicked young clerk Nancy (Yeardley Smith, then in her third season as the voice of Lisa Simpson) finds him outside of work to tell him she thinks she’s pregnant.
“Why is she telling you this?”
The scene goes down at the 39th birthday party of Mitch Robbins (43 year old Billy Crystal, ANIMALYMPICS) and inspires Phil to unleash twelve years of suppressed fury at his wife in front of the Robbins family and all their friends. If this was reality he’d for sure be the bad guy here, but we’ve already been primed to hate how this horrible wife talks to him and feel victory in him telling her off. (read the rest of this shit…)
Tags: Babaloo Mandel, Bill Henderson, Billy Crystal, Bruno Kirby, Daniel Stern, Danielle Harris, David Paymer, Dean Semler, Helen Slater, Jack Palance, Jake Gyllenhaal, Jeffrey Tambor, Josh Mostel, Kyle Secor, Lowell Ganz, Marc Shaiman, Noble Willingham, Patricia Wettig, Phill Lewis, Robert Costanzo, Ron Underwood, Summer of 1991, Yeardley Smith
Posted in Reviews, Comedy/Laffs | 30 Comments »
Monday, June 7th, 2021
June 7, 1991
JUNGLE FEVER is five films and five years into the career of Spike Lee. You have the financed-on-credit-cards debut SHE’S GOTTA HAVE IT, the polished studio debut SCHOOL DAZE, the explosion of DO THE RIGHT THING, the follow up MO’ BETTER BLUES, and then this. Like all of his movies it’s interesting and bold and full of greatness but in my opinion, especially in retrospect, it’s his first fumble. That’s fine. He did MALCOLM X next.
It is the story of possibly the most only-Spike-Lee-would-ever-name-a-character-this character of all time, Flipper Purify, played by Wesley Snipes, who had been in Lee’s MO’ BETTER BLUES and was coming off of the success of NEW JACK CITY. He’s an upper class architect, living in Harlem with his wife Drew (Lonette McKee, BREWSTER’S MILLIONS, ‘ROUND MIDNIGHT), and things seem to be going well from the hot morning sex that opens the movie (the sounds of which greatly amuse their daughter Ming [Veronica Timbers]). (read the rest of this shit…)
Tags: Annabella Sciorra, Brad Dourif, Charlie Murphy, Debi Mazar, Frank Vincent, Halle Berry, John Turturro, Lonette McKee, Michael Badalucco, Michael Imperioli, Ossie Davis, Queen Latifah, Ruby Dee, Samuel L. Jackson, Spike Lee, Stevie Wonder, Summer of 1991, Terence Blanchard, Tim Robbins, Tyra Ferrell, Veronica Webb, Wesley Snipes
Posted in Reviews, Drama | 21 Comments »
Thursday, May 27th, 2021
“Certainly I am a lot to blame for the film but I can’t say the alchemy of it was well balanced. What I have always said about my participation in action films in general is that I like to cut the head off of a rhinoceros and put a giraffe’s head on it. For some people, a rhinoceros with a giraffe’s head on it is interesting and something to look at. ‘Wow, you don’t see that every day!’ Other people will say ‘That is wrong! That is an abomination against nature! Kill it now! Get it out of my sight!’”
—HUDSON HAWK screenwriter Daniel Waters to Money Into Light, 2016
May 24, 1991. Yes, THELMA & LOUISE, BACKDRAFT and HUDSON HAWK were all released on the same day. (Also ONLY THE LONELY and WILD HEARTS CAN’T BE BROKEN.) And cinema was never the same.
I reviewed HUDSON HAWK 11 years ago, and I stand by that review. There are many things about the movie that don’t work, but none of them overshadow how much it makes me laugh or how much I enjoy seeing, as the quote above puts it, “a rhinoceros with a giraffe’s head on it.” So read that review if you’d like to hear more detail, including my theory about its flop status being partly caused by Eddie “Hudson” Hawk being in many ways the opposite of John McClane. But this is so much the type of movie I love to look at in a summer retrospective – an attempted blockbuster, using star power and production value to try to draw normal people into something kinda weird – that I felt I should rewatch it and add further thoughts in the context of the other 1991 releases. (read the rest of this shit…)
Tags: Andie MacDowell, Bruce, Bruce Willis, Daniel Waters, Danny Aiello, Leonardo Da Vinci, Michael Lehmann, Richard E. Grant, Sandra Bernhard, Steven E. de Souza, Summer of 1991
Posted in Reviews, Comedy/Laffs, Crime | 62 Comments »
Tuesday, May 25th, 2021
May 24, 1991
This may surprise you, but I had never seen BACKDRAFT until now. It’s often mentioned as the Ron Howard movie people like, or a good Kurt Russell movie or ‘90s thriller, or a movie with amazing pyrotechnic effects, and I knew I’d heard people speak of it fondly. I asked on Twitter and received many emphatic confirmations that people consider it a classic, some having even reaffirmed their love semi-recently in a theatrical screening.
So I hope you won’t all feel direspected when I tell you I thought this movie was pretty fuckin ridiculous! Maybe that’s part of what you like about it? It’s also true that the fire stuff is impressive, and of course Russell is good in it, and his character is pretty interesting because he’s about 85% total asshole and 15% guy you root for, which is not the obvious choice. Also, it’s fair to say that there aren’t very many movies specifically about firefighters; usually the macho ball-busting sweaty working class bros who go to the pub together to be rowdy and are in dutch with the old lady because of the job in movies are cops. Also, I can’t fault people for loving the type of corny old-fashioned weepy-eyed hand-over-your-heart astronaut movie type salute it gives to the heroism of firefighters. I think these are all legitimate reasons to like the movie, I’m not questioning that. (read the rest of this shit…)
Tags: Bruce Hornsby, David Crosby, firefighters, Gregory Widen, J.T. Walsh, Jason Gedrick, Jennifer Jason Leigh, Kurt Russell, Rebecca De Mornay, Robert De Niro, Ron Howard, Scott Glenn, Summer of 1991, William Baldwin
Posted in Reviews, Thriller | 68 Comments »
Monday, May 24th, 2021
“Check the booty, yo it’s kinda soft an’ / If you touch it you’re livin in a coffin / I’m in the ‘90s, you’re still in the ‘80s, right / I rock the mic, they say I’m not ladylike”
—“You Can’t Play With My Yo-Yo” by Yo-Yo
On May 24, 1991 – exactly as the above-quoted song debuted on the Billboard charts at #87 – a parallel but more wide-reaching pop culture event arrived. Ridley Scott’s THELMA & LOUISE isn’t the type of movie we normally think of as a summer blockbuster, but it was a phenomenon arguably bigger than most of the t-shirt and Slurpee selling spectacles I love to document in these retrospectives. A surprise hit, an Oscar winner, a capturer of the zeitgeist, it inspired months of back-and-forth editorials and feature articles, and was soon declared a watershed moment for women in movies. A genuine cultural moment.
But I hadn’t re-watched it since that moment, and I really wasn’t sure how it would play now. It turns out when you remove it from any newness or perceived importance, it only emphasizes what an effective piece of entertainment it is. (read the rest of this shit…)
Tags: Brad Pitt, Callie Khouri, Christopher McDonald, Geena Davis, Hans Zimmer, Harvey Keitel, Michael Madsen, Ridley Scott, Sonny Carl Davis, Summer of 1991, Susan Sarandon
Posted in Reviews, Crime, Drama | 12 Comments »
Thursday, May 20th, 2021
May 10, 1991
Okay, I’m looping back a little here. I initially skipped SWITCH because it didn’t look very fun to me. But as I think about MADONNA: TRUTH OR DARE and a couple of the movies coming up later I’m realizing that changes in the portrayal of women in pop culture will be a major theme of this series, so it seems like a mistake not to look at a movie about a sexist guy waking up in the body of a woman. Also, Bryan in the FX2 comments wrote, “I don’t blame you for not wanting to review SWITCH but I was excited to hear your thoughts about it. It seems it could teach us a lot about 1991.” Good point. So I’m doing it.
SWITCH is late period Blake Edwards. That’s not a period held in high regard by anyone I’ve come across, but I did kind of like BLIND DATE (four years and three movies before this), which got terrible reviews. So you never know.
Steve Brooks (Perry King, CLASS OF 1984, MANDINGO) is “one hell of an advertising man,” which of course means he’s introduced in his office putting golf balls into that thing that business assholes putt into in all ‘80s and ‘90s movies. Then he gets an an unexpected call. Three of his ex-girlfriends, Margo (JoBeth Williams, POLTERGEIST), Liz (Lysette Anthony, KRULL, Bryan Adams videos) and Felicia (Victoria Mahoney, Brewster Place) invite him over for “a surprise party.” (read the rest of this shit…)
Tags: Blake Edwards, Bruce Hornsby, Bruce Payne, Catherine Keener, Ellen Barkin, Faith Minton, gender switch, Henry Mancini, Jim J. Bullock, Jim Lovelett, Jimmy Smits, Jobeth Williams, Linda Gary, Lorraine Bracco, Lysette Anthony, Perry King, Summer of 1991, Tea Leoni, Victoria Mahoney
Posted in Reviews, Comedy/Laffs | 35 Comments »
Tuesday, May 18th, 2021
May 17, 1991
If we agree with director Bill Duke that A RAGE IN HARLEM is “no god damn comedy,” then we have now come to Summer 1991’s first actually funny comedy. WHAT ABOUT BOB? is also the first ’91 release we’ve come to that seems arguably too problematicTM to be made now, at least quite like this.
You see, Bill Murray (following SCROOGED, GHOSTBUSTERS II and QUICK CHANGE) plays a person with multiple debilitating psychological disorders who follows his psychiatrist to his vacation home and, as they say, drives him crazy. Of course this is uncomfortable because we know so many horror stories of stalkers – troubled people crossing boundaries with results that are less hilarious and more tragic. But what really feels of-a-different-time is just how much poor Bob Wiley’s struggles are played for laughs. As he squirms and winces while struggling just to step outside of his apartment or touch a doorknob or get on an elevator, the score by Miles Goodman (TEEN WOLF, K-9) makes sure we know that it’s cute and funny. That seems kind of mean, or just off base when I think about how much Bob reminds me of a much less lovable Bob I dealt with for years at my day job. (read the rest of this shit…)
Tags: Anne V. Coates, Bill Murray, Charlie Korsmo, Frank Oz, Julie Hagerty, Kathryne Erbe, Michael Ballhaus, Richard Dreyfuss, Roger Bowen, Summer of 1991, Tom Aldredge, Tom Schulman
Posted in Reviews, Comedy/Laffs | 17 Comments »
Monday, May 17th, 2021
May 17, 1991
On this day, Craig R. Baxley’s STONE COLD starring Brian Bosworth opened. It’s genuinely one of my favorite movies, which is why I reviewed it in 2005 and then again in 2007 when it first came to DVD and then again in 2015 when One Perfect Shot published my piece Strictly Bozness: The Fiery Majesty of ‘Stone Cold’. And I admit it would’ve been pretty fuckin cool for me to somehow squeeze yet another piece out of it for this series, but I did not. Instead, please read Strictly Bozness and then we’ll move on to another May 17th, 1991 release that is seriously lacking in motorcycle-on-helicopter violence, among many other failings.
I don’t want to disappoint anyone, but it is a fact that the sequel to MANNEQUIN – part two #2 of Summer 1991 – is called MANNEQUIN: ON THE MOVE. There is no number in the title. The video covers have it as MANNEQUIN 2: ON THE MOVE and the theatrical poster says MANNEQUIN TWO: ON THE MOVE (important for “on the move” to be underlined) and I’m a fan of sequels that spell out their numbering, but I try to stick to on screen titles only. So really the MANNEQUIN franchise saga of properties understood it was the ‘90s and that pretty soon it would be in vogue to drop the numbers and just use subtitles (HELLRAISER: BLOODLINE, ACE VENTURA: WHEN NATURE CALLS, THE LOST WORLD: JURASSIC PARK, etc.)
It’s not like a road trip or chase movie or anything, it’s more of a rehash but, do you get it though? It’s ON THE MOVE because mannequins normally don’t move but this one moves so it’s on the move. That’s why it’s a good title.
Note: I did watch the first MANNEQUIN (1987) in preparation for this, did not feel I had a full review’s worth of thoughts on it, and had almost completely forgotten it a week later when I watched this. So forgive me if I mix up any of the Mannequinverse mythos.
(read the rest of this shit…)
Tags: Kristy Swanson, Meschach Taylor, Stewart Raffill, Summer of 1991, Terry Kiser, William Ragsdale
Posted in Reviews, Comedy/Laffs | 9 Comments »
Wednesday, May 12th, 2021
Today in S91: JUDGMENT SUMMER I’m going to time travel slightly into the future for some supplementary material. MEDUSA: DARE TO BE TRUTHFUL was not released during the summer – it first aired on Showtime on December 1st. But seeing as how it was a quick-turnaround parody of one of the important films of the summer it seemed to me worthy for the time capsule as a document of attitudes in the culture at the time.
It’s not really a movie per se, but (thankfully) a 51-minute comedy special for Julie Brown (ANY WHICH WAY YOU CAN, BLOODY BIRTHDAY), transplanting her ditsy, entitled but well-meaning Valley Girl persona into a parody of Madonna. I was familiar with Brown in the ‘80s from her comedic songs “‘Cause I’m a Blonde” and especially “The Homecoming Queen’s Got a Gun,” where she juxtaposed All-American high school imagery with violence (which seemed edgy in those days), and then from her MTV show Just Say Julie. I had seen her in EARTH GIRLS ARE EASY, but didn’t realize that she wrote and produced it based on one of her songs. At this time she had a sketch comedy show on Fox called The Edge, which co-starred Jennifer Aniston, Wayne Knight and Tom Kenny. (read the rest of this shit…)
Tags: Bobcat Goldthwait, Chris Elliott, Donal Logue, John Fortenberry, Julie Brown, Kathy Griffin, Summer of 1991, Wink Martindale, Zero External Reviews on IMDb
Posted in Reviews, Comedy/Laffs, Music | 8 Comments »
Tuesday, May 11th, 2021
May 10, 1991
There were several movies in the summer of ’91 that were major pop culture events, widely discussed, referenced, parodied. One of them, surprisingly, was a music documentary shot mostly in 16mm black and white.
Or really more of a tour documentary than a music documentary. One thing that’s unusual about MADONNA: TRUTH OR DARE is that it’s entirely about its subject being a performer, a troupe leader, and a celebrity, and not at all about her music, or even the creation of her show.
The Blond Ambition World Tour was not a normal concert – it was more like an extravagant stage musical. On the four month, 57-show tour from Chiba, Japan to Nice, France, Madonna promoted her 1989 album Like a Prayer and 1990 DICK TRACY tie-in I’m Breathless, backed by seven dancers, two backup singers, an eight-piece band and a $2 million, 80 x 70 foot stage set that was hauled in 18 trucks and set up by over 100 crew members. Every song we see in the movie has its own backdrop, wardrobe (by the fashion designer Jean-Paul Gaultier – or, as we know him, the guy who did the costumes for THE FIFTH ELEMENT – who Madonna recruited in 1989 by sending him a nice letter) and complex choreography. When the movie begins they already seem like old pros at performing it. If there’s drama about something going wrong it’s not any of them messing up. It’s the sound system or the weather. (read the rest of this shit…)
Tags: Alek Keshishian, Antonio Banderas, concert films, Daniel Pearl, Jean-Paul Gaultier, Kevin Costner, Madonna, music documentaries, Propaganda Films, Sandra Bernhard, Summer of 1991, Vincent Patterson, Warren Beatty
Posted in Reviews, Documentary, Music | 31 Comments »
