Monday, May 16th, 2022
April 3, 1992
“We choose the right to be who we are.”
THUNDERHEART is not a weird movie like some of these other 1992 releases, but it’s a pretty unusual one: a procedural thriller that attempts to shine a light on real life injustices taking place on tribal land in the U.S. An opening title says “This story was inspired by events that took place on several American Indian reservations during the 1970’s.” From what I’ve read it’s largely inspired by the Wounded Knee Incident of 1973, but director Michael Apted (COAL MINER’S DAUGHTER) also released the documentary INCIDENT AT OGLALA later in the summer, and that was about similar clashes between traditional and Americanized Sioux and a shootout with the FBI on the Pine Ridge Indian Reservation in 1975. I assume those events influenced it as well.
After the murder of tribal council member Leo Fast Elk (Allan R.J. Joseph, later a stuntman on DESPERADO) on a South Dakota reservation, FBI Agent Ray Levoi (Val Kilmer following his MTV Movie Awards nominated role in THE DOORS) gets called to Washington DC by his boss (Fred Dalton Thompson, who had ACES: IRON EAGLE III coming out in June). They know from his file that he has mixed Native heritage through his biological father, but he’s so out of touch with it he has to be told it’s Sioux and that his father died when he was 7 (he says it was when he was a baby). It’s just not a part of his life, but they make it very clear that they’ve chosen him for this case so they can tell the locals he’s one of them. “You’re going in there as who you are— an American Indian federal officer.” Should go great. (read the rest of this shit…)
Tags: David Crosby, Fred Ward, Graham Greene, John Fusco, John Trudell, Michael Apted, Roger Deakins, Sheila Tousey, Val Kilmer
Posted in Reviews, Thriller | 13 Comments »
Tuesday, May 25th, 2021
May 24, 1991
This may surprise you, but I had never seen BACKDRAFT until now. It’s often mentioned as the Ron Howard movie people like, or a good Kurt Russell movie or ‘90s thriller, or a movie with amazing pyrotechnic effects, and I knew I’d heard people speak of it fondly. I asked on Twitter and received many emphatic confirmations that people consider it a classic, some having even reaffirmed their love semi-recently in a theatrical screening.
So I hope you won’t all feel direspected when I tell you I thought this movie was pretty fuckin ridiculous! Maybe that’s part of what you like about it? It’s also true that the fire stuff is impressive, and of course Russell is good in it, and his character is pretty interesting because he’s about 85% total asshole and 15% guy you root for, which is not the obvious choice. Also, it’s fair to say that there aren’t very many movies specifically about firefighters; usually the macho ball-busting sweaty working class bros who go to the pub together to be rowdy and are in dutch with the old lady because of the job in movies are cops. Also, I can’t fault people for loving the type of corny old-fashioned weepy-eyed hand-over-your-heart astronaut movie type salute it gives to the heroism of firefighters. I think these are all legitimate reasons to like the movie, I’m not questioning that. (read the rest of this shit…)
Tags: Bruce Hornsby, David Crosby, firefighters, Gregory Widen, J.T. Walsh, Jason Gedrick, Jennifer Jason Leigh, Kurt Russell, Rebecca De Mornay, Robert De Niro, Ron Howard, Scott Glenn, Summer of 1991, William Baldwin
Posted in Reviews, Thriller | 68 Comments »