Posts Tagged ‘George Romero’
Thursday, November 10th, 2022
This year I celebrated Halloween by taking the day off of work and watching a witch-themed triple feature. This is not something I ever thought I’d do, because I’ve always had that issue with historical witch movies where it kinda bothers me to pretend there’s a such thing as witches, since that’s the superstitious bullshit that real life tyrants used as an excuse to torture and murder many innocent people in this country and elsewhere. But there were a couple witch-related movies I’d been thinking I’d like to rewatch, and at the same time I’d been thinking about my late mother, who loved to dress as a witch every Halloween. She painted her face green and glued on a warty latex nose with spirit gum. Some of the younger kids in the neighborhood were terrified of her, but she got a kick out of it. So I dedicate this witch-a-thon to her.
I chose to view them in order of when they take place: first Rob Eggers’ THE WITCH (1630s), then George A. Romero’s SEASON OF THE WITCH (1970s), and finally Robert Zombie’s THE LORDS OF SALEM (twenty-teens). (read the rest of this shit…)
Tags: A24, Anya-Taylor Joy, Bill Hinzman, Blumhouse, Bruce Davison, Dee Wallace, George Romero, Harvey Scrimshaw, Jeff Daniel Phillips, Judy Geeson, Kate Dickie, Ken Foree, Maria Conchita Alonso, Meg Foster, Patricia Quinn, Ralph Ineson, Rob Zombie, Robert Eggers, Sheri Moon Zombie, Torsten Voges, witches
Posted in Horror, Reviews | 22 Comments »
Tuesday, October 25th, 2022
During this year’s October viewing I wanted to revisit a few things that I consider lesser movies from directors I like, that I haven’t seen since they came out decades ago. You know – just to be sure.
I started with a forgotten later one from George A. Romero – his last non-living-dead-related movie, BRUISER. I was disappointed in it at the time, but that was 22 years ago, and I’d had high expectations for it since he hadn’t had a movie in 7 years. There was that gap between his Hollywood stint in the early ‘90s and his return in the new millennium, and it was in the middle of that period that I became obsessed with DAWN OF THE DEAD and KNIGHTRIDERS and everything. So it was a big event when he finally came back with this odd French-American co-production starring a dude from LOCK, STOCK AND TWO SMOKING BARRELS. (read the rest of this shit…)
Tags: Andrew Tarbet, Beatriz Pizano, Bebe Neuwirth, Bernie Wrightson, Bruce Kimmel, Clea DuVall, David Wechter, Elijah Wood, Famke Janssen, George Romero, Jason Flemyng, Jon Stewart, Jordana Brewster, Josh Hartnett, Kevin Williamson, Laura Harris, Leslie Hope, Nina Garbiras, Peter Stormare, Robert Patrick, Robert Rodriguez, Salma Hayek, Shawn Hatosy, The Misfits, Tom Atkins
Posted in Horror, Reviews, Science Fiction and Space Shit | 39 Comments »
Tuesday, October 26th, 2021
You know how it is, you love Clive Barker-based movies but you’ve seen HELLRAISER, NIGHTBREED, CANDYMAN and THE MIDNIGHT MEAT TRAIN a million times each, you’re not quite ready to try again on LORD OF ILLUSIONS, you even watched BOOKS OF BLOOD last year, but you want a little of that Barker movie kick, so it’s time for a Clive Dive. You gotta try some of the lesser ones out, see if you missed a good one, or if one you didn’t like back in the day is any better than you thought at the time.
So I tried one of each. The one I’d missed was the Masters of Horror episode Haeckel’s Tale, from 2006. It’s adapted by Mick Garris (THE FLY II) and directed by John McNaughton “in association with George A. Romero.” According to Wikipedia that just means Romero was supposed to direct it but had a scheduling problem. Around that time he was starting DIARY OF THE DEAD and announced a thing that never happened called SOLITARY ISLE, so it must’ve been one of those. (read the rest of this shit…)
Tags: Clive Barker, Denholm Elliott, Derek Cecil, George Pavlou, George Romero, Gerard Plunkett, John McNaughton, Jon Polito, Larry Lamb, Leela Savasta, Masters of Horror, Mick Garris, Micki Maunsell, mutants, Nicola Cowper, Steve Bacic, Steven Berkoff, Tom McBeath, zombies
Posted in Horror, Reviews | 13 Comments »
Friday, July 17th, 2020
July 19, 1985
DAY OF THE DEAD – like MAD MAX BEYOND THUNDERDOME – is a favorite movie of mine that I’ve already written about thoroughly (click here for my review from 2013), but that still felt important to revisit in my analysis of the Summer of 1985. I could watch it every year regardless, but even more than OMEGA MAN this is a movie that I’ve thought of repeatedly since the pandemic lockdown started four months ago. And sure enough, the movie rings true in new ways in 2020. George Romero knew what he was doing.
Before we get to that, let’s talk about it in the context of ’85. Obviously DAY is a little niche – another one of the many interesting movies coming out on the sidelines, not necessarily trying to capture the culture like BACK TO THE FUTURE or something. In a way it goes hand in hand with THUNDERDOME. Both are by visionary genre directors with the first name George, the less-well-received part 3s in the series each director is best known for, which has new chapters spread across decades, drastically reinventing its world each time. But THUNDERDOME was pitched for a wider (and younger) audience than THE ROAD WARRIOR, while DAY continued on the low budget/super-gory path of DAWN OF THE DEAD. And while THUNDERDOME has a larger scale and far more meticulous world-building than its predecessor, DAY mostly just has advances (huge ones) in its special effects makeup. (read the rest of this shit…)
Tags: Ernest Dickerson, George Romero, Greg Mottola, Greg Nicotero, Joe Pilato, John Amplas, John Harrison, Lori Cardille, Summer of 1985, Tom Savini
Posted in Horror, Reviews | 24 Comments »
Wednesday, March 14th, 2018
An obscure kind of conspiracy: NIGHT OF THE LIVING DEAD
NIGHT OF THE LIVING DEAD is on a long list of the movies that I mention all the time in reviews and then when I go to add a link I realize that I’ve never officially written it up. It’s one of those classics that so much has been said about that it’s intimidating to even approach it. Seems presumptuous to think I might have something new to say about it.
It’s also a movie that I felt I had worn out at a certain point. I remember a Halloween some years back when I put it on and when it was over I felt I hadn’t gotten as much out of it as I used to, so I put it on hiatus. But now the Criterion Company has given us what could be the definitive release of the abused-by-public-domain film, which is as good an excuse as any to finally revisit the movie, discuss different aspects of it and see how its themes apply to these fucked up times we’re living in fifty years later. (read the rest of this shit…)
Tags: Duane Jones, George Romero, zombies
Posted in Horror, Reviews | 25 Comments »
Wednesday, October 18th, 2017
Hollywood George Romero is not my favorite George Romero, but he’s the most underrated one. With THE DARK HALF (1993, but shot in ’90 and ’91) he’s still filming in Pennsylvania (portraying Stephen King’s Castle Rock, Maine), but funded by Orion, with enough of a budget ($15 million) for Academy Award winning movie star lead Timothy Hutton (CITY OF INDUSTRY), three months of training for 4,000 birds, and some early computer effects. It has more of a slick, Hollywood feel than we associate with Romero, less of his hand-crafted-by-local-artisans vibe, but that’s not the end of the world. It’s cool to see how well he can do a straight-forward adaptation of a book by King (“Hoagie Man,” KNIGHTRIDERS). Better than most, it turns out. (read the rest of this shit…)
Tags: Amy Madigan, George Romero, Michael Rooker, Robert Joy, Stephen King, Timothy Hutton
Posted in Horror, Reviews | 18 Comments »
Wednesday, October 4th, 2017
After two years I was finally starting to get used to a post-Wes Craven world – now all the sudden we Fangorians find ourselves heading into Fall minus George Romero and Tobe Hooper, two of the largest shadows in horror. Like Craven, both of them made an iconic horror classic early on, and remained primarily in the genre for their whole careers, delivering many other gems across multiple decades. Romero’s DAWN OF THE DEAD and Hooper’s THE TEXAS CHAIN SAW MASSACRE are two of my most obsessed upon horror films, the two that seem to take turns being my All Time Favorite on any particular day. Just as important, Romero and Hooper each maintained a distinct voice that made their weaker movies still interesting when taken in context with the larger body of work.
When I think of Romero I think of independence. He and his Pittsburgh based commercial company Latent Image made NIGHT OF THE LIVING DEAD to break into features, a recipe they may have gotten from Herk Harvey’s CARNIVAL OF SOULS. For them it worked, but instead of moving to Hollywood, Romero built his empire in Pennsylvania and filmed almost all of his movies there. That includes his first studio movies, MONKEY SHINES and THE DARK HALF, both of which I think are underrated. Since he later moved to Toronto, his last three films, LAND OF THE DEAD, DIARY OF THE DEAD and SURVIVAL OF THE DEAD, are filmed around there. (read the rest of this shit…)
Tags: George Romero, Tobe Hooper
Posted in Blog Post (short for weblog) | 70 Comments »
Saturday, November 23rd, 2013
I think DAWN OF THE DEAD will always be my favorite zombie movie, but DAY OF THE DEAD is the one that’s grown with me the most. When I first saw it I liked it, but my enthusiasm was held back by the obnoxious performances of the guys playing the soldiers. They’re written as total assholes, taunting everybody, dropping weird racial slurs, and the actors (including makeup artist Greg Nicotero, who is now effects head/producer/director/writer/zombie on The Walking Dead) play them as giggling, yelling wackos, more like Rapist #3 in a cheap vigilante movie than like army professionals. The best performance among them is Joe Pilato as their leader, Colonel Rhodes, but he’s so convincing as a detestable prick that I was always convinced he was just being himself.
But I’ve watched the movie many times over the years and it just gets better and better. What once seemed like major flaws have faded away while its successes seem more and more impressive. These days I love to hate Rhodes, who’s such a dick that I can’t even root for him when he pulls off the award worthy badass move of grunting “Choke on ’em!!” at the zombies who’ve torn him in half and are eating his intestines. And the rest of those guys don’t bother me that much anymore. Their undeniable obnoxiousness has been far eclipsed by the aspects of the movie I love: everything else. (read the rest of this shit…)
Tags: George Romero, good part 3s, great sequels, Greg Nicotero, Howard Sherman, Joe Pilato, Lori Cardille, zombies
Posted in Horror, Reviews | 40 Comments »
Wednesday, November 20th, 2013
“WE WHIPPED ‘EM AND WE GOT IT ALL!”
How do you write a review of DAWN OF THE DEAD at this point? I’ve discussed it to death with a million people over the years, and I figure we’ve all gone over it all before, right? It’s kind of presumptuous to think you’ve got something semi-new to say about a movie that’s been discussed this much. In a way I’ve already reviewed it in bits and pieces over the years, talking about it in my review of the remake and probly other places. But this year I sat down and watched it again and I thought it was a shame it’s not in my reviews archive, because it’s one of my very favorite movies. Look – I can prove it by going on about it for a while! Let’s discuss how great this movie is. (read the rest of this shit…)
Tags: George Romero, Goblin, great sequels, Ken Foree, Tom Savini, zombies
Posted in Horror, Reviews | 116 Comments »
Tuesday, November 19th, 2013
I still love the original NIGHT OF THE LIVING DEAD, a nice, moody little cinematic play about differences of opinion between strangers hiding out in a farm house during the first ever worldwide zombie epidemic. I believe I watched it Halloween night of 2012 and I realized I’d kind of worn it out, it was too burnt into my brain and I’d need to take a break from it for a few years at least so I could appreciate it more next time.
But I was really jonesing to watch DAWN and DAY of the dead before Halloween this year so I decided to do a historically inaccurate color trilogy by substituting the 1990 remake of NIGHT OF THE LIVING DEAD, which I hadn’t watched in some time. (read the rest of this shit…)
Tags: Bill Moseley, George Romero, good remakes, Patricia Tallman, remakes, Tom Savini, Tom Towles, Tony Todd
Posted in Horror, Reviews | 36 Comments »
