Every once in a while the streaming service Shudder does a “secret screening” – a one time only showing on their live feed of a movie they’re not gonna have available until later. I think this is a really cool idea, and something they can do specifically because they’re one of the more lovingly put together services, run by actual programmers trying to curate horror movies they think their subscribers will be excited about.
I caught what I believe was the first time they did it, when it was a time loop thriller called LUCKY. I was into it but something about the ending that I don’t remember anymore fell flat with me and I never actually reviewed it. (Others thought more highly of it.) But I happened to be free last Saturday when I saw they were doing another one, so I gave it a shot again.
When the credits started in Italian I admit that my limited horror brain did immediately think “Is this an Dario Argento movie?” But I didn’t specifically remember he had a new one called DARK GLASSES (Occhiali neri) until his credit and the title came on after the ominous opening scene. If there’s a giveaway, it’s the swaggeringly aggressive use of electronic score by Arnaud Rebotini (a French musician from a band called Black Strobe). It sounds John Carpentery at first, then a little Gobliny, and by the end you’re at some evil rave. (read the rest of this shit…)
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Well you know me, I’ve been talking about the badass presence of Vin Diesel just as long as anyone has, anyone except for him. I’ve been looking forward to this moronic concept of a Vin Diesel star vehicle, figuring anything this stupid starring Vin Diesel would have to be a good time. You saw my epic dissertation on THE FAST AND THE FURIOUS so you know how I enjoy Vin’s egomaniacal charisma combined with Rob Cohen’s pathetic zeitgeist-chasing high conceptualism.
