“Folks here, they don’t make no never mind who you are or what you done.”
The first shot in Guillermo Del Toro’s Depression-era noir movie NIGHTMARE ALLEY is of Bradley Cooper dragging a wrapped-up corpse into frame. It reminded me of the teaser trailer for THE HILLS HAVE EYES 2 (2007). That was not a good movie, but it was a great teaser, so when a best picture nominee reminds me of it, that’s pretty impressive. If BELFAST or THE POWER OF THE DOG started out like the legendary Lady in the Lake teaser for LEATHERFACE: TEXAS CHAINSAW MASSACRE III they would move up a notch for me, personally.
Cooper’s character Stan is inside a small house in disrepair, and he drops the body into a hole in the floorboards, puts on his coat and hat, takes a moment to contemplate and light a cigarette, sets the place on fire and leaves. If anybody walked into the movie exactly two minutes late and saw him on a bus out of town they probly spent a good chunk of the movie thinking he was a good ol’ salt of the earth everyman trying to survive day-to-day through hard, humble work. The rest of us had to watch him very unsettled, wondering what he’s up to, questioning the sincerity of everything he says or does. ‘Cause you can never fully trust a corpse dragger. (read the rest of this shit…)
DEADLY GAMES (1982) – not to be confused with the much better 
Would you believe I’d never seen NEMESIS (1992) before? I’d heard claims it was one of the better movies for director Albert Pyun and/or star Olivier Gruner, but I didn’t get around to it until now. From the cover I always thought it was gonna be kind of a 
WRONG TURN (2021) was marketed as a remake of WRONG TURN (2003), but is I think either a bonafide reboot (starting over from the beginning) or un-subtitled sequel (after they dropped the original title, WRONG TURN: THE FOUNDATION). If you consider the premise of the six previous WRONG TURN movies to be “travelers are hunted by a family of deformed cannibals,” then this is not a remake. It’s more like a re-asking of the question “what if some young people got attacked in some woods in West Virginia?” that gets a different answer.
I was excited to watch INVINCIBLE as soon as it came out, because it’s the first major Marko Zaror role I’ve been able to see since 
CURFEW is a 1989 New World Pictures joint, a kinda sleazy, kinda odd home invasion thriller that I never heard of until Vinegar Syndrome recently released it on blu-ray. In the dream-like opening scene, a guy named Bobby Joe Perkins (John Putch, 
FUTURE SHOCK is a 1994 horror(ish) anthology, it seems very made-for-cable, though it apparently was made-for-video. Or at least as a compilation it was – I believe it’s made from two pre-existing short films tied following a new story and a wraparound.
(there will be spoils)
After the one-two punch of 
Murakami Wolf Productions was an American animation studio founded in 1967 by Jimmy T. Murakami and Fred Wolf. Murakami was an animator at the UPA studio and then co-directed the live action Roger Corman films HUMANOIDS FROM THE DEEP and 
