GODZILLA x KONG: THE NEW EMPIRE is the fifth of the “Monsterverse” movies, and to me the best one. Don’t get me wrong, I kinda liked the attempt at a serious Spielbergian approach in GODZILLA, and the more fun and colorful (but weirdly nostalgic for Vietnam War imagery?) take of KONG: SKULL ISLAND, and the Hesei nightmare atmosphere of GODZILLA: KING OF THE MONSTERS, but my previous favorite was GODZILLA VS. KONG, because it finally went headlong into having cool giant monster fights where you’re still in awe but you get to see what’s going on.
GxK is the first one with a returning director (Adam Wingard, YOU’RE NEXT) and he’s able to hit the ground running and improve on GvK with a crazier mythology and a better-integrated human story. I had a big smile on my face pretty much the whole time, without having to say “Well, too bad they were just traveling in that tunnel for a third of the movie.” My only real complaint is that the great Brian Tyree Henry (WIDOWS) still has a dumb one-joke character to play – a Roland Emmerich type “funny conspiracy guy” updated to have a podcast and a Discord – but he not only gets some laughs but gets to be around the actual monsters this time instead of trapped in a needless b-plot. (read the rest of this shit…)
The producer I always associate with 
DOWNTIME is a 1997 British film set in a dilapidated apartment building. I feel like somebody might’ve recommended it to me here years ago, but maybe it’s just in my head because the cover says “MOVE OVER BRUCE WILLIS, A BRITISH ACTION MOVIE TO DIE FOR.” I didn’t really think of it as an action movie, but the 
Fairly often I get emails from people who made low budget movies, sometimes they seem to be familiar with me, sometimes they don’t, but they’re trying to do the very hard work of getting people to notice their needle out there in the haystack of what’s available. I sincerely wish every one of them well, but I don’t take very many of them up on it. My fear is that 99.9% of the time it’s not gonna be some hidden gem, or even some crazy failure, it’s just gonna be okay for what it is. And I know I’ll feel bad for them and want to say nice things, but what good does it do them for a niche critic like me to be nice about their movie being okay? I don’t know.
I guess I would classify CATCH THE FAIR ONE (2021) as a thriller more than an action movie, but it’s a certified badass thriller. It’s the first acting role for Kali Reis, the former world champion boxer who recently starred with Jodie Foster in True Detective: Night Country (her reward for this, I believe). Reis also co-wrote the movie with director Josef Kubota Wladyka.
MOON GARDEN (2022) is a strange little fantasy film from writer/director (and also editor, and sound designer, and production designer, and art director, and visual effects artist, and colorist, and animator) Ryan Stevens Harris. Oscilloscope Laboratories gave it an arthouse theatrical run, and recently put it on blu-ray and DVD, and it’s also on Shudder at the moment, though I wouldn’t really think of it as a horror movie.
After watching 
EL CONDE is a pretty simple idea: what if Augusto Pinochet, the dictator of Chile from 1974 through 1990, was in fact a vampire? Sort of the opposite of our “
When I first saw the trailer for 
