Archive for the ‘Reviews’ Category
Tuesday, December 21st, 2021
As you know, I sometimes enjoy the dance movies. So when I was preparing my review for KATE a while back and realized there was one starring Mary Elizabeth Winstead, I knew I had to see it.
It’s called MAKE IT HAPPEN and it’s about a young lady who tries to make it happen. It came out in 2008, when Winstead had just done DEATH PROOF and LIVE FREE OR DIE HARD and was about to do SCOTT PILGRIM VS. THE WORLD. She plays Lauryn Kirk, a small town Indiana dancer who dreams of going to a prestigious dance school in Chicago. It’s the standard “Ever since Mom and Dad died…” situation: her and her older brother Joel (John Reardon, WHITE CHICKS, FALLEN, later “Young Kevin Flynn / Clu [body double]” in TRON LEGACY) only had each other and are very close and he’s overly protective of her. They run their dad’s garage, with her working as bookkeeper, but she’s going to Chicago to audition for the school, and he’s in denial that she might really be leaving.
Of course, the auditions are hard, and she fails to impress the openly snobbish admissions guy (Gordon Tanner, HOME ALONE: THE HOLIDAY HEIST). To be fair, her standard hip hop moves don’t seem impressive, but he really should be more friendly when giving her the terrible advice to be “softer, more sensual and feminine.” (read the rest of this shit…)
Tags: Ashley Roberts, Chicago, dance movies, Darren Grant, Duane Adler, Gordon Tanner, John Reardon, Julissa Bermudez, Karen LeBlanc, Mary Elizabeth Winstead, Nicole Avril, Riley Smith, Tessa Thompson, Tracy Phillips
Posted in Drama, Reviews | 2 Comments »
Monday, December 20th, 2021
COPSHOP is the latest smart-alecky, artfully lowbrow violencefest from director Joe Carnahan (rewriting a script credited to Canadian financial advisor Kurt McLeod, story by Mark Williams [HONEST THIEF]). I tend to like Carnahan’s work more than dislike it, and I like that he seems to have settled on Frank Grillo (THE GREY) as his main guy and gotten a little better grip on the collar of that SMOKIN’ ACES chaos he likes to set loose. In both this and last year’s time-loop movie BOSS LEVEL Carnahan has found a good balance between the macho rowdiness, the cleverness and touches of sentimentality, and given Grillo a good sleazy-likable-asshole-antihero-fuckup to play.
I guess he’s more anti and less hero in this one. It’s clearly a modern western, and if it’s THE GOOD, THE BAD AND THE UGLY he sure ain’t the good. But his main motivation throughout the movie is to warn his ex-wife and daughter that they’re in danger, so how could we completely hate him? He plays Teddy Murretto, a Vegas (or Reno?) fixer on the run with a bag of something valuable. On foot with time running out, enemies closing in and nowhere to go, he punches a random cop so that he can hide out in a jail cell. (read the rest of this shit…)
Tags: Alexis Louder, Chad L. Coleman, contemporary western, Frank Grillo, Gerard Butler, Joe Carnahan, Jose Pablo Cantillo, Kurt McLeod, Ryan O'Nan, Toby Huss, Tracey Bonner
Posted in Action, Crime, Reviews | 15 Comments »
Thursday, December 16th, 2021
When the second half of the 2-part MATRIX sequel begins, our hero Neo and antagonist Agent Smith are both displaced from their regular realities. Smith has somehow transferred his computer-program-consciousness into the organic human body of Bane, only survivor of the destroyed Nebuchadnezzar, now in the sick bay of the Hammer next to comatose Neo, whose mind is trapped in a purgatorial subway station in a virtual world separate from The Matrix.
Yeah, the sequels get complicated. We learn that programs inside The Matrix are regularly deleted, but some try to escape that fate. The subway is a black market means of smuggling exile programs in and out of the Matrix or the Machine City (01?) mainframe. This is all overseen by the Merovingian, with the subway itself operated by his employee The Trainman, a scary dude played by Bruce Spence, a.k.a. the Gyro Captain in THE ROAD WARRIOR and Jedediah in MAD MAX BEYOND THUNDERDOME. (read the rest of this shit…)
Tags: Bernard White, Bruce Spence, Carrie-Anne Moss, Collin Chou, Hugo Weaving, Ian Bliss, Keanu Reeves, Laurence Fishburne, Mary Alice, Monica Bellucci, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 20 Comments »
Wednesday, December 15th, 2021
THE MATRIX RELOADED may have been the most highly anticipated but immediately rejected sequel of my lifetime. I’m not just excluding PHANTOM MENACE for being a prequel – whatever happened in the rest of the world, I honestly didn’t experience many people hating it until months later, at least. With RELOADED it was pretty instant.
It was the only MATRIX movie I reviewed upon release, so you can click here to see my kinda dumb, mostly still applicable 2003 thoughts on the matter. I seemed to be fielding a backlash against the original MATRIX movie as well as people hating RELOADED, but it was only the latter I found myself feeling I had to defend over the years.
I do think I partly understand why people were disappointed. THE MATRIX ends on a perfect note of letting us imagine what’s next in the “world where anything is possible.” Any definitive answer of what happens next has a hard time competing with the electric feeling of not knowing. Especially when part 1 was a carefully constructed machine of concept, explanation and payoff, while part 2 kind of wanders through a labyrinth of tangential notions and questions before it gets to the battle it’s been promising. And it cuts off in a cliffhanger well before said battle. (read the rest of this shit…)
Tags: Anthony Zerbe, Carrie-Anne Moss, Cornel West, Daniel Bernhardt, Gina Torres, Gloria Foster, Harold Perrineau, Harry Lennix, Helmut Bakaitis, Hugo Weaving, Ian Bliss, Jada Pinkett Smith, Keanu Reeves, Lambert Wilson, Laurence Fishburne, Monica Belluci, Nathaniel Lees, Nona Gaye, Randall Duk Kim, Tiger Hu Chen, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 31 Comments »
Tuesday, December 14th, 2021
A widely circulated anecdote about THE MATRIX (I believe coming from an interview on the DVD extras) says that when the Wachowskis pitched the movie to producer Joel Silver they showed him Mamoru Oshii’s 1995 anime film GHOST IN THE SHELL on video and said, “We wanna do that for real.”
The internet being the internet, that story evolved into the usual exaggerations – THE MATRIX is nearly a scene-for-scene remake, so close they had to ask permission, bullshit like that. There’s a cool video on Youtube showing images from THE MATRIX that seem inspired by or lifted from GHOST – lines of green code, plugs in the back of necks, a cool way that Neo lands – but it runs 1:16. There are quite a few other parts in THE MATRIX, in my opinion.
Still, the influence is undeniable, and the Wachowskis have been open about it. You can see what they were interested in there: the intersections between man and machine, super-powered battles in the midst of or above a large city, badasses in sunglasses taking on a bunch of armored cops, or being clawed at by inhuman machines. They did all that for real. (read the rest of this shit…)
Tags: Andrew R. Jones, anime, anthology, Carrie-Anne Moss, Clay Watson, Hedy Burress, James Arnold Taylor, Keanu Reeves, Kevin Michael Richardson, Mahiro Maeda, Melinda Clarke, Pamela Adlon, Peter Chung, Phil LaMarr, robots, Shin'ichiro Watanabe, Takeshi Koike, Victor Williams, Wachowskis, Yoshiaki Kawajiri
Posted in Cartoons and Shit, Reviews, Science Fiction and Space Shit | 23 Comments »
Monday, December 13th, 2021
THE MATRIX is, I continue to believe, one of The Great Movies. It absolutely holds up today, and also it reminds me so much of then. I will always remember what it felt like when this was a new movie, and our entire understanding of the MATRIX story. When we all imagined where it would go next, and then we had a couple years enjoying or rolling our eyes at all the movies obviously influenced by it, whether that means corny outfits and techno music or that brief, glorious window when Hollywood actors could be convinced to spend months preparing for action scenes with the great Hong Kong choreographers. But mostly I like to remember what it felt like to be surprised by it. Going in wondering if it would be good and then coming out knowing it was this.
I did have hopes. I had come to respect Keanu Reeves’ taste in movies after SPEED and, say what you will, JOHNNY MNEMONIC. I liked BOUND and it was exciting to see directors like that doing a sci-fi movie. And then a day or two before it came out I heard something about there being kung fu in it? So it wasn’t completely out of the blue that it was good. But I don’t think I was expecting something that a couple decades later would still be thought as highly of as the fucking MATRIX is. (read the rest of this shit…)
Tags: Bill Pope, Carrie-Anne Moss, Chad Stahelski, cyberpunk, Joe Pantoliano, Joel Silver, Keanu Reeves, Laurence Fishburne, Tiger Hu Chen, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 58 Comments »
Friday, December 10th, 2021
A GLITCH IN THE MATRIX is this year’s documentary from director Rodney Ascher, known for that THE SHINING thing, ROOM 237, and that sleep terrors thing, THE NIGHTMARE. I haven’t actually seen those, so I knew him from the 2001 DJ Qbert animated movie WAVE TWISTERS, which he was an editor on. That film’s co-director Syd Garon is the animation director for this one.
It’s about people who believe in various forms of simulation theory – the idea that whoah, what if, like, life isn’t real we’re just, like, some dude playing a video game? I don’t think depiction equals endorsement here. Ascher just thinks it’s an interesting idea and/or group of people, probly. Otherwise he’s a guy in a video game making a movie-within-a-video-game about maybe he’s a guy in a video game. (Actually, one interview subject does say that.)
It’s a really cleverly put together documentary – I wish more of them would invest this much energy into visual invention. “Witnesses” are interviewed over Zoom and then replaced in the footage with animated characters – robots, lion men, aliens with big brains inside glass domes – but still talking over Zoom from their ordinary homes. At first I thought these were fetishists insisting on communicating through avatars, before realizing it’s a conceit of the movie to depict reality as simulated. So people look like video game type characters, exteriors are from Google Street View, a whole sequence is animated in Minecraft. The stories and concepts they discuss are illustrated with computer animation, sometimes crude, but generally with aesthetics in mind – they generally hit a sweet spot between acknowledging absurdity and riding some kind of retro cyberpunk wave. (read the rest of this shit…)
Tags: Mandela Effect, Philip K. Dick, Rodney Ascher, simulation theory, Syd Garon
Posted in Documentary, Reviews | 13 Comments »
Thursday, December 9th, 2021
THE HARDER THEY FALL (no relation to THE HARDER THEY COME) is one of the better movies I’ve seen this year, and definitely one of the better made-for-Netflix ones. It’s a western with an all-Black, all-star cast, and the opening title card says, “While the events in this story are fictional… These. People. Existed.”
That hand clap emoji type cadence makes me think they’re talking to doofuses who don’t know basic history and/or Mario Van Peebles’ POSSE and think there weren’t Black people in the Old West. But also They. Existed. in the sense that most of the main characters are based on – or at least named after – actual historical figures. But writer/director Jeymes Samuel and co-writer Boaz Yakin (THE PUNISHER [1989], THE ROOKIE, FRESH, FROM DUSK TILL DAWN 2, PRINCE OF PERSIA, SAFE) have no qualms about putting together people who never would’ve crossed paths, giving them totally new origin stories, killing them young in a gunfight even if they died of old age. But think of it as a LEAGUE OF EXTRAORDINARY GENTLEMAN type team-up fantasy. It’s a good western story.
Jonathan Majors (HOSTILES, DA 5 BLOODS) ably stars as Nat Love, the legendary outlaw whose tragic backstory opens the film. He’s a kid (Chase Dillon from The Underground Railroad) at the dinner table with his parents when Rufus Buck (Idris Elba, PROM NIGHT) and another guy come in, blast them away with golden pistols for some unexplained debt, and carve a cross into little Nat’s forehead. So, like Harmonica in ONCE UPON A TIME IN THE WEST or Ellen in THE QUICK AND THE DEAD, this kid’s got a pretty good revenge mission to get to when he grows up. (read the rest of this shit…)
Tags: Boaz Yakin, Chase Dillon, Damon Wayns Jr., Danielle Deadwyler, Delroy Lindo, Deon Cole, Edi Gathegi, Fela Kuti, Idris Elba, James Lassiter, Jay-Z, Jeymes Samuel, Johnny Yang, Jonathan Majors, Julio Cesar Cedillo, Keith Woulard, LaKeith Stanfield, Lauryn Hill, Lawrence Bender, Martin Whist, Mihai Malaimare Jr., Regina King, Richard Bucher, RJ Cyler, Zazie Beetz
Posted in Reviews, Western | 1 Comment »
Wednesday, December 8th, 2021
If all you care about is plot, FLASHDANCE isn’t very good. There’s not much to it, just two central threads, both lightly sketched. First is the story of a talented young dancer who wants to apply to a ballet academy, but believes that her modern style will be rejected by snobby gatekeepers. We’ve seen so many more detailed variations on that theme in BREAKIN’, STEP UP, CENTER STAGE, STREET DANCE, etc. that this doesn’t seem like much.
The second thread is a romance between her and her boss, who’s twice her age, is completely transparent that he’s interested in her because he saw her do a sexy dance, is not particularly hot himself, keeps hitting on her after she says no, pisses her off by secretly using his connections to get her an audition she wanted to earn, and is forgiven without ever doing anything to make amends. At best, you understand her having a fling she’ll regret later, and hope she broke it off within the week. It’s hardly a romance for the ages.
And yet I kinda loved FLASHDANCE, because it feels like every other thing besides the plot goes above and beyond. In the case of the cinematography it goes above and beyond and loops back under and then goes above again. It’s Donald Peterman, who had shot WHEN A STRANGER CALLS and a couple others. He later became Ron Howard’s guy (SPLASH, COCOON, GUNG HO, HOW THE GRINCH STOLE CHRISTMAS) and Barry Sonnenfeld’s guy (ADDAMS FAMILY VALUES, GET SHORTY, MEN IN BLACK) and he did STAR TREK IV: THE VOYAGE HOME. Okay, I’m not sure what to make any of that, but he also did POINT BREAK, and that’s an impressive credit. (read the rest of this shit…)
Tags: Adrian Lyne, Belinda Bauer, Cynthia Rhodes, dancing, Don Simpson, Donald Peterman, Durga McBroom, Giorgio Moroder, Jeffrey Hornaday, Jennifer Beals, Joel Esterhaz, Katherine Reback, Kyle T. Heffner, Lee Ving, Liz Sagal, Lynda Obst, Malcolm Danare, Marine Jahan, Michael Nouri, Robert Wuhl, Rock Steady Crew, Sunny Johnson, Tom Hedley
Posted in Drama, Reviews | 36 Comments »
Tuesday, December 7th, 2021
“They’ve got a sound that the world is gonna love. The world.”
For many years I was aware that there was an old ‘80s movie released on VHS called SHORT FUSE starring Art Garfunkel. Because of that tough sounding title I figured it was some kind of WALKING TALL or DEATH WISH type shit where Art Garfunkel had a short fuse and some motherfucker made the mistake of lighting it. And then Art Garfunkel went off faster than expected on account of his fuse’s shortness.
Then Mr. Subtlety told me I should check out this movie called GOOD TO GO “a deliberate attempt to make a Go-Go version of THE HARDER THEY COME, with a bunch of local artists playing themselves,” which he noted was called SHORT FUSE on video and had Garfunkel in it. He knew I was into funk, and go-go is a related subgenre I could theoretically be into.
I was intrigued, but then kinda forgot about it until I was record shopping and bought the GOOD TO GO soundtrack because it was cheap and had Trouble Funk and Chuck Brown and the Soul Searchers on it. And then I saw Art Garfunkel on the back and could tell from the picture that this was a guy with a really short fuse. (read the rest of this shit…)
Tags: Art Garfunkel, Blaine Novak, Fab 5 Freddy, go-go music, Harris Yulin, Michael White, Richard Brooks, Robert DoQui, Washington DC
Posted in Crime, Music, Reviews | 11 Comments »
