A while back I reviewed a movie called BOOT CAMP that made me think these reform camps would be a good setting for a slasher movie or a DIE HARD ripoff. THE ARCHER is not that, but it’s another straight forward escape thriller set in one of these abominable places in the child abuse corner of prison-for-profit hell. In many cases they’re a scam where parents who don’t know how to understand their kids are convinced to pay money to some ex-military or faux-military psychos to torture them in the name of behavioral re-alignment. In this case she’s considered a good kid, a 4.0 student and state archery champion with no record until she beats the shit out of her friend (and crush)’s abusive boyfriend. Then her naive mom (Dendrie Taylor, SPECIES, SAVING MR. BANKS) is talked into signing away her rights under the theory that it will get her a lighter sentence. (read the rest of this shit…)
Posts Tagged ‘Bill Sage’
WE ARE WHAT WE ARE (2013), like THE TEXAS CHAIN SAW MASSACRE, uses cannibalism as a stand-in for any unfortunate family traditions that are passed down through the generations long past their shelf date. In this case the Parker family continues a practice that should’ve expired immediately after their ancestors did it the first time in a Donner Party survival type situation. Now it’s gussied up as a religious act to be repeated yearly as “Lamb’s Day,” and the Parkers hold onto an ignorant belief that they’ll get sick if they don’t do it.
This is told mostly from the family’s perspective, and they’re not some weirdo Leatherfaces. To them it’s, like, a family doesn’t just stop celebrating Christmas one year. The Parkers are gonna eat a bowl of human chili on Lamb’s Day. It’s how they were raised. (read the rest of this shit…)
FENDER BENDER is a new slasher movie that I believe is the first original production by the great releasers-of-horror-classics-on-blu-ray Shout! Factory. The high concept is that there’s a killer who intentionally gets in small car collisions, exchanges contact information, and then comes after the person.
Hillary (Makenzie Vega, the little girl who Mystique turns into on the prison truck in X-MEN THE LAST STAND!) is a responsible teenager in New Mexico, an aspiring ballet dancer, under way too much pressure from her strict parents. Shortly after getting her driver’s license this shades-wearing cool guy (Bill Sage, AMERICAN PSYCHO) rear ends her, and her dad (Steven Michael Quezada, THE CONDEMNED 2) blames it on her and won’t let her go with them on a long-planned vacation to see a show in Vegas.
We know that this guy is a serial killer, but we watch helplessly as she writes down all her information, just as she was taught in driver’s ed. Then of course while she’s home alone she starts getting text messages from this guy, going from “this is uncomfortable but I guess he’s just trying to be polite” to “this is totally inappropriate.” Can she trust the apology cake she finds on her doorstep that might come from the guy in the accident, or from her dumb jock boyfriend Andy (Harrison Sim) who she just caught cheating and dumped?
I mean, of course not. We know that. But there’s no reason for her to. She doesn’t know she’s in a horror movie.