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Archive for the ‘Reviews’ Category

Snowpiercer

Wednesday, July 2nd, 2014

tn_snowpiercerSNOWPIERCER, the Hollywood-stars/English words debut of South Korean director Bong Joon-ho, is the second best train movie I saw on the big screen in June. While UNDER SIEGE 2: DARK TERRITORY is DIE HARD on a boat on a train, SNOWPIERCER is  the post-apocalypse on a train. The whole world has been frozen over, eradicating all life except for the lucky bastards that got onto a giant train that has been traveling a globe-spanning track for 17 years.

It has similar themes of class inequality to ELYSIUM and the HUNGER GAMESes, but I liked it quite a bit more than those. The concept is that the poor people live in squalor at the back and the rich people in luxury at the front. It’s a brutal dictatorship; the tail dwellers get threatened and beaten, limbs severed as punishment for defiance, fed nothing but green jelly protein bars. Every once in a while a lady in a pretty yellow dress comes back with a tape measure to size up which of their children to steal. You can just feel the anger and humiliation of the people when this shit happens. It’s easy to hate those motherfuckers. (read the rest of this shit…)

Wolf Creek 2

Tuesday, July 1st, 2014

tn_wolfcreek2Man, I waited so long for WOLF CREEK 2 that I gave up on it happening like three different times. Back in 2005 director Greg Mclean said “You call that a debut? This is a debut!” with his deeply Australian outback slasher. It was kinda controversial at the time. I remember a Seattle Times critic walked out. Ebert was really offended by it. All my buddies except the two I saw it with said it sucked. It was labelled a new low in “torture porn” by non-horror fans who still review every new horror movie or worse, “nu-horror” by horror fans who hate most new horror movies. But I thought it was really well done, masterful tension and outstanding (sometimes darkly humorous) villain performance by John Jarrat (DARK AGE), very effective use of wide open nature as a source of terror, plus a little bit of precious George Miller blood pumping through the veins of the chase scenes. One over-explanatory scene and an abrupt ending couldn’t kill it for me.

Mclean’s followup was ROGUE, a really good giant croc movie somewhat buried in the U.S. when it came straight to video from Dimension Extreme. But then financing problems, the death of a close collaborator and who knows what else kept slowing down the return to the giant crater where a guy stalks people. So I’m happy to report that even with all that anticipation this is a very good sequel. It’s a smart escalation, more action packed, faster paced, cleverly structured. The only big repeated error is another “That’s it, huh?” ending. (read the rest of this shit…)

Do the Right Thing

Monday, June 30th, 2014

tn_dotherightthingThoughts on DO THE RIGHT THING, 25 years later.

This is still my favorite Spike Lee movie. And I’m a big Spike Lee fan. I mean, I can’t say as big as they get, ’cause I still haven’t seen SHE HATE ME and a couple of the documentaries. I’ve seen everything else though, and I like most of them. I mean – MALCOLM X, CROOKLYN, CLOCKERS, GET ON THE BUS… so many good ones. I know some of you guys are gonna say 25TH HOUR. White people like that one. Including me. I even kinda like GIRL 6. BAMBOOZLED is too much for me though. Or at least at the time it was. Haven’t revisited it. Maybe some day.

I say this because I feel that Spike Lee doesn’t get enough credit as a pioneering and original voice in American cinema. You only see him in the news when he says something stupid, getting mad at Clint for not having enough brothers in his WWII movie or something. I think The Ain’t It Cool News has a social responsibility to mention his name every once in a while just to create the talkback that can remind us how many mush brained racist idiots still exist in the modern world. But there’s not enough discussion of his body of work, his unique style, his influence, his ahead-of-his-timeness. So what if he has a big mouth, if he has a vision to match? (read the rest of this shit…)

Non-Stop

Thursday, June 26th, 2014

tn_nonstopSo far I think I like the idea of Liam Neeson action vehicles more than the actual execution of them. Both TAKENs were fun, but with post-actiony scuffles and not as tight of storytelling as I prefer in a formula revenge movie. UNKNOWN from what I remember was kinda fun, but what was it about again? He was playing an amnesiac I believe? Yeah, that’s about how I feel about that one.

By far my favorite of this cycle is THE GREY, but that’s because it was all about manly drama. Most of the actual action (anything involving wolves) was as indecipherable as they come. So I came to his new airplane suspense thriller (from UNKNOWN director Jaume Collet-Serra) pretty jaded, but I enjoyed it more than expected.

(read the rest of this shit…)

The Last Samurai

Wednesday, June 25th, 2014

tn_lastsamuraiBack in 2003, when THE LAST SAMURAI was new, I had a cynical, kneejerk reaction to it. “Yeah, right… Tom Cruise is the last samurai? Who’s next, someone from the brand new TV show this year America’s Top Model?” I was offended that they wouldn’t make a movie just about samurai, it had to be about the white guy that meets the samurai.

Some things I wasn’t taking into account at that time:

I. The DANCES WITH WOLVES type story of a westerner taken in by an enemy tribe of some kind and learning their ways is a longstanding tradition, and it’s a cool idea to do one with samurai instead of Native Americans. In fact it was partly inspired by real stories of a French soldier who did something like that.

II. There are hundreds of great samurai movies made in Japan, and director Edward Zwick of COURAGE UNDER FIRE was not about to beat them at their own game. It’s simply more interesting if he does his own thing here than if he just tries to imitate Japanese samurai movies. Come on.

III. What the fuck are you talking about here 2003 Vern, you LOVE the white ninja tradition of movies – ENTER THE NINJA, NINJA, AMERICAN NINJA, Steven Seagal… how could there not be value in seeing the big expensive studio from-the-director-of-GLORY version of that?
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Samurai Cop

Tuesday, June 24th, 2014

tn_samuraicopA Japanese gang called The Katana Gang is on a rampage, so the LAPD call in a specialist.

“So they call him Samurai, huh?” asks the gang leader Fujiyama when he hears about this long-haired Fabio-lookin motherfucker played by former Sylvester Stallone bodyguard Matt Hannon.

“Yes,” explains right hand man Yamashita (Robert Z’Dar). “His real name is Joe Marshall. They call him ‘Samurai.’ He speaks fluent Japanese. He got his martial arts training from the masters in Japan. He was brought over here from the police force in San Diego to fight us.”

This being 1989, the year after ABOVE THE LAW, might have something to do with that backstory. The poster, which has nothing to do with the actual content of the movie, is definitely going for a MANIAC COP vibe. I think there’s some LETHAL WEAPON influence here too, or at least it’s trying to follow the formula of the white cop with loyal black partner who’s kind of bemused at how far the white guy goes over the line in his enforcement of the law. Samurai and his partner Frank (Mark Frazer, MICROWAVE MASSACRE) have alot of weird, sometimes racially uncomfortable banter about what their boss is gonna do to his “charcoal black ass” and stuff like that.

still_samuraicop5

The chief is pretty funny, he’s always angrier than necessary. I like when he yells to one of his employees “You, motherfucker, I’ll see you in hell! Leave me alone! Get a job!”

(read the rest of this shit…)

American Samurai

Monday, June 23rd, 2014

tn_americansamuraiHow the fuck does a guy become an American samurai? Well, in the case of Drew Collins (David Bradley, AMERICAN NINJA 3-V) when he was a baby he and his parents were traveling in a small plane that crashed into a tree, only he survived, and then he was raised by an old Japanese guy named Tatsuya (John Fujioka, ZATOICHI IN DESPERATION, AMERICAN NINJA, AMERICAN YAKUZA). Finders keepers, you know?

Basically it’s exactly like Superman, except being a white man in Asia doesn’t give him super powers. But he does really good in his sword training anyway. I’m not clear why his adopted father was a samurai swordsman in the 1980s, I suppose it’s kind of along the lines of being a civil war buff. In related news I would like to see a Cannon movie called JAPANESE BLUEBELLY. (read the rest of this shit…)

Foodfight!

Tuesday, June 17th, 2014

tn_foodfightWith the critical and commercial success of THE LEGO® MOVIE, Hollywood and corporate America are hard at work trying to figure out what other consumer products and trademarked property brands they can get away with adapting into feature film franchises. Recently for example we heard about plans for a movie based on Barbie dolls and even one based on Marshmallow Peeps candy. CHEETOS: RISE OF CHESTER and REVENGE OF THE NERDS™ CANDY can’t be far behind.

While THE LEGO® MOVIE is the most brazen product placement movie to be accepted by society, it is not the first one to be made. The innovator in this field is 2012’s computer animated feature FOODFIGHT!, the directorial debut of TRUE LIES and MORTAL KOMBAT executive producer Lawrence Kasanoff, who’d already helped pave the way for the hit  movie with a number of Lego®-based animated TV shows. (read the rest of this shit…)

She Shoots Straight

Monday, June 16th, 2014

tn_sheshootsNote from Vern: I’m working on a write-up of the Cinefamily Seagalogy event, but for now please enjoy this review of an obscure Hong Kong gem thanks everybody.

SHE SHOOTS STRAIGHT (aka LETHAL LADY) is an action vehicle for Joyce Godenzi, who stole the show as the Vietnamese double agent in the classic EASTERN CONDORS. She had been in a bunch of movies before this, but I believe this is her only starring vehicle. Today she’s known as the wife of Sammo Hung (who has a supporting role in this), but it should be noted that she didn’t marry him until 1995, so that’s not why she gets a movie, it’s not because of nepotism. Actually, it’s probly because she was Miss Hong Kong, 1984. But I’m glad they thought of doing that because she is incredible.

Here she plays Mina, a supercop who recently got a promotion and also married her handsome co-worker Tsung-Pao (Tony Leung, the one from A BETTER TOMORROW 3).

And you’d think she’d be happy as a clam on Zoloft but she’s got this problem that now she’s got a gaggle of sisters-in-law who are fellow cops who all hate her. They’re worse than the sisters in THE FIGHTER. They’re jealous of her success at work, they try to undermine her authority, disobey her commands, embarrass her. They whine about her getting all the credit for an operation where she clearly deserved the most credit. If they were honest with themselves they would acknowledge that she was the one who slid down the side of a parking garage, jumped onto a moving cab, climbed through a bus, jumped out the other side onto the moving getaway car, got shot at and rolled off and almost run over by a motorcycle which she then commandeered and chased the car literally through a wall of fire, drove over it, ducked a bullet, skidded out the bike and jumped off so the car would hit the bike, flip and roll without hurting the princess. Yeah, the sisters helped, but Mina did the Jackie Chan shit. Plus, the attack happened when most of you ladies were in the bathroom. (read the rest of this shit…)

Maleficent

Wednesday, June 11th, 2014

tn_maleficent(lots of spoilers throughout this one, if you care)

I don’t want to bust your fuckin bubble man but some of the shit in the Disney movies is kinda dramatized and what not. For example the movie POCAHONTAS and probly also POCAHONTAS II in my opinion is more a cartoon fantasy musical based on the legend of John Smith being rescued by Pocahontas than a legitimate historical document. Well, now the Walt Disney Studios live action division has courageously blown the lid off the old animation studio, accusing them of fudging some of the facts in their classic SLEEPING BEAUTY. Touché. Hats off to Disney for exposing all this before WikiLeaks or somebody did.

If you are not familiar with SLEEPING BEAUTY it is an ironic title in my opinion because it’s the best looking Disney cartoon but also… let’s say, not the least boring one. It’s about a princess cursed by a wicked sorceress so that when she turns 16 she’ll die except a fairy godmother changes it so she’ll only fall asleep. That’s better than dying, but the catch is she can’t ever wake up, except there’s this loophole that a kiss of true love can do it. But how the fuck would that happen oh wait there’s a handsome prince willing to kiss a sleeping gal, so it works out.

If that whole story seemed kinda suspicious to you then you’re gonna see MALEFICENT and you’re gonna be like “I knew it. I fuckin knew it!” This is the story of how that sorceress Maleficent was not really the wicked old bitch who goes around cackling and talking about how evil she is, she’s just a strong woman who got a bum rap from a patriarchal society. After seeing this, SLEEPING BEAUTY will seem like racist anti-fairy propaganda. (read the rest of this shit…)