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Archive for the ‘Reviews’ Category

Star Wars Episode 2: Attack of the Clones (No Baggage Review)

Monday, May 5th, 2014

tn_aotcnobaggageplease friends: it would be nice to play along with the no baggage concept in the comments instead of going over the same prequel discussion for the one thousand billionth time for chrissakes have some god damn respect, manners and honor thanks nerds

Remember in the opening of Star Wars part 1 there were two of these “Jedis” who were sent to intervene in a tax dispute or whatever and they got attacked by robots? Well, we learn in the opening of part 2 that these types of issues are popping off all over the galaxies now. Escalation. These “Separatists,” led by ex-Jedi turned nobleman Count Dooku (Christopher Lee, CIRCLE OF IRON), are trying to secede from the Republic and it’s getting to the point where there just aren’t enough Jedi to fly around and baby these fuckin whiners, so some of the people in the Senate are talking about finally making a “Grand Army of the Republic” to give them the smackdown. In other words, they’re saying “this means star war.”

Padme Amidala (still Natalie Portman from LEON) is no longer Queen of Naboo, but she’s become one of their Senators, and is the leader of the opposition to the army-making proposition, so some sneaky no-account motherfuckers are trying to kill her. In the first scene her ship gets blown up and she gets killed, except it turns out it’s one of her doubles and she was on a different ship with her new head of security Captain Typho (Jay Laga’aia, DAYBREAKERS). This was kinda cool because she had all those doubles in part 1 and she just used them for sneaking out and seeing the world, but this is the logical conclusion of that concept. They’re there to get assassinated in her place. That’s gotta be a hell of a feeling, that it’s somebody’s job to look like you and take an explosion for you, and then the poor girl apologizes. (They just leave her body on the landing platform. Bus your table, people.) (read the rest of this shit…)

Star Wars Episode 1: The Phantom Menace (No Baggage Review)

Sunday, May 4th, 2014

tn_phantommenace'I guess now they’re saying May 4th is Star Wars Day. Yet another fake holiday created by Hallmark and Kenner. At first I assumed they chose May 4th because it’s 21 days before the anniversary of when STAR WARS was released and they are planning seven STAR WARS trilogies. But then somebody explained that it’s supposed to sound like “may the fourth be with you.” Get it. From the nerds who brought you Talk Like a Pirate Day: Seriously, A Whole Day of This Would Be Fun Ye Guys.

Well I’m sorry to perpetuate it, but I decided to use this as an excuse to try to finish a project I started last year when the Star Warses came out on the blu-ray and I watched all six of them again.

I like these movies. Like anybody I especially like the original versions of the original three. But – I think I mentioned this before – one thing I am sick of god damn ever fucking hearing about is fuck George Lucas, he changed the movie that I like, he made a new movie that had farting in it, he owes me, this is at least equal to child rape, most likely way worse, now I finally understand the type of psychological struggle that a 14 year old molested junkie prostitute is going through, boo fucking hoo, etc. Not that it was not a legitimate topic at one time, and inspired by true incidents, but now it’s a decades old discussion done by everybody always and still people will bring it up as if it’s a fresh wound or, worse, as if it’s some sort of rebellious cry against the system if they point out the same damn thing that everybody of their generation also thinks and always will.

I mean honestly, I don’t know how you could verify this but I bet there are more than a billion words on the internet complaining about George Lucas. They hate that motherfucker so much they saw it as a dream come true when he sold his independent artistic creation to the Disney corporation to be used as a licensed property trademark franchise product. Hopefully now the curse is on some other sucker (J.J. Abrams now and whoever takes the gig after him), ’cause they really gotta give the People vs. George Lucas topic a rest, the same way a comedian would at some point just have to leave it be about the airline peanuts, no matter how strongly he feels about how hard it is to open those bags.

Even around here where we have the best god damn commenters in the world (am I right outlawvern.com? I can’t HEAR you!) it’s risky to bring up STAR WARS or George Lucas in any context. But I was watching those blu-rays and I thought it might be a good challenge to try to write reviews of the star warses that I would consider worth reading. I’m not saying I’m gonna succeed, I’m saying I’m gonna try. I’m watching all of them yet again and they’re in these special editions that tie them all together so I might as well write about them from a perspective few have ever considered: as the guy now intends them. One long six chapter story watched in order from 1-6. (read the rest of this shit…)

Samurai Fiction

Thursday, May 1st, 2014

tn_samuraifictionSAMURAI FICTION is a deeply enjoyable period samurai picture, made in 1998 but shot mostly in black and white, so it looks very classical. Not that it’s trying to pass. It occasionally uses more modern filmatics, like a seemingly endless shot pulling back down a road in front of three running samurai, or a slow motion shot of a girl smiling to represent the protagonist being smitten with her – you can imagine a love song playing over it sarcastically, maybe something in a Carpenters or a Barry White.

They don’t quite go that far, but the score is intentionally anachronistic, echoey electric guitar playing with surf, country and rock ‘n roll styles, later drum machines and synthesizers. I like the idea, and some of it works, some of it is cheesy as hell. The one great musical moment in my opinion is a scene where an old man plays a beautiful rendition of “Swanee River” on a saw. You don’t get that in many samurai movies.
(read the rest of this shit…)

Brick Mansions

Tuesday, April 29th, 2014

tn_brickmansionsMan, say what you will about Luc Besson, he’s still got his exploitation producer thing going, and he’s squeezed more cinema out of Parkour than Cannon ever got out of breakdancing. Back in the late ’90s the LEON director saw dudes bouncing off the streets, walls and rooftops of France, and while other people might’ve thought “I hope that guy doesn’t fall [in French],” his reaction was “I gotta put this shit in an action movie!” So by ’98 Besson, as writer and producer, had Parkour in a foot chase through traffic in TAXI 2, and by ’01 he’d done a whole movie called YAMAKASI starring some of the pioneers of the artform.

Even then he knew he could do more with it so in ’04 he co-wrote and produced BANLIEUE 13, or DISTRICT B13 as we call it here. It was kind of an ESCAPE FROM NEW YORK riff but in a near future extrapolation of the Parisian suburbs, and done as a buddy movie. A supercop has to team with a criminal from the walled-off District 13.

For director, Besson used TRANSPORTER cinematographer Pierre Morel, who later did TAKEN and FROM PARIS WITH LOVE for him. There was also a not as good sequel in 2009, directed by the guy who did the making-of TV special for Besson’s THE BIG BLUE.
(read the rest of this shit…)

Behind the Candelabra

Monday, April 28th, 2014

tn_candelabraBEHIND THE CANDELABRA is Steve Soderbergh’s one last big score before retirement. In some countries it played in theaters, but here in his home country it went straight to cable. Why? The Man obviously didn’t get how contemporary this story is even though it takes place in the ’70s through early ’80s.

It’s about this young working class guy, animal trainer, orphan (Matt Damon, THE BOURNE IDENTITY), one day he and his buddy (Scott Bakula, COLOR OF NIGHT) hit Vegas together, turns out his buddy knows this super famous musician guy (Michael Douglas, Streets of San Francisco), they get to hang out backstage, next thing you know he gets a job with the guy, gets to be in the crew, his posse, his entourage, like in the show Entourage (I don’t know, I haven’t seen it, but I figure I got a good guess what a show called Entourage would be about). (read the rest of this shit…)

The Return of Superfly

Wednesday, April 23rd, 2014

tn_returnofsuperfly“Me and Priest go back to the golden age of hustlin.”

Alot of people tend to forget that Superfly returned in 1990. And unlike, say, Batman in BATMAN RETURNS, he actually had a place to return from. He’s still living overseas, now in Paris, when he hears his old partner Eddie has been killed, so he finally comes back to New York.

Oh shit, but I fell into the trap. “Superfly” was never his name, his name was Youngblood Priest and the title referred to the alleged quality of his illegal medicinal products. And it was two words anyway. Super Fly. Maybe “The Return of Superfly” means that Eddie’s dope was not up to snuff and now has been replaced by superior product by this guy Hector (Carlos Carrasco, CROCODILE DUNDEE II, SPEED, PARKER), who’s taking over. (read the rest of this shit…)

Super Fly T.N.T.

Tuesday, April 22nd, 2014

tn_superflytnt“I am retired. Can you dig where I’m coming from?”

How is it that I never watched the sequel to SUPER FLY, especially considering it was called SUPER FLY T.N.T.? You’d think I’d’ve gotten on that shit right away. But I’m not the only one who forgot about it. This 1973 sequel has never been released on DVD. It has no external reviews on IMDb. And its soundtrack has never been on CD, even though it’s good enough that I bought a vinyl copy on ebay right after I watched the movie.

I’m surprised it took me this long to get around to it, but admittedly I never thought it would be good. I figured why make a sequel to SUPER FLY, anyway? Didn’t he quit the game at the end of the first one? Is this gonna be like MAGNUM FORCE, where they totally ignored that Clint had thrown his badge off a bridge at the end of DIRTY HARRY?

Actually, no. Not at all.

(read the rest of this shit…)

Super Fly

Monday, April 21st, 2014

tn_superflyI’ve seen SUPER FLY a bunch of times, but I guess not since the VHS days. It’s a good looking movie on DVD, a nice document of extravagant ’70s clothing, small but fancy apartments, a white Rolls Royce rolling around dirty New York streets, its shiny hood ornaments leading the charge like a figurehead on a boat headed to the new world. It’s not a plot-heavy movie, it’s full of long scenes showing off the Curtis Mayfield soundtrack, for my money probly the greatest song soundtrack ever made for a movie (though the blaxploitation genre’s got several classics: SHAFT, BLACK CAESAR and COFFY come to mind. And you can’t front on TRUCK TURNER.)

Speaking of SHAFT, it’s weird that SHAFT and SUPER FLY are the two most famous blaxploitation movies, and they’re directed by father and son. Gordon Parks Sr. did SHAFT in ’71, Junior did SUPER FLY in ’72. I don’t know anything about the relationship between father and son, but I noticed Junior gets an opening credit for the still photo sequence. I wonder if that was to make sure nobody thought it was by his famous photographer father? (read the rest of this shit…)

Kiss of Death (Shaw Brothers)

Wednesday, April 16th, 2014
tn_kissofdeath
This came out the same year as ENTER THE DRAGON, so the face-slashes might not be an homage

KISS OF DEATH is a 1973 Shaw Brothers production, but not a period martial arts movie like what they’re mostly known for. The director, Meng Hua Ho also did CAVE OF THE SILKEN WEB and OILY MANIAC. This one is a contemporary urban story about a lady (Chen Ping) who, one night walking home from her job at the textile factory, gets gang-raped by five street thugs, and now she wants revenge.

Don’t worry, it doesn’t get I SPIT ON YOUR GRAVE graphic about it, but of course everything to do with the attack is very unpleasant. I was actually shocked by a scene where she is surprised by blood dripping down her legs. Most movies about sexual assault don’t bother depicting the ugly details of the physical aftermath.

But it turns out not to be what I thought it was. (read the rest of this shit…)

The Raid 2

Monday, April 14th, 2014

tn_raid2THE RAID 2 has alot of what made THE RAID an instant classic:

1. Incredible fight performances and choreography by Iko Uwais (returning as silat-practicing rookie cop Rama, now undercover as “Yuda” [weirdly that was also his name in MERANTAU]), Yayan Ruhian (as a new character named Koso, since his great villain character Mad Dog eventually gave in and died) and a whole bunch of other great martial artists.

2. Action scenes crammed with fast, unrelenting brutality including many, many, many stabbings, headshots, bodyparts smashed through walls, slit throats, broken bones, etc.

But there’s one thing that’s really different:

(read the rest of this shit…)