"KEEP BUSTIN'."

Posts Tagged ‘slashers’

Psycho II (40th anniversary revisit)

Thursday, June 1st, 2023

June 3, 1983

The summer of ’83 saw the release of many blockbuster sequels. There was the big space one, a comic book one, one or more James Bonds, also a PORKY’S, a PINK PANTHER, and a SMOKEY AND THE BANDIT. I suppose you could say there were two horror sequels, both continuing beloved classics from Universal Pictures. One of those involved a shark. The other was riskier. These people had the audacity to make a sequel to a hallowed decades-old classic, the mother of modern horror.

I reviewed PSYCHO II back in 2009, and I think that piece is a good summary of what the movie’s like. Even back then I got that it’s not just better than you’d think or surprisingly good, it’s a genuine classic among horror sequels. I didn’t see the movie until quite a few years after it came out, but having grown up in the ‘80s it used to be impossible to think of anything made in that period as worthy of a classic black and white film from 1960, directed by the iconic Alfred Hitchcock. You have your recency bias, but you also think of contemporary stuff as inherently lesser than the classics. In some of my really old reviews you can see me shit talking what I saw as the cheesy ‘80s, not understanding the reverence people younger than me were starting to have for that era. Now I get it, though. I just needed more distance. (read the rest of this shit…)

Freddy vs. Jason

Wednesday, April 26th, 2023

Now we come not to the end of this Ronny Yu series, or to its peak, but at least to a watershed moment. If you read this whole series, or at least the BRIDE OF CHUCKY review, you don’t need to ask the question “how the hell does the guy who made THE BRIDE WITH WHITE HAIR end up making FREDDY VS. JASON?”

But at the risk of reptitition, let’s run through it again real quick. For starters, Yu had been making horror movies for 20 years (THE TRAIL, THE OCCUPANT, MUMMY DEAREST, BLESS THIS HOUSE), so that part wasn’t out of the blue. Then in the ‘90s two things happened: the new wave of Hong Kong cinema became popular around the world, and many Hong Kong filmmakers began to worry about what would happen to artistic freedom once colonial rule ended in 1997. That combination of circumstances led filmmakers like John Woo, Ringo Lam and Tsui Hark, as well actors like Jackie Chan, Chow Yun Fat, Michelle Yeoh, Donnie Yen and Sammo Hung, to start finding opportunities in Hollywood. (read the rest of this shit…)

Scream 4 (revisited)

Friday, March 17th, 2023

As I mentioned in my SCREAM VI review and elsewhere, I consider Wes Craven’s SCREAM (1996) to be one of the great horror films of the ‘90s, and since then I have dutifully watched each of the sequels as they were released and enjoyed at least parts of them. SCREAM 2 seemed quite good in 1997, but my attachment to it has faded over the years. SCREAM 3 was disappointing in 2000, and hasn’t much grown on me. That seemed to be the end of it, and it seemed questionable when a SCREAM 4 came along 11 years later.

I remember I saw it at a preview screening. After the debacle of CURSED and the (enjoyable) mess of MY SOUL TO TAKE, I didn’t necessarily believe that Craven would be able to pull off the difficult task of a decade-plus-later part 4 that few had asked for. I also remember there was a guy sitting near the front talking to himself and the screen throughout the movie, being pretty annoying, but when it was over and he was leaving he made direct eye contact with me and said, “That was great!” with so much more enthusiasm than I had for the movie that I forgave him. (read the rest of this shit…)

Scream VI

Wednesday, March 15th, 2023

Nobody else seems to see it this way, but I still think SCREAM was the perfect name for the sequel to SCREAM (1996) that came out in 2022. It revived the seemingly concluded series after 11 years, and for the first time without Wes Craven, so naturally it took today’s legacy sequels – where a set of new, younger characters teams up with returning characters from the old series in a story loosely structured like the first film – as its format and subject. The movies it’s based on never have a number in their title; it only made sense to follow the naming convention of such modern horror franchise entries as HALLOWEEN (2018), HELLBOY (2019), THE GRUDGE (2020), CANDYMAN (2021), WRONG TURN (2021), TEXAS CHAINSAW MASSACRE (2022), HELLRAISER (2022) and the upcoming THE EXORCIST (2023).

A year later here we are with another one from the same directors (Tyler Gillett & Matt Bettinelli-Olpin, READY OR NOT) and writers (Guy Busick [READY OR NOT] & James Vanderbilt [ZODIAC]) and this time it does have a number in the title – the historic first Roman numeral of the series. SCREAM VI is a good title mainly because the trailer showed the M in SCREAM get slashed and split into a bleeding VI, and secondarily because it’s admitting that yeah, we can’t lie, this is the sixth movie in the SCREAM series. It stars mostly our new set of characters introduced in the last one, but makes reference to characters and events from all five previous SCREAMs. I gotta admit, I’ve been there since the beginning, I’ve watched SCREAM many times, SCREAM 2 several times, SCREAM 3 maybe three times, the other two one each, but they drop so many names so fast I had trouble remembering what they were talking about. Not that it matters.

(Note: There were two guys behind me and one of them had apparently never seen any SCREAM movie before so the other guy tried to explain who each character was as they appeared. Not ideal.) (read the rest of this shit…)

Christmas Blood / Alien Raiders

Wednesday, December 21st, 2022

Whether Christmas is a religious holiday for us, or just a way to celebrate giving, or whatever, we can all agree that it’s mainly about trying to find more movies we haven’t seen that are about a killer Santa or some shit. That’s the true and sole meaning of Christmas, is what it says quite clearly in the Bible, and if you don’t believe me I challenge you to tell me which verses it’s not in. You can’t do it, can you? Case closed. Anyway the point is this year I saw CHRISTMAS BLOODY CHRISTMAS but for those of you who would prefer to have the same title but shorter there’s also CHRISTMAS BLOOD (Juelblod), a Norwegian one from 2017.

IMDb lists it as a horror comedy. It really doesn’t read as one to me, but maybe it’s an exceedingly dry sense of humor – there is certainly some absurdity to it, which is what I liked about it. It’s very openly a Santa Claus version of HALLOWEEN. It opens in the middle of the night on Christmas Eve, 2011, when a little girl and her parents get killed by a guy dressed as Santa. The police show up in time to shoot the Santa, and Detective Thomas Rasch (Stig Henrik Hoff, THE THING premaquel), who’s been chasing this guy for 13 years, unloads his gun into him while he’s down. (read the rest of this shit…)

Slasher Search: Axe / The 7th Hunt / Slaughtered / Trail of Blood

Friday, November 4th, 2022

I only managed to do one Slasher Search entry in October of ’22, SAVAGE LUST a.k.a. DEADLY MANOR. In that review I mentioned that I didn’t know if there was much of anything left that fit the qualifications I was looking for in a Slasher Search title: a slasher or slasher-esque movie, preferably from the subgenre’s heyday in the ‘80s, that has never had much of a reputation or been rediscovered. Over the years I’ve mostly found these by looking at the dwindling number of titles that are still only available on VHS, but Arrow, Vinegar Syndrome and other great blu-ray labels have diminished that pool even more than I have myself.

I’d like to thank everyone who encouraged me to continue the series in some form, even if it meant changing the type of titles I cover. I’m happy to hear that there are people besides me interested in spelunking through the splatter, so I’m gonna take your advice. Today I’d like to share with you a selection of no-name slashers of the 2000s I tried out.

I’ll start with the one I got the most out of: AXE (2006), a.k.a. AXE – KILLER BIKER GANG, a.k.a. GREED. It is not a remake of AXE (1974), a.k.a. LISA, LISA, though I believe both have people being terrorized by fugitives. This one starts out pairing decent atmosphere with the narrative bluntness of a porno: a couple is making out outdoors on a car seat next to their trailer, the radio they’re listening to reports that there’s been a prison break, they joke about it for a minute, and just then the escaped prisoners in question walk right up to them.

(read the rest of this shit…)

Terrifier 2

Wednesday, November 2nd, 2022

TERRIFIER 2 is a genuine little-slasher-sequel-that-could phenomenon manifesting right here in the excellent horror year of 2022. This is the $250,000, ultra-gory evil clown movie that not only finagled an unrated limited theatrical release, but did so well (and got so much press from reports of puking and fainting at screenings) that they added more showings the week after that, and the week after that, and the week after that. It was the movie that finally nudged TOP GUN: MAVERICK out of the top ten, and Variety says it “shocked the industry” doing so well with “next to zero mainstream marketing.”

It’s now made almost $8 million, which is tiny compared to any blockbuster, but it’s about five times what last year’s best picture winner CODA made. So unless I misunderstand how this works, writer/director Damien Leone better make room for five best picture Oscars on the shelf next to part 1’s trophies for ShockerFest Audience Choice Award and Louisville Fright Night Film Fest “Best ‘Grindhouse’ Film.” And I try to watch all the most classy and acclaimed motion pictures so I set aside my belief that evil clowns are corny to watch TERRIFIER, and I liked it enough to go see TERRIFIER 2 when it came back to Seattle last Friday. (read the rest of this shit…)

Savage Lust a.k.a. Deadly Manor

Wednesday, October 19th, 2022

“Motherfucker, there are coffins in the basement!”


SAVAGE LUST (1989) is a terrible title, and I’m not gonna claim the movie is much better. But as far as a first Slasher Search title of ’22 – and maybe the last if I can’t find anything else that seems to fit the bill – it’s surprisingly watchable. I got through it in one sitting!

This is not an official announcement of an ending to Slasher Search – just a realistic assessment that there aren’t many more of what I’m searching for out there. So I’ll share them with you when I find them, but I hope you won’t be disappointed if they end up being few and far between.

I’ll always be open to recommendations for good slashers and other horror I’ve missed from any era. But the idea of Slasher Search is to discover things too obscure to be recommended to me. But the window for finding vintage slasher movies that I haven’t already seen, and that haven’t already been dug up by somebody else, gets narrower by the week. (read the rest of this shit…)

Halloween Ends

Monday, October 17th, 2022

HALLOWEEN ENDS, the conclusion to David Gordon Green’s HALLOWEEN trilogy, and part 4 in the HALLOWEEN series (timeline 3), is not what I expected. It’s not what anyone expected, or could’ve predicted. The trailers made it seem like they completely ran out of material. Oh yeah, Laurie fights Michael again. She already tried that in 2018 with 40 years of preparation, hidden weapons and a dungeon. She wanted to do it in HALLOWEEN KILLS but a riot started at the hospital, some asshole bumped into her and the staples on her knife wound tore open. But now it’s years later so she’s gonna do it spontaneously in her kitchen, looks like. Seems redundant.

Oh well. I had faith, because I’ve liked these movies, I like this director. And it paid off. That stuff is in the movie, but it works because it’s about so much more.

(You know I have to dig in deep with a new HALLOWEEN movie, so this is a HEAVY SPOILER REVIEW.)

The cold open takes place in Haddonfield on Halloween, 2019. A young man named Corey (Rohan Campbell, SANTA BABY 2: CHRISTMAS MAYBE) is called last minute to babysit for some rich couple. The kid (Jaxon Goldenberg) is a smartass. They watch John Carpenter’s THE THING together – an obvious but too-perfect-to-pass-up nod to watching THE THING FROM ANOTHER WORLD in Carpenter’s HALLOWEEN. Fears of Michael Myers are discussed. The kid points out that Michael kills babysitters, not kids. But Corey goes to the kitchen, hears a thump, comes back and can’t find the kid. The mansion is huge. A door is open. A knife is missing. The kid is screaming upstairs. (read the rest of this shit…)

Terrifier

Wednesday, October 12th, 2022

There’s this slasher sequel TERRIFIER 2 that just had a limited 4-day theatrical release, with some positive reviews. I didn’t see it, but it made me pay more attention to the existence of the TERRIFIER intellectual property brand. I had previously not paid much attention because I had seen pictures of the ugly clown it stars. I respect and support Killer Klowns from outer space, and IT is pretty cool, and I liked THE LAST CIRCUS if that counts, but in general I think an evil clown is about the corniest, most obvious, off-brand Halloween mask bullshit there is. Especially this type where he has a demonic face and teeth trying hard to do the work that the clown makeup is supposed to do on its own by accident. Wasn’t the idea that clowns are scary in the first place? When you have to turn them into monsters isn’t that admitting you don’t really believe that?

Anyway, this writer/director Damien Leone has made a career out of his “Art the Clown” character, first in a series of shorts that he turned into the anthology ALL HALLOW’S EVE (2013), then the two TERRIFIERs. TERRIFIER (2016) is the shortest at 86 minutes, so I decided to start there. (read the rest of this shit…)