"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Jena Malone’

Rebel Moon Part One: A Child of Fire

Thursday, April 18th, 2024

With part two releasing tomorrow, I have been spurned into action – I must complete my review of Zack Snyder’s REBEL MOON PART ONE: A CHILD OF FIRE. To summarize my Snyder history, I’m a fan. In the eras of SUCKER PUNCH, OWL 300 and MAN OF STEEL I seemed to like him more than the next guy, then I fell off as the true Zack Zealots and ZAnons began their ascent. But I still enjoy all of his movies on some level, and love some of them.

REBEL MOON PART ONE: A CHILD OF FIRE is, uh… the short version of the first half of his long-awaited take on the space opera genre. Squirted onto Netflix with extreme fanfare and modest response, it’s unclear when the promised director’s cut will ever be released. But even in this abbreviated form it manages to have plenty of the self indulgence that defines a Zack Snyder film – it’s what powers his rockets, and also what gets him too close to the sun. On first viewing I felt this leaned closer to the latter, that it was one of his worst, but that I still got a kick out of it. Then I watched it a second time yesterday and it was better than I remembered. I cannot tell a lie. I kinda dig it. Not every “new Star Wars” has to really be the new Star Wars. There’s room in my heart for a new CHRONICLES OF RIDDICK. This is way more fun to watch than SPACE RAIDERS or KRULL or METALSTORM: THE DESTRUCTION OF JARED-SYN or even SPACEHUNTER: ADVENTURES IN THE FORBIDDEN ZONE although that one’s kinda good.
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Love Lies Bleeding

Monday, March 18th, 2024

LOVE LIES BLEEDING is an unusually cool lesbian neo-noir from director Rose Glass (SAINT MAUD), who co-wrote it with Weronika Tofilska. It’s vaguely in the tradition of all my favorite dusty desert town crime movies, and the ones about passionate young couples on the run from bad choices or circumstances, but it has its own secret recipe of transgression, poetry and lovestruck naivete.

It comes at you with a wave of atmosphere, opening deep inside a chasm, rising up to look at the bright stars in the sky above New Mexico, then craning down to the Crater Gym, a big rectangular warehouse of sweat and dirt that might as well be a barn. It’s surprisingly active at night. High concentration of muscle heads in this barren town, I guess. Kristen Stewart (CRIMES OF THE FUTURE) stars as the manager of the gym, Lou, who’s introduced reaching deep into a plugged toilet. I had to do that working at a grocery store as a teenager, ‘cause I didn’t have a manager like Lou. Mine wouldn’t do it herself, she called the new kid and said, “Sorry to say, sug, the only thing to do is reach in there and pull it out.” (read the rest of this shit…)

For Love of the Game

Monday, January 24th, 2022

“I’m sorry. I’m sorry for what I said to you that day in the condo.”


Okay, we have now come to the one “Wait— what?” of the Raimi filmography. His MUSIC OF THE HEART. We saw him completely switch up his style for his last movie, A SIMPLE PLAN, and it was obviously very different and more “normal” than anything he’d done previously. But it wasn’t totally out of the blue for him to make the leap from horror to dark suspense thriller. It had some overlap with the crime films by his friends the Coen Brothers, and it had a great role for Bridget Fonda, who had previously done a cameo in ARMY OF DARKNESS.

But for the love of God, where did FOR LOVE OF THE GAME come from? The answer he always gives is about the only answer possible: he likes baseball, he liked the script, he wanted to try something different. I knew that was what it was but I always figured it would be worth watching some day. “Some day” came 22 years after it was released (now), and I’m actually surprised that the only Raimi I noticed in it at all was Ted Raimi in a cameo as the doorman at a party. I figured there would at least be some cool shots of baseballs flying. The premise is that maybe-about-to-retire Detroit Tigers pitcher Billy Chapel (Kevin Costner, SIZZLE BEACH, U.S.A.) reflects on his failed relationship while trying to pitch a perfect game. You’d think there would be some attempt to experiment with different ways to show a pitch on film, as THE QUICK AND THE DEAD did with gun duels. But it’s not that kind of party. (read the rest of this shit…)

The Neon Demon

Tuesday, July 12th, 2016

tn_neondemonNicolas Winding Refn had been around for years before he draped Ryan Gosling in that silver scorpion jacket and became such a name among the movie savvy that he can get a John Hyams remake of MANIAC COP funded and put his initials on the beginning and end of his movies like they’re monogrammed towels. He’d had international acclaim for the PUSHER trilogy and VALHALLA RISING, but DRIVE was such a perfect balance of effective crime drama, zeitgeisty nostalgia and style, and arthouse indulgence that it became a bonafide cultural moment. And he’s been trying to punish us for it ever since.

I like that he lets his freak flag fly, and while most of my friends couldn’t hang with his follow-up ONLY GOD FORGIVES, it really spoke to me with its odd mix of revenge story deconstruction, broken martial arts movie structure and feverish surrealism. His latest, NEON DEMON, swerves even further off the road of logic and coherence in its exploration of the world of young models in L.A.

Elle Fanning (MALEFICENT, SUPER 8, THE NUTCRACKER IN 3D, SOMEWHERE), somehow looking five years younger and more naive than in whatever movie I saw her in last, plays Jesse, a newcomer to town trying to find gigs. Makeup artist Ruby (Jena Malone, INHERENT VICE, SUCKER PUNCH) latches onto her after a shoot and introduces her to Gigi (Bella Heathcote, DARK SHADOWS) and Sarah (Abbey Lee, the Dag from FURY ROAD, also in GODS OF EGYPT), more experienced models who respond with jealousy and cruelty when the gatekeepers start treating her as something special. (read the rest of this shit…)

The Hunger Games: Catching Fire

Monday, November 25th, 2013

tn_catchingfire(I’m trying to mark the biggest spoilers as usual, but be careful with this one if you don’t want anything given away)

You remember back when THE HUNGER GAMES came out I avoided it. I know this makes me a weirdo, but it wasn’t until Francis Lawrence signed on to direct the sequels that I got interested. The conventional wisdom was that part 1’s Gary Ross (PLEASANTVILLE, SEABISCUIT) was a classy director and this was a step down to replace him with the guy who did CONSTANTINE and I AM LEGEND. But I’m a fan of Mr. Lawrence, I see some genius behind the admittedly large flaws of those movies. As pretty good as THE HUNGER GAMES is I’m way more impressed by Lawrence’s depiction of post-human-New-York-City and Will Smith’s performance as the lonely omega-scientist. Yeah, we all know that there are some problems when the vampires turn out to be leaping computer animated beasts, but shit, they’re better than the animated dogs in HUNGER GAMES. Scarier and with more personality and meaning. Let’s not pretend either of these is flawless, but I know which one I like better.

Now Lawrence’s first HUNGER GAMES chapter has hit, and virtually ever review I’ve seen says what I predicted, that he made a better movie than the first one. See you guys, I know shit.

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Sucker Punch

Saturday, March 26th, 2011

tn_suckerpunchSUCKER PUNCH is such an extreme movie stylistically that I feel like I oughta have an extreme reaction to it. Something along the lines of either I want to set up a bunch of traps to torture this movie while I preach to it through a series of self-aggrandizing recordings and puppet displays or I am currently giving this movie an erotic massage and we’ll see where it goes next but spoiler alert it’s not gonna be Biblically approved. Unfortunately I am too much of a centrist. Actually I feel kinda similar about all of Zack Snyder’s movies so far: it doesn’t entirely work, but it’s kind of awesome, I enjoyed it. I guess he’s consistently inconsistent. (read the rest of this shit…)

Igby Goes Down and The Dangerous Lives of Altar Boys

Wednesday, February 5th, 2003

Somehow this week I ended up seeing two independent movies starring Kieran Culkin as a troubled rebel kid in a private school uniform. That’s just the way life is sometimes, I guess.

You know my theory about Culkins. They squirt ’em out on a conveyor belt somewhere and sell ’em cheap to filmatists. I’m not sure they even have separate identities, they probaly just call them “Rory” when they’re young and “Kieran” when they’re a teen and “Macaulay” when they quit acting and start going to clubs. If you buy the media hype about them being actual kids, then Kieran must be the most successful of the group because he’s doing legitmate acting roles and he must be 16 or so. (read the rest of this shit…)