Posts Tagged ‘James Remar’
Tuesday, November 5th, 2024
I’m no scholar of the works of Francis Ford Coppola. I agree THE GODFATHER I and II and APOCALYPSE NOW are amazing, and I’ve recently grown into a BRAM STOKER’S DRACULA zealot. I enjoyed THE CONVERSATION and THE OUTSIDERS and RUMBLEFISH and THE COTTON CLUB and DEMENTIA 13 and obviously CAPTAIN EO. I’ve had some of his wine, too – we get those little cans of Sofia for Oscar parties. But like most people I’m not really up on the experimental shit he’s been up to b’twixt the 21st century. In fact the last time I saw a new FCC joint was JACK in 1996.
But hell, I wasn’t gonna miss MEGALOPOLIS! You know the legend. He conceived it in the ‘70s, he’s tried to get it off the ground many times across the decades, now he finally did it with his own $120 million. Amazing. Whatever it is, you gotta respect what he did. Become a rich guy just to make a true indie on the largest possible scale. Pretty much all rich guys waste their money in far stupider ways.
(read the rest of this shit…)
Tags: Adam Driver, Aubrey Plaza, Francis Ford Coppola, Giancarlo Esposito, Grace VanderWaal, James Remar, John Voight, Laurence Fishburne, Nathalie Emmanuel, passion project, Shia LaBeouf
Posted in Reviews, Science Fiction and Space Shit | 19 Comments »
Thursday, June 6th, 2024
June 3rd, 1994
RENAISSANCE MAN is a really-not-that-bad inspirational teacher movie directed by Penny Marshall (A LEAGUE OF THEIR OWN) and written by Jim Burnstein (a rookie who later did D3: THE MIGHTY DUCKS). It’s corny in the usual ways but also benefits from the simple appeal of the formula and a more-subtle-than-usual performance by Danny DeVito (ROMANCING THE STONE, THE JEWEL OF THE NILE, BATMAN RETURNS).
He plays Bill Rago, a fuck up in the world of advertising who gets fired after missing an important meeting with out-of-town VIPs. Ed Begley Jr. (last seen two weeks ago in EVEN COWGIRLS GET THE BLUES) appears briefly as his friend Jack who hired him and still cares about him but has run out of jobs for him. While defending him to the boss Jack says “the man’s had a few personal setbacks the last couple years,” and we can infer that one of them is a divorce, but I like that they never elaborate. Maybe it was some weird shit too. We don’t know. (read the rest of this shit…)
Tags: Alanna Ubach, Cliff Robertson, Danny DeVito, Ed Begley Jr., Greg Sporleder, Gregory Hines, inspirational teacher movie, Isabella Hoffmann, James Remar, Jenifer Lewis, Jim Burnstein, Kadeem Hardison, Khalil Kain, Lillo Brancato Jr., Mark Wahlberg, Penny Marshall, Peter Simmons, Richard T. Jones, Shakespeare, Stacey Dash
Posted in Reviews, Drama | 23 Comments »
Monday, February 5th, 2024
There are a bunch of directors who made legendary movies in the ‘70s and ‘80s but in the ‘90s were directing, like, episodes of Timetrax and shit. One such director is Lewis Teague, who gave us the outstanding large animal pictures ALLIGATOR and CUJO, plus FIGHTING BACK, CAT’S EYE, THE JEWEL OF THE NILE and COLLISION COURSE. But after NAVY SEALS it was all TV for the rest of his career.
Oh well. It’s respectable work if you can get it, and at least his small screen period started with a pretty fun sci-fi/action movie for HBO. WEDLOCK (1991) (also released on tape as DEADLOCK) is a futuristic prison escape movie that came out less than a year before Stuart Gordon’s FORTRESS. It’s not as good, but it was first. (read the rest of this shit…)
Tags: Basil Wallace, Branko Lustig, Broderick Miller, Danny Trejo, Denis Forest, futuristic prison, Glenn Plummer, Grand L. Bush, James Remar, Joan Chen, Lewis Teague, made-for-cable-movies, Mimi Rogers, Rutger Hauer, Stephen Tobolowsky
Posted in Reviews, Action, Science Fiction and Space Shit | 18 Comments »
Wednesday, August 16th, 2023
First thing I want to say is that I’ve been calling this movie “Oppy” while having no idea that it’s what everyone calls him in the movie. I guess it’s just the natural, instinctive nickname that comes to mind for J. Robert Oppenheimer, even before “J.R.”
Second thing I want to say is that I was so wrong about the phenomenon of OPPENHEIMER! I had been confused as to why people were talking about it as a sure-thing blockbuster smash, but here I am finally having seen it after 3 weeks of sold out shows at the Imax. I had to give in and buy the tickets a week in advance, and the show did sell out in the same theater that never filled up for DEAD RECKONING, JOHN WICK 4, CREED III, DIAL OF DESTINY, etc. There’s lots of hype about it being shot for Imax format, and this is is the only full Imax format screen in the state, so that’s important context. But still – a 3-hour R-rated drama about a scientist selling out every show every day for weeks? Just because Christopher Nolan directed it? Hooray for the auteur theory! (read the rest of this shit…)
Tags: Alden Ehrenreich, Alex Wolff, biopic, Christopher Nolan, Cillian Murphy, Dane DeHaan, David Dastmalchain, David Krumholtz, Emily Blunt, Florence Pugh, Imax, Jack Quaid, James Remar, Josh Hartnett, Macon Blair, Matt Damon, Matthias Schweighofer, Rami Malek, Robert Downey Jr., Scott Grimes, Tom Conti
Posted in Reviews, Drama | 30 Comments »
Tuesday, October 20th, 2015
So here I am on part six. Of nine. Two thirds of the way through the HELLRAISER saga. But that’s only two fifths of the way into the ones I haven’t seen. The DTV ones. The difficult ones. And the God’s honest truth is that spirits are low. Morale is low. Quality is low. Every reasonable part of my brain tells me to turn back. But I won’t do that – I can’t do that – because if I give in now then I’ve come all this way for nothing. I’ll have put myself through all this just to be able to say “I’ve seen most of the HELLRAISER movies.” Not even most of the DTV ones.
That’s not me. No retreat no surrender. I’ve come too far. I’m not a quitter. Did Frank give up and quit? No, he went all the way to Morocco to find that box, and he got it, and he solved it. Maybe that’s a bad example.
By the time this one comes out it is 2002. Alot of important horror business started in 2002: the American popularity of J-horror (remake of THE RING while JU-ON and DARK WATER are released), the short trend of fast zombies (28 DAYS LATER), the endless RESIDENT EVIL series, Neil Marshall (DOG SOLDIERS), Eli Roth (CABIN FEVER), Lucky McKee (MAY), and most importantly it was the year of BLADE II. The closest comparison to HELLSEEKER I guess would be HALLOWEEN: RESURRECTION, the 8th, last, and worst of a series started in 1978. But that was a theatrical release.
(DTV horror sequels that had come out since HELLRAISER: INFERNO:
FROM DUSK TILL DAWN 3: THE HANGMAN’S DAUGHTER, CHILDREN OF THE CORN REVELATION, MIMIC 2, AMERICAN PSYCHO 2.)
HELLSEEKER is the first since part II (and the only DTV one) to bring back Ashley Laurence as Kirsty Cotton, stepdaughter of Julia, niece of Frank and Final Girl of the two good HELLRAISER movies. Now she’s married to Trevor (Dean Winters, Terminator: The Sarah Connor Chronicles, 30 Rock, insurance ads) and they’re driving somewhere but they suddenly plummet off a bridge, and Kirsty doesn’t escape. Well, thanks for coming back, anyway. (read the rest of this shit…)
Tags: Ashley Laurence, Dean Winters, Doug Bradley, DTV, DTV sequels, James Remar, Rick Bota
Posted in Horror, Reviews | 23 Comments »
Friday, October 16th, 2015
You know me, I’m fascinated by DTV sequels. They’re an interesting in-between medium, a way to get movies made with enough name recognition to make money but not enough to spend money on. There are some that are an enjoyable use of the format (DARKMAN III, FROM DUSK TILL DAWN 2), some that are completely legit theatrical-worthy movies (CURSE OF CHUCKY), and even a few that are better than their theatrical forebears (the Hyams UNISOLs, the Florentine UNDISPUTEDs, THE MARINE 2).
But the HELLRAISER movies – something about them always seemed off limits to me. The Clive-Barker-executive-produced theatrical series ended shamefully in Weinstein-induced Alan Smitheedom, and I never got the impression that the DTV sequels were either a sincere attempt to revive the magic or a ridiculous enough bastardization to get a kick out of. Like, I don’t think they have one where Pinhead joins a biker gang or has to take care of a precocious little girl and learns how to love. So over 15 long years I have turned my back on five DTV sequels to HELLRAISER.
Until now. For some reason. Wish me luck. I opened the box.
(read the rest of this shit…)
Tags: Craig Sheffer, Doug Bradley, DTV, DTV sequels, James Remar, Nicholas Turturro, Sasha Barrese, Scott Derrickson
Posted in Horror, Reviews | 19 Comments »
Tuesday, August 19th, 2014
We’ve all noticed by now that Sylvester Stallone has been trying to settle on the magic EXPENDABLES casting formula. The action icons (Dolph, Wesley, Arnold, Bruce, Jet) are surrounded by a protective layer of athletes (Couture, Austin, Ortiz, Rousey) and youths. For EXPENDABLES 2 he plucked young Liam Thorsbrother from the HUNGER GAMESes, and now EXPENDABLES 3 picked up Kellan Lutz from the TWILIGHTs. I didn’t really know who that was so I was pleasantly surprised when I looked him up and found out he has legitimate b-action experience. He did the sword and sandal ones like IMMORTALS and RENNY HARLIN’S LEGEND OF HERCULES, but also one called JAVA HEAT where he’s an American cop trying to catch a terrorist in Indonesia. And the terrorist is Mickey Rourke.
I should probly check that one out, but when I decided I needed to choose my first Lutz for EX3 supplemental viewing I chose the DTV death match picture ARENA, because I’d come close to renting it before anyway. You know how I am. (read the rest of this shit…)
Tags: Daniel Dae Kim, death matches, Derek Mears, DTV, James Remar, Johnny Messner, Katia Winter, Kellan Lutz, Samuel L. Jackson, Tony Giglio
Posted in Action, Reviews | 12 Comments »
Wednesday, May 8th, 2013
BAND OF THE HAND is a beautiful combination of elements: underdog juvenile delinquent brotherhood, island survival, stoic badass mentorship, paramilitary vigilante revenge, Miami Vice style and attitude. I mean, literally, it’s the people who made Miami Vice. Michael Mann is the executive producer. Paul Michael Glaser, who is known for playing Starsky but also directed episodes of Miami Vice, is the director. IMDb trivia claims it was actually released theatrically after failing as a TV pilot, but I’m skeptical about that. It seems a little too awesome to have been made for TV. They would’ve had to go back and do reshoots for additional awesomeness.
I think this is Michael Mann’s version of a RED DAWN type teen action movie. It’s hoods vs. kingpins in Miami, great cast, show-offy camera moves and editing, moody atmosphere, restrained dialogue. And as the cover brags, it has a high grade ’80s pop soundtrack – “Broken Wings” by Mr. Mister, “Let’s Go Crazy” by Prince, a bunch of songs by some band called The Reds that also played on MANHUNTER – even a title song by Bob Dylan, somehow. (read the rest of this shit…)
Tags: Danny Quinn, James Remar, John Cameron Mitchell, Lauren Holly, Laurence Fishburne, Leon, Miami, Michael Carmine, Michael Mann, Paul Calderon, Paul Michael Glaser, Stephen Lang
Posted in Action, Reviews | 30 Comments »
Friday, March 22nd, 2013
How are you gonna get em back on JUDGE DREDD with Sylvester Stallone when they’ve seen DREDD with Karl Urban? The new version is lower budget and streamlined and way better. It’s dedicated to the purity of this fascist character and the ugly world he lives in, and doesn’t worry about commercial considerations. (And sure enough did not do well commercially.) The new version is cool because it’s just about this larger than life character on one day doing one job. The old one, of course, had to be the story of the biggest thing that ever happened to Judge Dredd. It has all the weaknesses of calculated blockbuster type filmmaking, and only some of the strengths.
But you know what, it’s pretty fun to watch. There’s alot of good shit in here anyway, especially at the beginning. It’s a little better than I remembered. (read the rest of this shit…)
Tags: Armand Assante, Danny Cannon, Diane Lane, Ewan Bremner, James Remar, Joan Chen, Jurgen Prochnow, Max von Sydow, Michael De Luca, Rob Schneider, Scott Wilson, Steven E. de Souza, Sylvester Stallone, William Wisher Jr.
Posted in Action, Comic strips/Super heroes, Reviews, Science Fiction and Space Shit | 96 Comments »
Thursday, December 27th, 2012
A couple weeks ago the studio “lifted the embargo” as they say, and all the online critics unchained their DJANGO reviews even though non-critics wouldn’t see the thing until Christmas. I think that’s a silly ritual because I wasn’t gonna read that shit! This is the new Quentin Tarantino movie, you go in fresh. I already know I want to see any movie he makes, I don’t gotta read everything about it first. In case you’re different I’ve tried to mark the biggest spoilers in this review, but as usual I recommend seeing the movie first.
DJANGO UNCHAINED is the most straight forward movie Tarantino has ever made. It follows one main character from first scene to last, doesn’t cut away to another story or even jump around in time other than some very traditional flashbacks. There are alot of long conversation scenes, but it’s generally pretty clear what they have to do with the main plot of the freed slave Django (Jamie Foxx, STEALTH) becoming a bounty hunter and trying to rescue his wife (Kerry Washington) from a plantation. And that’s not a misleading description, that’s really the movie, a racially charged western (or “Southern,” Tarantino likes to say) in the tradition of those CHARLEY movies I just reviewed.
So in a way it feels uneventful for a Tarantino movie, the first time he made one that was pretty much what I expected from the commercials. On first viewing it seems low in my rankings of the QT filmography, but that doesn’t say much. Tarantino sure knows how to entertain, and I happen to love this genre of badass black cowboys out for frontier justice against practitioners of the slave trade. For his first straight up genre picture that’s a good genre to pick. I love this movie. (read the rest of this shit…)
Tags: blaxploitation, Christoph Waltz, Don Johnson, Franco Nero, James Remar, Jamie Foxx, Kerry Washington, Leonardo DiCaprio, Michael Parks, neo spaghetti western, Quentin Tarantino, Samuel L. Jackson, slavery, Tom Wopat
Posted in Reviews, Western | 227 Comments »
