Just as the Weird Summer of 1992 was wrapping up, New Line Cinema gave us arguably the season’s weirdest wide release. Sure, it played half as many screens as its fellow August 28, 1992 releases HONEYMOON IN VEGAS, PET SEMATARY II and FREDDIE AS F.R.O.7., but I think it’s fair to call it mainstream. There was awareness, it was based on a recently popular TV show, and it at least opened bigger than FREDDIE. As far as per screen averages it came in 4th place for the weekend.
TWIN PEAKS: FIRE WALK WITH ME is, of course, David Lynch’s big screen prequel to his pop-culture-phenomenon TV series Twin Peaks. I’ll get into my history with the show later, but for now I’ll just note that I’m unfamiliar enough that I watched this as pretty much an outsider, looking at it almost as a stand alone movie.
And at first it really does fit into the indie releases of ’92 – it makes sense as a contemporary of NIGHT ON EARTH, ONE FALSE MOVE, RUBIN & ED, and JOHNNY SUEDE. It tells the story of FBI Regional Bureau Chief Gordon Cole (David Lynch, ZELLY AND ME) teaming up stoic veteran Special Agent Chester Desmond (Chris Isaak, MARRIED TO THE MOB) and nerdy bow tie wearing rookie Sam Stanley (Kiefer Sutherland, RENEGADES) to investigate the murder of a teenager named Teresa Banks (Pamela Gidley, CHERRY 2000, HIGHWAY TO HELL) in the small town of Deer Meadow, Washington. (read the rest of this shit…)
In 1982 Paul Schrader followed 
Jennifer Connelly’s first movie was Sergio Leone’s ONCE UPON A TIME IN AMERICA (as the young version of Elizabeth McGovern’s character). Her first starring role was Dario Argento’s 
