I saw THE CRAFT when it came out 30 years ago. I’m a little younger than the actors, so I was a little older than the characters, and thought I was above it, going to see it for a laugh. This is what they think teens think is cool, ha ha ha. But I was not as removed from that life as I imagined I was. I was practically the target audience, I just didn’t want to admit it.
Watching it now, of course, there’s an added layer of nostalgia: for when music sounded like that, even though that wasn’t the stuff I was listening to; for when I would definitely have had a crush on Nancy, even though she’s a psycho and Rochelle is way nicer and prettier; for when they made movies like this, which is code for when I was young and the horizon was widening instead of narrowing. The good old days. Obviously.
I know I’ve seen bits of it on cable over the years, but I think this is the first time I’ve seen it in full since the theater. It’s an interesting type of teen horror because it’s not a body count movie, and it doesn’t exactly have an antagonist. It’s timeless teenage girl material like the sisterhood of girls who don’t fit in at school, revenge against bullies and exploitative boys, etc., and then they add the supernatural into that. I guess you could say some of that about CARRIE, though, couldn’t you? So maybe it was nothing new. But in 1996 it felt a little different to not have a Freddy to worry about. We are the Freddys, mister. (read the rest of this shit…)
Last week I revisited that 2004-2005 period of Tony Scott’s career, when 
F/X is a pretty cool little thriller from 1986 that I think I saw back in the VHS days, but I didn’t remember it at all. And since Bryan Brown (THE CHANT OF JIMMIE BLACKSMITH) on the poster looks like Roy Scheider to me, I was really picturing something different. Brown is Australian and is allowed to fully use his accent here, a rarity in American movies that I was prepared to credit to the international success of CROCODILE DUNDEE until I saw that this came out earlier in the same year. So instead I will credit the success off CROCODILE DUNDEE to the success of F/X.
“The Future of Law Enforcement” is the two-part pilot to the 1994 ROBOCOP live action tv series, sometimes known as ROBOCOP: THE SERIES or ROBOCOP: THE BEGINNING. Orion Pictures licensed the TV rights to a Canadian company called Skyvision (no relation to Skynet) who made one season that started airing about 4 months after ROBOCOP 3 took flight. (get it, because he can fly in part 3.) Despite that proximity it seems to ignore the events of the sequels, for example Murphy’s family doesn’t know he’s RoboCop. Sorry, ROBOCOP 3 – you just left theaters like five minutes ago, and we’ve already disavowed your sorry ass. On Canadian television, even. You blew it, ROBOCOP 3. Admit it.
