Posts Tagged ‘Bill Duke’
Monday, May 3rd, 2021
It’s that time of year again. The time when the sun comes out and my instincts tell me to crawl into a dark theater. It’s also become the time when I take a deeper look at summer movie entertainment of the past. Especially in this strange year, when the vaccines are starting to kick in but an immediate return to normal life seems unlikely, there’s something I find very comforting and fascinating about this form of time travel. I especially like looking at times I remember living in, but when I was too young to see everything that came out or to understand them in the way I would now. It’s partly nostalgia but partly wanting to learn about everything I missed.
It becomes harder to do each year, as there become fewer stretches that I haven’t already mined (or, in the case of anything in this century, that I wasn’t writing about at the time). Fortunately this year we’ve hit the 30th anniversary of a crop of movies from what I think is kind of an interesting transitional period with some cultural shifts in progress. It’s a summer with some fresh territory for me and although I’ve already reviewed what I consider its two most important releases, they’re both monumental enough to justify writing up more than once. (read the rest of this shit…)
Tags: Badja Djola, Bill Duke, Carol Cartwright, Chester Himes, Danny Glover, Forest Whitaker, George Wallace, Gregory Hines, Helen Martin, John Seitz, John Toles-Bey, Robin Givens, Screamin' Jay Hawkins, Stack Pierce, Stephen Woolley, Summer of 1991, T.K. Carter, Topper Lilien, Toyomichi Kurita, Wendell Pierce, Willard E. Pugh, William Horberg, Zakes Mokae
Posted in Reviews, Crime | 27 Comments »
Monday, September 30th, 2019
AMERICAN GIGOLO. Paul Schrader’s prequel to AMERICAN PIMP. Older brother of AMERICAN PSYCHO. Cousin to AMERICAN NINJA. Quite a family of movies there.
I really should see more of Paul Schrader’s stuff. Obviously I respect him for writing TAXI DRIVER and revere him for writing ROLLING THUNDER. I remember loving BLUE COLLAR. MISHIMA: A LIFE IN FOUR CHAPTERS was incredible. More recently FIRST REFORMED really impressed me. But there are some very famous ones I haven’t seen. This one, I gotta admit, I ignorantly assumed wasn’t my thing. Some Richard Gere movie. Who cares?
It was getting more into movie soundtracks on vinyl that turned me around. AMERICAN GIGOLO is a pretty common, relatively inexpensive find, so I picked one up, and really liked it. Then I figured okay, I should see where these sounds come from.
Young, slim, squinty-eyed dreamboat Richard Gere (a little after DAYS OF HEAVEN, a little before AN OFFICER AND A GENTLEMAN, way before FIRST KNIGHT) stars as Julian Kaye, L.A. gigolo. In his business there’s alot of ambiguously talking around things on account of the illegality. Lots of not stating what’s going on, or denying it – saying “you’ve heard wrong” or “you’re mistaken” when someone’s too direct or seems like trouble. So it’s interesting that he ends up suspected of a murder he didn’t do. We’re not sure at first if they really did hear wrong, really are mistaken, or if he’s just doing his usual shtick. (read the rest of this shit…)
Tags: Bill Duke, Giorgio Moroder, Hector Elizondo, Lauren Hutton, Paul Schrader, Richard Gere
Posted in Crime, Drama, Reviews | 17 Comments »
Tuesday, September 18th, 2018
MANDY is a deranged bad trip of a movie from director Panos Cosmatos (BEYOND THE BLACK RAINBOW). It features a high grade mega-acting performance from Nicolas Cage (FIREBIRDS), and Cosmatos is the rare director to cinematically keep pace with Cage’s style rather than try to balance it out. He and cinematographer Benjamin Loeb (KING COBRA) peel off the skin of reality and find the painted covers of obscure fantasy novels and death metal albums beneath.
Cage plays Red Miller, a lumberjack who lives in a cabin in the Shadow Mountains circa 1983 with his fantasy illustrator girlfriend Mandy (Andrea Riseborough, OBLIVION). One day they get kidnapped by a demonic biker gang and psychotic Christian cult led by hippie folk singer Jeremiah Sand (Linus Roache, THE CHRONICLES OF RIDDICK), who strings Red up with barb wire and (SPOILER) burns Mandy alive, leaving her to crumble into ashes in his hands.
But he escapes and gathers some weapons and comes back and fucking fucks shit up. And that’s enough to hang a movie on in my opinion but explaining the premise does not remotely describe the movie, which seems from frame one to be drugged out of its mind and/or existing on a different astral plane. I bet when they try to play BORN LOSERS on Civic TV, this is how it broadcasts – a psychedelic fever dream revenge nightmare. (read the rest of this shit…)
Tags: Aaron Stewart-Ahn, Andrea Riseborough, Bill Duke, Johann Johannsson, Linus Roache, mega-acting, Nicolas Cage, Panos Cosmatos, revenge, Spectrevision
Posted in Action, Horror, Reviews | 37 Comments »
Monday, February 26th, 2018
(a.k.a. JOHNNIE GIBSON F.B.I. if you go by the VHS tape)
JOHNNIE MAE GIBSON: FBI is a TV movie directed by Bill Duke. It aired on CBS in October of 1986 against a World Series game. I found a New York Times review from the time lamenting that it was routine TV formula. Accurate, but thirtysome years later the routine TV formula of 1986 has a certain retro appeal.
It’s a premature biopic of a respected FBI agent (Lynn Whitfield, JAWS: THE REVENGE) who was still on active duty at the time. Only the fifth ever African-American female agent at the bureau, she was known for extreme cool under pressure in undercover assignments and a high arrest record, many from “old dog” cold cases they dumped off on her.
We see her rise from a childhood in rural Georgia, poor family, sick mother (Veronica Redd, The Young and the Restless), mean father (Henry G. Sanders, REBEL, CHILD’S PLAY 3, ROCKY BALBOA). One scene involves a white family offering them a Thanksgiving turkey, her father refusing it, and her getting it anyway and surprising the family with it. her dad throws a fit and knocks it onto the floor. So much is established in this scene: Johnnie’s fearlessness and insistence on doing her own thing, her lifetime of dealing with angry men, but also her dad’s attempt to instill self-reliance into her, and the idea that her willingness to engage with white people makes her an outlier. (read the rest of this shit…)
Tags: Bill Duke, Henry G. Sanders, Howard E. Rollins Jr., Lynn Whitfield, Richard Lawson, TV movies, undercover, William Allen Young, Zero External Reviews on IMDb
Posted in Crime, Reviews | 21 Comments »
Monday, March 11th, 2013
I guess different people are free to interpret Elmore Leonard different ways, but to me he writes serious stories that are funny. As far as this movie is concerned he writes comedies. I guess that’s the GET SHORTY approach as opposed to the OUT OF SIGHT/JACKIE BROWN/Justified one. Too bad this isn’t as good as GET SHORTY.
It’s been years since I read the book, but I think this is fairly faithful. In my memory Skip (Christian Slater) is one of the main characters, which is not really the case here (despite the terrible cover making him way bigger than everybody else). But the basic storyline I think is intact and the movie’s biggest strength is lots of funny dialogue, largely from the book I believe. (read the rest of this shit…)
Tags: Bill Duke, Billy Burke, Christian Slater, Crispin Glover, Elmore Leonard, Gloria Hendry, Joseph LoDuca, Michael Jai White
Posted in Comedy/Laffs, Crime, Reviews | 6 Comments »
Tuesday, March 4th, 2008
As you know I can enjoy a good neo-noir type picture every once in a while. It’s almost not fair to include THE MAN WHO WASN’T THERE in this pantheon because it’s so spectacular and successfully retro that it makes the other ones look kinda lame. But other than that one it’s been a while since anyone succeeded at the modern film noir. I guess most independent filmatists trying to start out with a low budget crime movie have moved on from trying to make a BLOOD SIMPLE or a RED ROCK WEST to trying to make a RESERVOIR DOGS and then a PULP FICTION and then a LOCK, STOCK AND ET AL.
What makes this one surprising is that the director is Alex Winter, best known as Bill from BILL AND TED’S EXCELLENT ADVENTURE. Or possibly Ted. The point is, he’s not Keanu Reeves, but he is one of those two, Bill and Ted. I believe he is Ted come to think of it. Or he may be Bill. One of those. (read the rest of this shit…)
Tags: Alex Winter, Bill Duke, Henry Thomas, neo-noir
Posted in Reviews | No Comments »
Friday, September 15th, 2006
50 Cent, aka Curtis “Mumbles” Jackson, is not a rapper. I mean technically you might think he was one because he’s released rap albums. Pretty popular, too – the one this movie’s named after went six times platinum. But in a profile in Forbes magazine he talked about his albums and all his other products (a record label with all his buddies on it, a line of clothes, a line of Reebok sneakers, a flavor of VitaminWater, a video game, a ghost-written autobiography) as a continuation of the drug dealing he did starting at the age of 11. Just another hustle, another product.
When I read about his deal with Apple to sponsor a line of low-cost computers aimed at the inner city, I wondered if maybe he was smarter than he was letting on in all his music and interviews. Had he used his fame to give back to the community, strategically getting Apple to help the poor catch up technologically with the rest of American society and build a better future? Maybe, but he never mentions anything like that in the article. It ends with the quote, “I never got into it for the music. I got into it for the business.” (read the rest of this shit…)
Tags: 50 Cent, Bill Duke, hip hop, Jim Sheridan, Omar Benson Miller, Terrence Howard, Viola Davis
Posted in Crime, Drama, Reviews | 6 Comments »
Saturday, August 19th, 2006
PREDATOR starts out with a shot of an alien spacecraft jettisoning a shuttle towards earth. We just see it from the distance, there’s not alot of detail visible, but we don’t live under a rock, so we know what’s going on here. The extra-terrestrial hunting enthusiast known only as “Predator” is arriving on Earth. The human characters in the movie get all the screen time, but Predator gets the first shot, so we know this is really his story.
Like E.T. THE EXTRA-TERRESTRIAL, PREDATOR doesn’t give us any backstory on the alien star. All we know is the guy is no botanist. Maybe an exotic meat salesman. It almost seems like an alien remake of FIRST BLOOD because you got this one crazy alien maniac out in the jungle by himself, taking on a couple platoons worth of elite soldiers and doing a pretty good job of it. John Rambo did some sick shit but he didn’t skin a bunch of guys and hang them upside down from the trees. He didn’t pull out people’s spines. So Predator’s got one on John. You even get the scene where Predator, like John, is wounded and has to do some makeshift surgery on himself. The only difference is he uses advanced alien technology to heal himself instead of just crudely sewing himself up. (read the rest of this shit…)
Tags: Arnold Schwarzenegger, Bill Duke, Carl Weathers, Jesse Ventura, John McTiernan, Predator series, Sonny Landham, Val Verde
Posted in Action, Reviews, Science Fiction and Space Shit | 16 Comments »
Thursday, June 10th, 2004
This one’s from ’92 and I guess it’s most famous as the movie that introduced the world to Snoop Dogg. Not as an actor, but the young Snoop is “introduced” on a Dr. Dre song that plays on a stereo in the movie and then on the end credits. But this is a pretty good one, a serious undercover cop movie directed by Bill Duke, made memorable by a great performance by Mr. Laurence Fishburne.
Laurence plays one of those straightlaced cops whose dad was a junkie shot in front of his eyes and ever since he’s walked the straight path, stayed 110% clean and fought to clean up his community, stop the drugs, etc. Against his better judgment he signs up to become an undercover cop, working for a sleazy white fuck, looking the other way when people are murdered and selling drugs to kids and pregnant mothers – all because of the carrot at the end of the stick, the chance to bust a guy near the top of the pyramid bringing drugs into the country. But not the guy at the very top, a politician, because that guy’s off limits. (read the rest of this shit…)
Tags: Bill Duke, Jeff Goldblum, Laurence Fishburne
Posted in Action, Crime, Reviews, Thriller | 4 Comments »
Thursday, December 20th, 2001
Well in late December as I was preparing to face down the ol’ Y2K problem I got to thinking about the old Mad Max and Road Warrior movies I used to like so much, and that got me thinking about Mel Gibson, the young Australian actor who played Mad Max.
Well okay, I admit that Mel hasn’t amounted to as much as we as a society thought he would back in those days, but that doesn’t mean you can Write the man off entirely. I know what you are thinking, this dude hasn’t done shit since Mad Max so just forget about him. But sometimes even after he’s considered washed up by the general public an actor or actress is still putting out high quality type performances with little recognition. (read the rest of this shit…)
Tags: Bill Duke, Brian Helgeland, Gregg Henry, James Coburn, Kris Kristofferson, Lucy Liu, Maria Bello, Mel Gibson, Parker, Paul Abascal, Richard Stark
Posted in Action, Crime, Reviews, Thriller | 4 Comments »
