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Posts Tagged ‘Alex Winter’

Bill & Ted’s Excellent Adventure / Bill & Ted’s Bogus Journey

Wednesday, July 21st, 2021

BILL & TED’S EXCELLENT ADVENTURE (1989) is one of those beloved comedies you take for granted. I hadn’t seen it in 20+ years, so I was kinda afraid it might not hold up. It’s kind of hard to put your finger on why it works so well, and it would be hard to explain why it’s funny if somebody asked. I’m not sure if you had to be there or not.

Don’t get me wrong – there’s a pretty straight forward comical premise: what if a couple of dumb guys got a hold of a time machine and recruited actual historical figures to help with their history test? But for the most part that’s not really what’s funny about it. It’s the particular personalities of the dumb guys, and the reasons they have access to time travel.

Bill S. Preston Esquire (Alex Winter, DEATH WISH 3) and Ted “Theodore” Logan (Keanu Reeves, THE NIGHT BEFORE) are a Californian version of what we used to call “rockers” and some regions called “heshers” – guys whose lives center around heavy metal and/or hard rock. In the wild you’d expect them to have longer hair and leather jackets, smoke lots of pot and drink lots of beer, but Bill and Ted mostly just idolize Van Halen, talk about “babes,” and laugh at the number 69. They have a band called Wyld Stallyns, which features only the two of them on guitar, an instrument neither of them knows how to play. Still, their worst fear os for the band to be broken up if Ted fails his history test, in which case his dad (Hal Landon Jr., ERASERHEAD), who is a police captain and wears an NRA jacket while off duty, will ship him off to Oats Military Academy in Alaska. (read the rest of this shit…)

Grand Piano

Wednesday, May 21st, 2014

tn_grandpianoGRAND PIANO is a tight little thriller, the kind of thing I would have to call snappy, crackling, popping or perhaps krispy if I had the vocabulary. It’s a cool premise, well-executed, and then it gets the fuck out in around 80 minutes not including credits. And get this: it’s THE PIANO on speed! Picture that. Great idea, right?

Oh, I’m sorry, no, I meant it’s SPEED on a piano! Elijah Wood (FLIPPER) plays a disgraced world’s-greatest-concert-pianist, reluctantly pushed by his movie star wife (Kerry Bishé, ARGO, RED STATE) into a high profile, high pressure performance in tribute to his eccentric, recently deceased mentor. He’s already ready to shit out all his insides on stage and then in the middle of the performance he finds threatening notes on his sheet music and a crazy sniper starts threatening him over a headset. (The credits tipped me off that it was [SPOILER?] John Cusack, but the voice is immediately recognizable anyway. Actually, I don’t know if I’ve seen him play an evil mastermind before, and he’s a natural. Usually you’re supposed to love him for his asshole qualities, in this one he’s just being more honest.) (read the rest of this shit…)

Fever

Tuesday, March 4th, 2008

As you know I can enjoy a good neo-noir type picture every once in a while. It’s almost not fair to include THE MAN WHO WASN’T THERE in this pantheon because it’s so spectacular and successfully retro that it makes the other ones look kinda lame. But other than that one it’s been a while since anyone succeeded at the modern film noir. I guess most independent filmatists trying to start out with a low budget crime movie have moved on from trying to make a BLOOD SIMPLE or a RED ROCK WEST to trying to make a RESERVOIR DOGS and then a PULP FICTION and then a LOCK, STOCK AND ET AL.

What makes this one surprising is that the director is Alex Winter, best known as Bill from BILL AND TED’S EXCELLENT ADVENTURE. Or possibly Ted. The point is, he’s not Keanu Reeves, but he is one of those two, Bill and Ted. I believe he is Ted come to think of it. Or he may be Bill. One of those. (read the rest of this shit…)