"CATCH YOU FUCKERS AT A BAD TIME?"

101 Dalmatians / Rover Dangerfield

Earlier this year I did a week of rock ’n roll related animated features, including Don Bluth’s ROCK-A-DOODLE, which was released on August 2, 1991 in the U.K. (though not until the following April in the U.S.). In that review I talked about Disney struggling in the ‘80s, and Bluth disagreeing with their direction and splintering off to try to recapture the old Walt magic, doing a pretty good job for a while but then completely losing the plot by that time, when he made that completely befuddling movie about a farm rooster exiled to animal Las Vegas.

Meanwhile, Disney was finally getting their shit together, in a way that reinvigorated the entire American animation industry. It kicked off in the summer of ’88, when Robert Zemeckis and Richard Williams’ love letter to animation history WHO FRAMED ROGER RABBIT was a giant hit with adults as much as kids. Then in ’89 THE LITTLE MERMAID perfected the musical fairy tale formula that Disney and its rivals would attempt to recapture for the rest of the decade. (A similar thing was happening on TV, with every network trying to make prime time cartoons in the wake of The Simpsons. Even the cartoons made for younger audiences were beginning to be more creative and less disposable: Nickelodeon debuted Doug, Rugrats and The Ren & Stimpy Show on August 11th.) (read the rest of this shit…)

August 12th, 2021 | 41 Comments »

The Suicide Squad

THE SUICIDE SQUAD, from writer/director James Gunn (SLITHER, SUPER, writer of TROMEO & JULIET and DAWN OF THE DEAD) is kind of miraculous as far as these big ol’ corporate franchise movies go. Imagine the odds against a director starting out as a writer at Troma, making some well-liked-but-not-super-successful hard-R comedies, then going mainstream with two beloved Marvel hits, then being temporarily fired by Disney due to right wing trolls feigning offense at his old tweets, and spending his time off going over to a different comic book universe to make a super gory and death-filled but heartfelt sequel to someone else’s widely-hated part 1, building off of his horror comedy past, the skills he built on his GUARDIANS OF THE GALAXY movies, and what was fun about that first SUICIDE SQUAD movie, to make something really special?

Though I didn’t hate David Ayer’s 2016 SUICIDE SQUAD the way most seem to have, I had many complaints. I suspect he had a more sensible version before the studio literally hired the trailer company to re-edit it, but even in its present form I think the movie deserves praise for establishing a rowdy, cartoony take on the DC Universe that BIRDS OF PREY and now this were able to riff on and use as a jumping off point. And of course even bigger than that is its casting of Margot Robbie (THE LEGEND OF TARZAN) as Harley Quinn, as close to a universally beloved character and portrayal as has ever come out of such a widely hated movie. (read the rest of this shit…)

August 11th, 2021 | 77 Comments »

The Blue Lagoon / Return to the Blue Lagoon

In my study of Summer of 1991 and especially it’s part 2s, I didn’t think I could skip RETURN TO THE BLUE LAGOON. But I had never seen the first film – 1980’s THE BLUE LAGOON – so I had to watch that first.

Based on the 1908 novel by Henry De Vere Stacpoole (previously filmed in 1923 and 1949), it’s an adventure and, I’m sorry to say, romance. Sorry because it’s between two teenage cousins who grow up stranded on a tropical island together. Even aside from the incest thing, they literally don’t know any other humans, how romantic is it gonna be that they choose each other?

It’s a period piece in the Victorian period, which we only know from the boat at the beginning. Richard and Emmeline are little kids. Emmeline’s parents have died, and her uncle, Richard’s dad (William Daniels, MARLOWE), is taking them to San Francisco. It is established that Richard is already a horny little bastard – he sneaks a peak at the cook’s collection of nudie photos and gets spanked for it. But there’s a fire onboard and only the kids and the grumpy cook, Paddy (Leo McKern, DAMIEN: OMEN II), escape on a life boat. (read the rest of this shit…)

August 10th, 2021 | 23 Comments »

Double Impact (30th Anniversary Review)

“All right, you want some real action, tough guys? Let’s do it.”

August 9, 1991

While the summer was dominated by the expensive studio action spectacles TERMINATOR 2 and POINT BREAK, there were plenty of solid action movies made with a little less money and a different type of star power. Case in point: Jean-Claude Van Damme was in the process of rising from the new Cannon Films guy to household name. By this point he had starred in BLOODSPORT, CYBORG, KICKBOXER, LIONHEART and DEATH WARRANT. The latter two had been his largest, with budgets of about $6 million each. This one jumped up to $15 million.

It was worth paying more for this gimmick: Van Damme plays twins. Originally conceived as an adaptation Alexandre Dumas’ The Corsican Brothers, it’s a story about brothers separated at six months old and reuniting at 25 to avenge the murder of their parents. (read the rest of this shit…)

August 9th, 2021 | 28 Comments »

Body Parts

“Fuck you and all your bullshit! I WANT THIS FUCKING ARM OFF!”

August 2, 1991

BODY PARTS is an Eric Red horror joint that is much better than I thought I remembered, though it has become more macabre in retrospect due to things that have happened in real life.

Red is the guy who came to fame by writing THE HITCHER. By ’91 he and Kathryn Bigelow had written NEAR DARK, BLUE STEEL and UNDERTOW together (though the latter wasn’t produced until 1996) and on his own he had written and directed the not-well-received COHEN & TATE. While Bigelow was basking in the California sun for POINT BREAK, Red still had some affairs to attend to in the gloomy underside of humanity.

But it doesn’t go as dark as it could, and it has an enjoyably chaotic spirit to it, a world that pretends to be pretty down to earth and then leaps into absurd sci-fi concepts. I like these movies where there’s absolute insanity lurking around in your peripheral vision that you just don’t notice until it comes for you. (read the rest of this shit…)

August 5th, 2021 | 7 Comments »

Doc Hollywood

August 2, 1991

Don’t get me wrong, I didn’t hate watching DOC HOLLYWOOD 30 years later. But jesus christ, this type of movie. Michael J. Fox (CLASS OF 1984) stars as Dr. Benjamin Stone, an arrogant Washington D.C. emergency room doctor who gives it all up to become a plastic surgeon on the other coast. “Okay, question: Beverly Hills, beautiful women and plastic surgery – what do these three things have in common? Me, in less than a week,” he says to another doctor, clearly convinced this is a fuckin cool thing to say. And then he puts on his LEON-style round glasses, gets a bunch of gum and toothpicks to chew on, and hops in his red ’56 Porsche Speedster to head for the 90210.

But on his cross country drive (during which he laughs at how fucking awesome he is when he drives on a shoulder to pass a bunch of traffic) he crashes literally into a white picket fence and is forced to to do community service at a small country hospital in “the Squash capital of the south” on “the buckle of the Bible Belt.” Seems like a pain in the ass at first, but then he Learns a Valuable Life Lesson and/or Discovers What He Really Wants Out of Life. (This story was later remade as Pixar’s CARS and Vanilla Ice’s COOL AS ICE.) (read the rest of this shit…)

August 4th, 2021 | 23 Comments »

Take Back

TAKE BACK (2021) is a halfway decent DTV action movie, not a great one. The main thing holding it back, I’d say, is an approach to action similar to a Liam Neeson movie; Gillian White (whose name is listed last on the cover, but she’s the actual star) seems like a badass and has a couple good head kicks and stuff, but they move the camera around like they got something to hide. In one scene she actually turns off the lights and then kills a bunch of guys in the dark, which would be a good gag if there were more parts where we actually did get to see her.

Nevertheless I enjoyed this movie and there are several things that are novel about it. So I am here to praise those things.

Gillian White (“Hey Lover” video by LL Cool J featuring Boyz II Men) plays Zara Roland, a successful lawyer living out in a desert town in the Coachella Valley with her husband Brian (Michael Jai White, “Where I Belong” video by Busta Rhymes featuring Mariah Carey) and stepdaughter Audrey (introducing Priscilla Walker). They’re the kind of couple that celebrates their 4th anniversary by sparring at the dojo where Brian teaches. He holds the pads and Zara punches the hell out of him. (read the rest of this shit…)

August 3rd, 2021 | 3 Comments »

The Dark Backward

Before I start one of these retrospectives I research the movies that came out during that summer and put together a schedule. But in the course of doing 1991 I keep stumbling across movies that seem worthy of looking at that I missed because they were limited releases, TV movies or DTV and didn’t show up on any of the release date lists I looked at. So when I realized Adam Rifkin’s THE DARK BACKWARD played on one screen starting July 26, 1991 I thought I should backtrack a little to cover it.

For those not familiar with it, it’s a forcefully weird and uncomfortable comedy that was a favorite of mine in the ‘90s, one of those movies I rented on VHS and made a dub of to show to people who had never heard of it, which was most people. It was Rifkin’s first script ever, written at age 19 after moving to L.A. to try to become a director, made when he was in his mid 20s, and it’s a sense of humor and world view that admittedly appealed to me more when I was closer to that age. But it’s such a distinct and unadulterated vision I can’t help but still kinda love it. (read the rest of this shit…)

August 2nd, 2021 | 6 Comments »

Siege (a.k.a. Self Defense)

SIEGE (previously released in the U.S. as SELF DEFENSE) is a 1983 Canadian exploitation film brought to my attention thanks to the new release on Blu-Ray and DVD from Severin Films. It seems more inspired by ASSAULT ON PRECINCT 13 than any other movie, and it’s not a wall-to-wall scorcher like that, but I liked it because it’s quick and raw and has some really unique elements.

Down south in the U.S that year, heroic movie cops were being forced to break the rules to stop perverted rapists (10 TO MIDNIGHT, SUDDEN IMPACT) and kids were turning into serial killers because they witnessed gay sex (SLEEPAWAY CAMP). By contrast, SIEGE paints a picture of a Halifax gay bar and their low income neighbors being terrorized by the violent bigots in a right wing militia. The chaos starts with a police strike, where officers on the picket line egg on onlookers as they roar around in their cars whoo-hooing and doing donuts. Reporters speculate that the rowdiness will snowball from there. Sure enough a group of thugs choose this time to enter the club and announce a “New Order” they want to impose on Nova Scotia. (read the rest of this shit…)

July 29th, 2021 | 43 Comments »

Hot Shots! / Life Stinks

July 31, 1991

HOT SHOTS! is the story of one Topper Harley (Charlie Sheen, THE ROOKIE, NEVER ON TUESDAY), legendary former jet pilot for The Navy. When Lieutenant Commander Block (Kevin Dunn, BLUE STEEL, MARKED FOR DEATH) tracks down Harley living in a teepee and breathing helium through a pipe, he agrees to return to the S.S. Essess aircraft carrier and join a team for Operation Sleeping Weasel, a mission to blow up a nuclear power plant. But he’ll have to contend with sabotage from high up and his own PTSD about his father causing a crash that resulted in a deadly hunting accident.

Of course not one second of this is done with sincerity, because it’s AIRPLANE! co-director Jim Abrahams doing a parody and/or spoof of the popular IRON EAGLE ripoff TOP GUN with co-writer Pat Proft (POLICE ACADEMY, REAL GENIUS). Abrahams was a writer and executive producer on the first NAKED GUN and then producer on the sequel released earlier in the summer. (Both were co-written by Proft.) This was Abrahams’ followup to WELCOME HOME, ROXY CARMICHAEL, which I don’t think I ever knew was directed by him, and that makes me more curious about that largely forgotten movie seen and thought to be pretty decent by all people of a certain age who felt a certain way about Winona Ryder. (read the rest of this shit…)

July 28th, 2021 | 69 Comments »

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