I’m more of an action guy than a thriller guy. But I can appreciate different stuff. Martin Campbell’s THE FOREIGNER (2017 – not a remake of the Seagal film) is definitely more on the thriller side, mostly seeking its excitement in a complex web of police, compromised politicians and terrorist groups all dealing with the aftermath of the bombing of a London clothing boutique.
At the center of it is Deputy First Minister of Northern Ireland Liam Hennessy (Pierce Brosnan, FINAL SCORE). He’s a former IRA member and seems to be pretty fucked over by this incident because he’s built a reputation as a moderating force, but behind the scenes still has relationships and understandings with the IRA. This bombing was done by some young upstarts calling themselves “The Authentic IRA,” and there’s alot of pressure, including from police captain Richard Bromley (Ray Fearon, BEAUTY AND THE BEAST), to find out who’s responsible. If another bomb goes off it’ll be the end of his political career, so he spends most of the movie desperately asking around and trying to set up traps to out the culprits and stuff like that. (read the rest of this shit…)

BLINDSPOTTING follows
My friends, we have come to the penultimate chapter in the special Patreon-only Twilight Saga Review Saga. In Twilight Part 4a there’s a big wedding, destructive humping, and some truly creepy birth related stuff. This one is directed by Bill Condon (GODS AND MONSTERS) and he does his thing with it.
36.15 CODE PÈRE NOËL – a.k.a. WANTED: MR. XMAS, GAME OVER, DIAL CODE SANTA CLAUS, HIDE AND FREAK, or DEADLY GAMES on the German Blu-Ray I rented – is an A+ Christmas action-horror cult movie from 1989 that I can’t believe I’d never heard of before. I read about it in the book
ROBIN HOOD (2018) was part 2 in my “have to be out of the apartment during certain hours but THE GIRL IN THE SPIDER’S WEB starts too late” programming series. I probly shoulda just seen
For me OVERLORD was the definition of a time killer, because I needed to be out of my apartment for fumigation at 10 and at work by 3 and the movie I actually wanted to see wasn’t playing in a time slot that worked for that, but this was. So happy Veteran’s Day, OVERLORD, and thank you for your service in filling that window with okay-though-arguably-making-light-of-the-real-atrocities-of-WWII entertainment.
This week for anyone who pledges $1 or more on Patreon I have my third Twilight review, ECLIPSE. This is the one directed by David Slade (30 DAYS OF NIGHT), who added some interesting new weirdness. I particularly had fun with this review because of some Seattle-specific details I noticed.
THE NIGHT COMES FOR US is another outstanding gauntlet of gory martial arts violence and honor among killers from Timo Tjahjanto, writer-director of the excellent
Hey man, I’m not a monster, I enjoyed WRECK-IT RALPH like anybody, and the sequel is fun too. This licensing crossover bonanza shit has kinda become its own genre since WHO FRAMED ROGER RABBIT invented it in earnest, so we’ve had the toy version (TOY STORY), the other toy version (THE LEGO® MOVIE), the… everything version (
CREED

















