IRON EAGLE ON THE ATTACK is part IV of the IRON EAGLE saga, made at a time when the series had transcended numbers. And theatrical releases. Specifically that time was 1995, so this is a little movie over on the fringes trying to keep the dream of the ’80s alive while DIE HARD WITH A VENGEANCE, GOLDENEYE, DESPERADO, CRIMSON TIDE, HEAT, BRAVEHEART, UNDER SIEGE 2: DARK TERRITORY, RUMBLE IN THE BRONX, SUDDEN DEATH and yeah, sure, MORTAL KOMBAT were keeping us occupied in theaters. So I guess I didn’t notice it.
According to IMDb, ON THE ATTACK went straight to cable in the U.S., but it doesn’t feel like as huge a step down in quality as some of the other TV sequels such as DIRTY DOZEN: NEXT MISSION or FIRESTARTER REKINDLED. It feels legit. Sydney J. Furie returns to the director’s cockpit, this time with a new writer, Michael Stokes (JUNGLEGROUND, NO CONTEST II, Paw Patrol).
The first thing you need to know about ON THE ATTACK: it’s the IRON EAGLE movie that sources its pilot team from a reform school. So it’s got the DREAM WARRIORS teen underdog thing going for it. (read the rest of this shit…)
ACES: IRON EAGLE III is an impressive sequel because it brings back Louis Gossett, Jr. as Colonel Charles “Chappy” Sinclair in yet another humble day job, and then recruits him for yet another off-the-books missile-run into foreign lands, yet it switches the scenario around enough to still feel very new. See, this time he’s not mentoring a young hot shot – if anything, he is the young hotshot. He works at an aviation show with an international squad of surviving WWII pilots who perform simulated combat firing red paint bullets at each other. (Yes, a bad guy later replaces some of the paint bullets with real rounds.)
I don’t think I’ve ever seen any IRON EAGLE sequels, and I always love to see how the franchises unfold, so let’s do it. Part two came two years later, in 1988, with director Sydney J. Furie returning after SUPERMAN IV: THE QUEST FOR PEACE. The script once again is credited to Furie and Kevin Elders (Albert Pyun’s RAVENHAWK).
I always remembered IRON EAGLE as a chintzy ripoff of 
a.k.a. THE BODYGUARD
FIRST REFORMED is another Paul Schrader broken-man-slowly-boiling-over character piece in the tradition of TAXI DRIVER and 
I remember 
Okay, time for my traditional pre-Oscars post. As you have probly gathered by now, I enjoy watching awards shows, I do not think they are too long, I do understand that they don’t represent the best of cinema, and that it doesn’t really matter that much, and I’m not offended if you don’t care about the Oscars. It’s fine, we all do what we want to do. And 
NIGHTSHOOTERS is a low budget 2018 UK action movie that starts out feeling like a broad indie comedy but turns deadly serious when its regular non-warrior characters start getting killed. It takes place over one night as a small guerrilla film crew shooting without permission in an about-to-be-demolished office building happen to witness gangsters setting a guy on fire and have to fight for their lives.
