So once again we have survived.

Posts Tagged ‘Tom Hardy’

Legend (the one about the Krays)

Thursday, March 10th, 2016

tn_legend15I always have hope for Brian Helgeland movies. It doesn’t matter how many times I don’t like his latest as much as I like PAYBACK, I keep having expectations. He also wrote A NIGHTMARE ON ELM STREET 4, ASSASSINS and BLOOD WORK and won that Oscar for L.A. CONFIDENTIAL, but PAYBACK is the Platonic ideal I keep coming back to.

Fairly or not, I associate Helgeland with that Richard Stark feel, that clean, precise storytelling, writing with a badass swagger, no need for fancypants show off business. His new one LEGEND is about London gangsters Reggie and Ronnie Kray (see THE KRAYS review from yesterday) in the early ’60s. Being based on real crimes stretched across a couple years doesn’t lend itself to that type of tight plotting, it’s more of a character study and relationship drama. But it is a little bit like PAYBACK (theatrical cut) in tone. It follows a charismatic criminal anti-hero who is funny, badass, and a terrible person. It’s darkly humorous, and violent, and set to alot of good soulful music (Booker T and the MGs, The Meters, Young-Holt Unlimited).

I guess it would be accurate to say it’s kinda Guy-Ritchie-esque, but I liked it more than some of those. It’s Guy-Ritchie-esque only in a good way.

Like Peter Medak’s take on the story, THE KRAYS, this one is told in first-person narration by a woman. But this time it’s not their mother, it’s Reggie’s poor wife Francis (Emily Browning from SUCKER PUNCH). The story focuses on Reggie and his relationship with Francis, with the crazier brother Ron as sort of a side character and threatening presence who’s always out there and liable to start trouble. Like if Jaws was your twin brother. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Revenant

Tuesday, January 26th, 2016

tn_revenantRight now THE REVENANT (from executive producer Brett Ratner) is being marketed as an Important Awards Contender type movie. It’s the year’s most Oscar-nominated film and the winner of the Golden Globe for Best Picture – Drama, so until THE BIG SHORT won the Producer’s Guild award the other day it seemed like the frontrunner for the coveted title of Answer To Trivia Question About Which Lesser Movie Got Best Picture Instead Of MAD MAX: FURY ROAD.

It’s the latest from Alejandro G. Iñárritu, the least fun of the Three Amigos, but the one who got best picture, director and screenplay last year for BIRDMAN. He’s also a guy who talks real passionately and is charming in interviews, but in print or out of context can sound like a pretentious asshole, for example when he said that his excellent new western is not a western because it transcends pathetic human genre:

“Western is in a way a genre, and the problem with genres is that it comes from the word ‘generic’, and I feel that this film is very far from generic.”

(Genre actually comes from the French word for ‘kind’ or ‘type’.)

But fuck all that. That’s a distraction. On its own, THE REVENANT is the kind/type/genre of pure, undiluted, immersive filmatism that I love. Unafraid to go long stretches without dialogue, or to have the minimal exposition mumbled through an unintelligible accent, it plunges us into a world (1823 fur trappers and hunters under siege by Arikara Indians) and doesn’t give us any instructions on how to get home. It trusts that the dense atmosphere and simple, action-based narrative will lead the way. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Mad Max: Fury Road

Saturday, May 16th, 2015

tn_furyroadSPOILER WARNING. I mean, I can’t stop you from reading this, but I’m not being careful about spoilers because for crying out loud see this movie IMMEDIATELY. Quit your job if necessary.

Usually if you’re still watching a movie for the first time, it’s kinda premature to start thinking “this is a masterpiece.” Not so with MAD MAX: FURY ROAD. It’s part 4 in an old series, but it truly feels like an entirely new type of movie. It is thrilling, explosive, inventive action at its most pure and relentless, yet it manages to weave a moving and powerful story around and within and through the hundreds of spectacular stunts. As he has in each successive MAD MAX movie, director George Miller re-invents his post-poxyclipstic world with even more ornate detail and flair than before, unfolding a fantasy world as teeming with weird characters and happenings as the whole HOBBIT trilogy without ever dumping a bunch of exposition on us. He explains what we need to know economically, mostly visually, and leaves the rest for us to daydream about.

This is a movie that will transform people’s brains. It just might be the most elaborate action movie ever made, both in the complexity of the stunt sequences and in the meticulous design of the people and things in it. Now the cars aren’t just cool and beat up, they’re built from unlikely combinations of multiple vehicles piled on top of each other, covered in spikes, flame throwers, animal skulls and creepy doll heads, with weapons hidden inside and out and half naked goons climbing all over them firing guns and throwing spears and bombs. Steering wheels are removable, heavily decorated and carry some sort of religious significance. One character pulls his off and holds it aloft during a chase to show that he’s ready to die. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Drop

Wednesday, February 25th, 2015

tn_dropThere’s something I love about a movie where English Tom Hardy, Swedish Noomi Rapace and Belgian Matthias Schoenaerts play Brooklyn neighborhood folks. It’s this international cast, directed by Michaël R. Roskam (who previously did the “Best Foreign Language Film” Academy Award nominee BULLHEAD starring Schoenaerts) but there’s still a theme of characters having to correct each other’s ignorant statements about nationalities and languages: no, those gangsters aren’t from Russia, they’re from Chechnya. And you call them Chechens, not “Chechnyans.” And the language they speak in Brazil is called Portueguese, not Brazilian.

Rapace actually doesn’t put alot of effort into hiding her real accent, but Hardy, being Tom Hardy, throws himself into the task head long, especially in his occasional voiceover narration. He loves to mumble and slur, and to be funny-dumb, but also intelligent-inarticulate. As good as he is at playing eloquent snobs I suspect he has way more fun playing louts like this. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Locke

Wednesday, November 19th, 2014

tn_lockeYou guys want to see a Tom Hardy acting showcase that doesn’t involve muscle gain? Then LOCKE is the KEYE! This is the movie where the entire thing is Hardy driving in his car and making phone calls. I honestly thought that meant a Larry Cohen type high concept thriller, but it’s not that at all. Just a drama, a character study. But that’s cool.

Hardy’s character Ivan Locke has a 90 minute drive to a hospital. While he’s driving he’s also trying to:

1. Convince the brass at his construction company that it’s okay that he decided to ditch work on the big day they’ve been working toward forever when he is supposed to oversee the largest concrete pour in English history.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Holyshitmadmaxfuryroad

Sunday, July 27th, 2014

More than a decade after he almost started filming it with Mel Gibson, we finally have a trailer for George Miller’s return to the world of flipping cars and weirdo punk savages. Honestly I almost teared up watching this. Ladies and gentlemen, this is what we’re fighting for.

My thoughts can best be expressed in punctuation.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
!!!!!!!!!!!!!!!!!!!!!!!!?
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!… !!!!!!!!!!!!!!!!!!!!!!

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Summer Movie Flashback: Inception

Thursday, September 19th, 2013

tn_inception

2010
2010

The best way to explain the genius of INCEPTION is just to describe what’s going on at the climax. The main characters are all asleep on a jet, dreaming that they’re in a van that’s crashed and is falling off a bridge. All but the driver, Dileep Rao, are asleep and are also in a dream-within-a-dream where they’re tied together floating weightlessly in an elevator. Joseph Gordon Levitt is preparing to wake them up, the rest are asleep and in a dream-within-a-dream-within-a-dream-within-a-dream about blowing up a snowy fortress. But Leonardo DiCaprio and Ellen Page are asleep there because they’re actually in a dream-within-a-dream-within-a-dream-within-a-dream where Leo is making the emotional decision to leave behind a SOLARIS-type living memory of his dead wife Marion Cotillard to go into a limbo to rescue his client, Ken Watanabe, who has lived a whole life there and is now an old man and forgets that he’s not in reality, because time passes at a different pace within each of these worlds. And there is a decades long slowed down music cue that tells Leo the van in the first dream is about to hit the water and wake them all up.

And here’s the kicker: all of this was understandable even on the first viewing for knuckleheads like me and the millions of people who made it a huge hit summer movie. I mean, you don’t have to like it, but it takes a silly motherfucker to deny the accomplishment of making such an effective mainstream thriller out of a concept this complicated. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Lawless

Monday, December 3rd, 2012

Remember after THE ROAD director John Hillcoat had this movie called THE WETTEST COUNTY IN THE WORLD that was written by his THE PROPOSITION writer (and famed singer) Nick Cave, he had at-that-time-hot-stuff Shia LaBeouf signed on and everything but nobody would fund the fuckin thing. Then suddenly a mysterious benefactor named Megan Ellison comes into Hollywood and gives him money and gives P.T. Anderson money to make THE MASTER and Andrew Dominik to do KILLING THEM SOFTLY and a bunch of other guys like this. So the legends were true, there are some good rich people out there.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Dark Knight Rises

Friday, July 20th, 2012

Well, shit. I had been staying offline working on this review for a couple hours before I had to check a detail on IMDb and found out about the massacre in Colorado last night. Fucking horrible, man. Be safe everybody.

We had a fucked up tragedy in Seattle a few months ago, and even though that was on a smaller scale you see how many people it affects. For those of us blessed enough to be unscathed it still has a psychological effect, it forces you to think about yourself and your loved ones having to go through that. Because I walk by the place where it happened, I know people who went there all the time, I’ve dealt with mentally ill people that could’ve been that guy. Or in this case I love movies too, I went to a midnight showing too, alot of my friends did, alot of you guys did. It’s just as bad as all the other things we read about on the news but it seems more personal.

But I’ve also seen how the community has come together, has celebrated the lives and the art of the people who died, are continuing to hold benefit shows and fundraisers for the families and for the little cafe where it happened. You see that people really do care about their neighbors. And I hope we will also try to learn from these horrible things and figure out how to improve the system to identify the root causes and fix things, get sick people help or whatever needs to be done long before it comes to this.

Warner Brothers is pulling advertising for the weekend, canceled a premiere in France and all TV appearances for the stars, because it seems tacky to promote a movie during this. But instead this sick asshole gets to pretend he’s a super villain, he gets to be on TV, the whole world has to pay attention to him. He gets to stand in for the big summer event movie.

Is it wrong to let one psychopath intentionally take away this source of joy, this thing we’ve been looking forward to so long, that we we want to discuss and (possibly) celebrate? Or is it superficial to still want to do that in the face of this sickening loss of human life? I don’t think Batman movies are the most important thing in the world but shit, I want to talk about Batman movies!

I don’t know what the right thing to do is. Maybe it’s too depressing to think about right now, but when you’re ready for my review of the new Batman movie here it is.

THIS IS AN ALL SPOILERS, I’M-ASSUMING-YOU’VE-ALREADY-SEEN-IT REVIEW. If there’s anybody out there still deciding whether to see it or not this is not gonna help, don’t read it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Warrior

Wednesday, September 21st, 2011

tn_warriorI’m surprised it took this long for somebody to make a straight drama about mixed martial artists. It seems so obvious. It would inherently have all the same dramatic elements as a boxing movie (underdog reaching for the top, wife tired of seeing him beat up, society treating him as a dumb brute, then the fear of losing it all by a loss or an injury, all that) plus the novelty of an expanded repertoire of moves (kicks, chokes, armbars, throws, flying knees) and of being a popular newer sport that hasn’t been done to death in movies. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.