THE BIKERIDERS is writer/director Jeff Nichols’ (TAKE SHELTER, MUD, LOVING) version of a biker gang movie. It’s loosely adapted from a 1968 book by Danny Lyon, who spent several years riding with the Outlaws Motorcycle Club of Chicago. Nichols incorporated Lyon as a character (played by Mike Faist of WEST SIDE STORY and CHALLENGERS) who’s spending time with the fictional Vandals motorcycle club, taking photos and recording interviews, and if you step back you can picture a version where he’s the lead. We would learn about this world along with him and then it would sort of become his story as he deals with the macho insecurities raised by trying to fit in with these guys. Eventually he realizes it’s bringing out a dark side of him but in the end he learns about himself or some shit. You know the drill. Like a sleeveless version of Matthew Rhys’ character in A BEAUTIFUL DAY IN THE NEIGHBORHOOD. (read the rest of this shit…)
Posts Tagged ‘Toby Wallace’
The Bikeriders
Wednesday, June 26th, 2024The Assistant/The Royal Hotel
Tuesday, January 16th, 2024
I saw this movie THE ROYAL HOTEL that came out on video last week, and I really liked it, so I watched the previous one by director Kitty Green, and that was even better. Let me tell you about them in this Kitty Green/Julia Garner Stressful Job Double Feature, presented in order of release.
THE ASSISTANT (2019) chronicles one day on the job for Jane (Julia Garner, WE ARE WHAT WE ARE), a junior assistant at a production company in New York City. It has a really engrossing fly-on-the-wall feel because it’s all presented very naturalistically, avoiding cinematic shortcuts, letting you piece together what’s happening instead of directly telling you. A more Hollywood version might have her narrating at the beginning about what a big deal her boss is, with a montage of camera flashes on a red carpet, fake magazine covers, she talks about dreaming of a dream job like this and wryly jokes about “What could possibly go wrong?” or whatever.
THE ASSISTANT doesn’t believe in that shit. It knows not to describe its world to us, but to just create it and drop us into it. I didn’t even know that her job was movie-related at first, it never tells us the name of the company, never lets us see the hot shit producer everyone walks on eggshells around or tells us his name. It kinda feels like we’re shadowing Jane for a day and we know better than to ask about that stuff. (read the rest of this shit…)
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