For those keeping score, THE SCORPION KING 3: BATTLE FOR REDEMPTION is the sequel to the prequel to the prequel to the sequel to the re-imagining of THE MUMMY. It would’ve been worth reviewing just to point out that important fact, but the truth is I have a sincere interest in the Scorpion King saga. There’s only one movie in that entire lineage that I like alot (THE SCORPION KING starring The Rock), but I believe it’s a series they could do something fun with, even on lower budgets and without The Rock. I believe in hope. I believe America.
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Posts Tagged ‘Ron Perlman’
The Scorpion King 3: Battle For Redemption
Wednesday, January 11th, 2012Bunraku
Thursday, November 3rd, 2011
BUNRAKU is a weird combination of elements. It takes place in a post-apocalyptic world where swords have replaced guns. It has fights choreographed by Larnell Stovall (UNDISPUTED III, NEVER BACK DOWN 2). It stars Josh Hartnett and a Japanese pop star named Gackt (so you know, like, lay off McG for a while) plus Woody Harrelson and Demi Moore. It takes place in a highly stylized, DICK TRACY-esque city – I think built on sound stages more than digital – designed to look like origami or miniature models, or maybe a puppet theater stage, since the title comes from a Japanese form of puppet theater. Anyway it’s all angles and solid colors, no curves or decay or complex shapes.
Season of the Witch (2011)
Monday, August 15th, 2011
I can’t really think of a compelling reason why anybody should see SEASON OF THE WITCH, but it’s way more watchable than I expected. The trailers were dreary and cheap looking, it didn’t look like there was anything very original or exciting about it, it’s from the director of GONE IN 60 SECONDS (remake), and then I think it got delayed but I can’t really prove it because nobody was waiting for it to come out so who would remember?
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Mr. Stitch
Saturday, March 5th, 2011
Well, not too many people got a chance to examine the evidence, but MR. STITCH was the first solid proof that Roger Avary could stand on his own without reminding anybody of his video store co-worker Quentin Tarantino. Two years after winning an Oscar for PULP FICTION he was directing a DTV movie. Of course around here we know there’s no shame in that, but I guess it was not the original plan, just what happened when him and Rutger Hauer couldn’t agree on anything, according to this old Entertainment Weekly article. Sounds like they really didn’t get along well at all. Could’ve been worse, I guess.
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Dark Country
Wednesday, August 26th, 2009
Over on the Ain’t It Cool News I have what I believe to be the first review anywhere of DARK COUNTRY, directed by and starring Thomas Jane. Most of it takes place at night but I thought I would use the thumbnail on the left because I thought he looked kind of like Steve McQueen there. Also this is the beginning of the movie when he’s leaving for his honeymoon with his new wife, so I use this picture to symbolize Tom Jane beginning his new life as a director. One of the cups is for him and one is for directing. I’m sure you understood that without me explaining it though.
Outlander
Tuesday, May 19th, 2009
Man, here’s a solid little movie with a clever genre-mixing premise, nicely acted and directed, a fun time, but owned by the Weinsteins. So of course it was barely released or advertised. These pricks got a quiet, sad drama based on a Pulitzer Prize winning masterpiece, they’re gonna pretend it’s some sci-fi action movie. Meanwhile they got this one that actually is a sci-fi action movie, but they forgot they even had it. “Oh shit, did we release that viking thing? I can’t remember. Just send some DVDs to Blockbuster and tell them not to mention it to anybody.”
Oh well, at least it snuck out. The cover art is pretty cool too, and it uses one of those critic quotes that isn’t really a compliment but just a description: “PREDATOR meets BEOWULF.” And that’s accurate. A space ship crash lands in Norway, 709 A.D. A survivor climbs out wearing a space suit that looks alot like a suit of armor (surprisingly that doesn’t come up again later). He’s Jim Caviezel, and I wasn’t sure at first if I was gonna accept aliens that look just like humans, but when he looked up Earth on his computer it said we were an “abandoned seed colony,” so I guess we all come from the same place. Brothers from a different mother. (more…)
The Island of Dr. Moreau
Saturday, January 1st, 2005The disappointment of that Planet of the Apes remake nonsense got me thinking about the old days. How you used to be able to make movies about talking gorillas that were still intelligent type pictures. You got all the rubber makeup and the spaceships and the fighting and what not that the nerds love but you also got some social commentary in there or some politics or some insights about our world and what not. You got vietnam and the civil rights movement going on in the real world and the apes really strikes a ball or whatever with people because of the obvious parallels. These were expensive studio movies but they were willing to give something back instead of just selling a product and then running like hell.
Then out of the blue I got an anonymous tip, telling me Vern, there was a movie in the mid-’90s which attempted this same thing. You got the rubber makeup and you got the sci-fi nonsense. It’s even a remake of an old movie based on a classic book, just like the apes picture. The one catch is that everyone in the world claims this movie is a worthless piece of utter garbage. but you should still watch it, Vern.
Well all I gotta say is that the world is wrong. Dr. Moreau’s Island is one of the greatest genre type pictures I have seen in my post-incerceration catchup period. And I’m gonna explain why. And you’re gonna sit here and you’re gonna keep your yap shut and you’re gonna just listen.
This is a picture that opens with a knife fight on an inflatable raft. (more…)
Hellboy
Saturday, January 1st, 2005(Written for The Ain’t It Cool News, but they never put it up.)
Dear Harry and Moriarty,
I saw a new movie you guys might be interested in, called HELLBOY. It’s about this guy with a giant hand. He is red but he works for the government. Then he fights monsters because he’s in love with the girl from STORYTELLING, but she catches on fire. etc.
Actually come to think of it it’s based on a comic strip so I would not be surprised at all if you boys heard of it already. This is NOT the Punishing guy, this is a different guy, named Hellboy.
What I liked about this movie was the character of Hellboy, who is played by Ron Perlman (BLADE II). He is a guy from Hell who decides he’s not into being evil. So he does other stuff. I always thought Perlman was funny when he was on that Beauty and the Beast show with the gal from TERMINATOR. Because he is this scary lion man and the women loved him because he was sensitive and wore a blouse and because it was only a TV show so they didn’t have to face the reality of what a guy smells like if he lives in the sewer. Believe me man, you ever spend more than two days in a sewer, hiding out or whatever, it’s curtains for your love life for at least a year. Not to brag or nothin. I guess that is not a brag though. Just my 2 cents.
Anyway the point I was getting at was that when he took the makeup off, he still looked like a fuckin beast. This is a grizzled looking dude. He plays in makeup all the time so I guess it’s no big deal for him to be painted red and have a tail and horns and a giant hand and whatever other shit they pasted onto the dude. He doesn’t even notice, to him it’s just like wearing pants. So he is able to give a real acting performance and make this a great character. (more…)


According to internet custom, a CONAN review has to start with 2-4 paragraphs about Robert E. Howard and/or Conan comics from the ’80s. Well I can’t do it ’cause I never read a word that guy wrote, unless you count the titles. I never even saw that movie where Vincent D’Onofrio plays him and he’s in love with Renee Zelweger.

















