GODZILLA: KING OF THE MONSTERS is not the perfect American Godzilla movie of our dreams, nor is it one that takes a thrillingly new angle on giant monsters, like SHIN GODZILLA did in 2016. Honestly I expected to like it more than I did, being a devotee of director Michael Dougherty’s previous movie, KRAMPUS. (He’s also the guy who wrote X-MEN 2, URBAN LEGENDS: BLOOD MARY and SUPERMAN RETURNS, and then wrote and directed TRICK ‘R TREAT) But this is the first time an American version feels to me like it’s completely in the spirit of the Japanese films from Toho Studios, particularly the “Heisei period” from GODZILLA 1985 to GODZILLA VS. DESTOROYAH (1995), so we’re getting there. As a monster fan apparently more forgiving than some of my friends, I found plenty to love about it. (read the rest of this shit…)
Posts Tagged ‘giant monsters’
KONG presents SKULL ISLAND is a goofy, pulpy monster movie that doesn’t live up to the hallowed cinematic legacy of KING KONG, but hey, it works as a more exploitative sequel. I think my expectations for this were more inflated than most because of how much I dug director Jordan Vogt-Roberts’ first movie, THE KINGS OF SUMMER. That was an original comedy with wise, relatable insights into humanity, masculinity and growing up. I don’t think there’s any reason why a punching gorilla monster movie can’t have that kind of substance behind it too, but to me this feels less human and more like the work of one of these distanced, pop culture loving whippersnappers.
In an unusual but arguably tasteless move, Vogt-Roberts set the movie at the end of the Vietnam War, an international disaster that he treats like a cool movie reference. The talk about senseless loss of human lives feels less impassioned and emphasized than the orange APOCALYPSE NOW sunsets and helicopters and the soundtrack that largely comes straight off of the Songs That Movies Use As Shorthand For the Vietnam Era, Volume I 2-CD set.
But to be fair, “Down On the Street” by the Stooges and “Paranoid” by Black Sabbath are two heavily-featured songs that wouldn’t be on the Robert Zemeckis version of this. And believe it or not alot of it was filmed on location in the actual country of Vietnam, unlike any Vietnam War movie I know of. Vogt-Roberts and cinematographer Larry Fong (3oo, SUPER 8)’s bright orange, yellow and red skies make it stand out visually from any other giant monster movie. (read the rest of this shit…)
DISCLAIMER (skip if you don’t give a shit): I haven’t reviewed Guillermo Del Toro’s movies since 2004, when Drew McWeeny got him to write a blurb for a book I self-published (later used by Titan on my other books). I never met or e-mailed the guy but it was a harsh, self-imposed rule to avoid any perception of being easier on his movies because of that connection, or worse, actually doing that. But I decided I want to write about PACIFIC RIM anyway. Maybe it was just a 9 year rule.
Since I haven’t reviewed them all here’s where I stand on Del Toro: been a fan since MIMIC. BLADE 2 is my favorite, followed by the three Spanish language movies in reverse chronological order. I enjoy the HELLBOYs but don’t love ’em. The second one frustrated me because it has many flashes of brilliance but doesn’t all come together for me. I like the movies he produces, also.