So once again we have survived.

Posts Tagged ‘racism’

Hidden Figures

Tuesday, January 10th, 2017

HIDDEN FIGURES is an obvious, inoffensive, feel-good-movie with a noble purpose we haven’t seen before: honoring three African-American women whose mathematical genius helped NASA put people into space. Even today, women in scientific and mathematical fields are not given their just due. But these three were helping win the space race when they weren’t even allowed to use the same drinking fountain as their co-workers.

I don’t know if in real life these three drove to work together, but they did work together, and from what I’ve read the movie sounds fairly accurate. Katherine Goble (Taraji P. Henson, SMOKIN’ ACES) and Mary Jackson (Janelle Monae, MOONLIGHT) work as “Colored Computers” in a segregated department run by Dorothy Vaughan (Octavia Spencer, HALLOWEEN II). This is back when NASA was about to get their first giant room-filling IBM, so “computer” actually means a human being who calculates math. I never knew that. If a computer played chess was it called a video game?

Then Katherine gets an incredible assignment: working in the office calculating the trajectories and entry points for the first American manned space flights. Okay, I don’t know exactly what that means, to be honest, but it involves filling up chalkboards with a bunch of numbers and letters and lines and shit. Actually, it mostly involves this prick Paul Stafford (Jim Parsons from the fucking Big Bang Theory show) giving her snobby, suspicious looks and tossing giant piles of paper on her desk to go over the calculations that have already been gone over. And with a bunch of shit crossed out because he thinks it’s dangerous for her to know too much. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Loving

Tuesday, December 6th, 2016

tn_lovingLOVING is a pretty simple true story about something that should be pretty simple: two people are in love and having a baby and decide to get married and build a life together. Should be up to them to decide if that’s a good idea, you would think, but the trouble is that Richard Loving (Joel Edgerton, WARRIOR) is white and Mildred Jeter (Ruth Negga, THE SAMARITAN, WARCRAFT) is black, and in Virginia in 1958 it was illegal for them to get married.

Like same sex couples before we got marriage equality a few years back, they had to go somewhere else to get married (Washington DC), but back at home the cops kick in their door one night and arrest them. Richard gets bailed out but they won’t let him bail out Mildred. Wait to see the judge on Monday, they say, as if that’s a reasonable thing to ask a man whose pregnant wife is currently locked up in a cold cell for ludicrous reasons. They threaten to arrest him if he keeps trying to get her released.

The judge would make the Lovings do a year for this – for being married! – but they plea bargain. Instead they have to leave the state (their home, their property, their family, their jobs) and not come back together for 25 years. So, against their will, they go to raise their kid (soon kids, plural) in the city.

(Virginia: 13 electoral votes. DC: 3 votes starting in 1961.) (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Skinheads

Monday, November 28th, 2016

tn_skinheadsBefore GREEN ROOM, before Election 2016, there was Greydon Clark’s SKINHEADS (1989), about a small gang of neo-Nazis running wild.

It starts, like so many cheap action movies, with the gang robbing a convenience store. But in this case they there’s no hero to kick their ass, and they intentionally turn their wrath on the elderly Jewish owners and a young black customer.

Now that they are murderers, they decide maybe it’s time to get out of town for a bit. Take a vacation in the mountains somewhere outside of Reno. But their rampage continues when they stop at a cafe and pick a fight with some other patrons. After Tiny (Duane Davis, UNDER SIEGE, TYSON, PAPARAZZI) accepts the challenge and outboxes the biggest, dumbest skinhead, Brains (Dennis Ott, “Bar Character,” ROAD HOUSE), their crazy leader Damon (Brian Brophy, CITY OF INDUSTRY) shoots and kills him. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Cosmic Slop

Tuesday, November 8th, 2016

tn_cosmicslopA year before TALES FROM THE HOOD was a black Tales From the Crypt, the Hudlin brothers’ HBO TV movie COSMIC SLOP was “a multi-cultural Twilight Zone.” Even if the VHS cover didn’t have a Chicago Tribune quote calling it that, you’d get the idea from the intro, when a trail of terrible 2D computer animated objects (basketball, rolling pin, chair, bust of Beethoven, electric guitar, bra, asterisk) float in under George Clinton’s familiar “free your mind and your ass will follow” narration and a re-recording of the 1973 Funkadelic song that the title comes from.

It’s even lower budget than TALES and much cheesier, with crude, video toaster style digital effects. It’s clearly a pilot for a show they decided not to make, but it’s another admirable attempt to bring a different perspective to the tradition of short genre stories that explore social issues.

Clinton’s disembodied head floats in, on fire, a blinking animatronic third eye on his forehead, and morphs between different hairstyles as he cryptically Rod Serlings a trio of stories with his cryptic afro-futurist catch phrases. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Selma

Tuesday, January 13th, 2015

tn_selmaSELMA is a story about the influential social justice warrior Dr. Martin Luther King Jr. Not a biopic, but a movie focused on one specific campaign, a march through Alabama to demand a law to protect voting rights. The importance of this legislation is illustrated by an old black woman who, though clearly exhausted from her shift at a nursing home, and intimidated by the experience of her previous attempts, tries to register to vote. The white clerk says she’s “stirring up trouble,” threatens to tell her boss about it, and gives her an impossible local government pop quiz before gleefully rejecting her. That the lady is played by Oprah Winfrey, who more than a few people wish would run for president, adds a little meta-weight.

At one point SELMA was gonna be directed by Oprah’s friend Lee Daniels, whose combination of talent and insane tastelessness could’ve been a problem for this story. But I think he was responsible for the brilliant stroke of casting David Oyelowo (the snobby reporter Yardley in THE PAPERBOY, the militant son in LEE DANIELS’ THE BUTLER) as King. Daniels was also gonna have Robert De Niro, Hugh Jackman, Cedric the Entertainer, Lenny Kravitz and Liam Neeson in the cast. I imagine Neeson would’ve been the voice on the phone harassing Coretta Scott King (played in the actual movie by Carmen Ejogo, who also played King in BOYCOTT, and other characters in ALEX CROSS and THE PURGE: ANARCHY).

Oyelowo (who had also worked with director Ava DuVernay in MIDDLE OF NOWHERE) somehow fattened his face to create a surprisingly good likeness. I’m told he just gained weight, it’s not makeup, but how the fuck do they do that? It’s not like his body is real fat, how did they know he’d gain the weight there? Do they have physical trainers that can focus your diet and workout that specifically? Do they use computers? (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Wrath of Kahn

Tuesday, August 25th, 2009

tn_torqueRecently using the “twitter” technology I “twittered” this one-liner:

“I love the wide spectrum of views in this summer’s sci-fi. TRANSFORMERS 2 and DISTRICT 9 show both sides of the racism issue, pro and anti.”

So today Aaron S. emailed to inform me that Joseph Kahn, the director of that movie TORQUE that I liked, has a new blog where he has written some against-the-grain views on those two movies. He seems to have a different idea than me about which one is pro.

I didn’t want to write this as an open letter and make a big deal out of it, but I couldn’t get the damn comment thing to work on his blog so what the hell, here is my long response to his post Transforming Michael Bay.

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Transformers Revenge of the Fallen

Tuesday, June 30th, 2009

tn_transformers2Okay, first off, this is not a fair review. I didn’t go into this thing in good faith. I never thought there was a possibility I would genuinely like this movie. So don’t think I’m trying to be objective here. But I’ve been getting emails and comments for months asking me to review this sequel to a movie I hated, and there’s a hell of a conversation going on in the comments for my review of the first one. And to be honest I was strangely excited to see it. It just sounded so insane, and as a fan and scholar of the summer blockbuster movie maybe it was important that I see it, just like I saw MY GIANT for the sake of Seagalogy. Whatever my excuse is, the same guy who got me into the first one for free hooked me up for this one too. So your wish is my command. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.