JOHN WICK: CHAPTER 2 is the solid sequel we always hoped (in fact assumed) it would be. The first film – already a certified modern action classic – had a perfect combination of elegant high concept (legendary assassin comes out of retirement to avenge some dipshits who killed his dog) and interesting world (a society of killers with their own rules, services and even currency). Rehashing the former would make for diminishing returns, so returning screenwriter Derek Kolstad (ONE IN THE CHAMBER, THE PACKAGE) digs deeper into the latter, showing us more about the operations and codes of the Continental Hotel and its affiliates as Wick is forced to repay a debt, getting himself into more and more trouble and testing the limits of his unkillableness.
He’s still trying to retire. The movie has a sense of humor about it without undermining his sincerity. Moments after he finishes cementing his weapons back into the basement floor the doorbell rings and you think “Jesus, what now?” Well, it’s Italian gangster Santino D’Antonio (Riccardo Scamarcio, THE BEST OF YOUTH), who helped him escape the business and now is cashing in his favor to drag him back in. Wick would have to get into the Vatican to assassinate Santino’s sister Gianna (Claudia Gerini, THE PASSION OF THE CHRIST). Throughout the movie Wick finds himself backed into corners and all he can do is keep killing his way out of them. And the more killing the more corners. (read the rest of this shit…)
Although he’d already done HOUSE OF WAX and GOAL II: LIVING THE DREAM, it was ORPHAN that brought director Jaume Collet-Serra to my attention. I gotta admire a director whose movie I go to thinking I’m gonna be all ironical on it and then it defeats me with its audacity and genuine cleverness. So far that’s the height of his output, but I keep going back.
I guess I’d be watching them anyway, because his ORPHAN follow up has been three Liam Neeson vehicles in a row. UNKNOWN was a somewhat forgettable twisty thriller with some good touches here and there. Apparently I forgot to even post a review of it, but the part I remember liking best was some awkwardness between Neeson and Diane Kruger where they laugh because they’re in her small apartment and hear sex noises from next door, and that turns out to be set-up that her walls are thin enough for him to throw a guy through. NON-STOP was more my speed, a fun take on a confined-location-high-concept with some pretty interesting political subtext. Now the third one, RUN ALL NIGHT, takes the collaboration in a different direction. There’s less emphasis on the thrillery gimmicks and more on the character drama.
Oh, hey, this might explain it: it’s a screenplay by Brad Ingelsby, the guy that wrote OUT OF THE FURNACE. That’s another movie that uses badass genre elements but is more interested in exploring relationships than in satisfying expectations. (Though this one does have shootouts and car crashes.) (read the rest of this shit…)
SELMA is a story about the influential social justice warrior Dr. Martin Luther King Jr. Not a biopic, but a movie focused on one specific campaign, a march through Alabama to demand a law to protect voting rights. The importance of this legislation is illustrated by an old black woman who, though clearly exhausted from her shift at a nursing home, and intimidated by the experience of her previous attempts, tries to register to vote. The white clerk says she’s “stirring up trouble,” threatens to tell her boss about it, and gives her an impossible local government pop quiz before gleefully rejecting her. That the lady is played by Oprah Winfrey, who more than a few people wish would run for president, adds a little meta-weight.
At one point SELMA was gonna be directed by Oprah’s friend Lee Daniels, whose combination of talent and insane tastelessness could’ve been a problem for this story. But I think he was responsible for the brilliant stroke of casting David Oyelowo (the snobby reporter Yardley in THE PAPERBOY, the militant son in LEE DANIELS’ THE BUTLER) as King. Daniels was also gonna have Robert De Niro, Hugh Jackman, Cedric the Entertainer, Lenny Kravitz and Liam Neeson in the cast. I imagine Neeson would’ve been the voice on the phone harassing Coretta Scott King (played in the actual movie by Carmen Ejogo, who also played King in BOYCOTT, and other characters in ALEX CROSS and THE PURGE: ANARCHY).
Oyelowo (who had also worked with director Ava DuVernay in MIDDLE OF NOWHERE) somehow fattened his face to create a surprisingly good likeness. I’m told he just gained weight, it’s not makeup, but how the fuck do they do that? It’s not like his body is real fat, how did they know he’d gain the weight there? Do they have physical trainers that can focus your diet and workout that specifically? Do they use computers? (read the rest of this shit…)
The most philosophically ambitious of the 3 PG-rated movies I watched is the one that’ll probly get the least credit for it, George Motherfuckin Two Men Enter One Man Leaves Miller’s HAPPY FEET TWO. And first of all I want to give them credit for spelling out the number in their sequel title and not misspelling it for a pun. I’m sure it’s not the first spelled out non-homonym sequel title in history, but I couldn’t name you another one. (read the rest of this shit…)
Although welcomed into THE EXPENDABLES with open arms by action fans, Terry Crews is one of the cast members with the least experience in straight up action movies. He was brought in late in the game to replace 50 Cent shortly after 50 Cent was brought in late in the game to replace Forest Whitaker. (Or at least that’s how it was reported, but I thought Whitaker was supposed to be playing CIA agent Will Sands, and Crews ended up playing Expendables team member and excellent-name-haver Hale Caesar.) (read the rest of this shit…)
Here’s my TERMINATOR SALVATION review. Sorry it took me a few days – everybody else on the internet has already reviewed it two or three times each and moved on with their lives. I figured I ought to go the extra mile so my review includes an optional soundtrack:
(note: I’m not really gonna pussyfoot around the spoilers in this one, so beware)
I got so much trouble on my mind. I refuse to lose my hope for McG. I had this fantasy – what if McG made an undeniably great TERMINATOR movie, and everybody who ever talked shit about him had to eat crow? They’d be so unprepared to admit they liked a McG movie that their minds would pop like balloons. It would be like reading in the newspaper that a squirrel had built a working rocket ship – just completely out of left field. They wouldn’t know what to do. “Well, his name makes me uncomfortable, but TERMINATOR SALVATION changed my life.” “You know, I went back and gave CHARLIE’S ANGELS FULL THROTTLE another look, it turns out it was ahead of its time. There was no way to really know back then that it was good, only Vern ever understood it, but now it works.” (read the rest of this shit…)
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Recent commentary and jibber-jabber
Adam C aka TaumpyTearrs on I Love Boosters: “Goddamn what a treat this was. Love the cast, the music, the look. Love the Katamari Damacy-style ball of anxiety.…” Jun 13, 23:11
VERN on The Furious: “Update on the language: I had heard that Lionsgate made a dub with the original actors and digitally conforming the…” Jun 13, 15:00
Bill Reed on I Love Boosters: “I’m on record as believing SORRY TO BOTHER YOU is a top 5 movie of the 21st century, so my…” Jun 12, 05:49
renfield on I Love Boosters: “I’m with Vern at every point here as well. I thought the straightforward earnestness of the ending was real nice,…” Jun 11, 21:54
MdM on The Furious: “Choreography- I’ve never seen anything this extravagant. I wish they remembered they were making a movie – not just an…” Jun 11, 17:53
Paul Constant on I Love Boosters: “Great review, Vern. I’m in complete agreement about the movie and The Coup. One thing I learned after watching the…” Jun 11, 14:50
grimgrinningchris on Heaven’s Prisoners: “My only memory of the movie is that they WERE real, but decidedly nothing near “spectacular”.” Jun 11, 12:41
Felix Ng on The Furious: “Just came back from this. Some incredible martial arts here. Especially the 4 way fight at the police station in…” Jun 11, 02:38
KayKay on The Furious: ““It’s set in unspecified Southeast Asia” Yup…this is square in the territory of your standard China Web Movie, which takes…” Jun 10, 23:21
KayKay on The Furious: “““Warning: she’s billed as a “special appearance,” so…” Didn’t come as a surprise, she’s been clear on cutting down on…” Jun 10, 23:10
KayKay on The Furious: “I caught this at a special screening* in my neck of the woods. So…I caveat this to those excited up…” Jun 10, 23:08
Adam C aka TaumpyTearrs on The Furious: “Jeeja Yanin! YES! “Warning: she’s billed as a “special appearance,” so…” GODDAMMIT! I had to stop reading there, I already…” Jun 10, 21:44
Furious Fred on The Furious: “Entirely possible some lines were dubbed by different actors if the on camera performer struggled with the lines. Hell Hong…” Jun 10, 19:32
VERN on The Furious: “You know, I’m really unsure. I noticed some dubbed lines at the very beginning, but there were definitely subtitled parts…” Jun 10, 16:34
JOHN WICK: CHAPTER 2 is the solid sequel we always hoped (in fact assumed) it would be. The first film – already a certified modern action classic – had a perfect combination of elegant high concept (legendary assassin comes out of retirement to avenge some dipshits who killed his dog) and interesting world (a society of killers with their own rules, services and even currency). Rehashing the former would make for diminishing returns, so returning screenwriter Derek Kolstad (ONE IN THE CHAMBER, THE PACKAGE) digs deeper into the latter, showing us more about the operations and codes of the Continental Hotel and its affiliates as Wick is forced to repay a debt, getting himself into more and more trouble and testing the limits of his unkillableness.
Although he’d already done HOUSE OF WAX and GOAL II: LIVING THE DREAM, it was 
SELMA is a story about the influential social justice warrior Dr. Martin Luther King Jr. Not a biopic, but a movie focused on one specific campaign, a march through Alabama to demand a law to protect voting rights. The importance of this legislation is illustrated by an old black woman who, though clearly exhausted from her shift at a nursing home, and intimidated by the experience of her previous attempts, tries to register to vote. The white clerk says she’s “stirring up trouble,” threatens to tell her boss about it, and gives her an impossible local government pop quiz before gleefully rejecting her. That the lady is played by Oprah Winfrey, who more than a few people wish would run for president, adds a little meta-weight.
The most philosophically ambitious of the 3 PG-rated movies I watched is the one that’ll probly get the least credit for it, George Motherfuckin Two Men Enter One Man Leaves Miller’s HAPPY FEET TWO. And first of all I want to give them credit for spelling out the number in their sequel title and not misspelling it for a pun. I’m sure it’s not the first spelled out non-homonym sequel title in history, but I couldn’t name you another one.
Although welcomed into THE EXPENDABLES with open arms by action fans, Terry Crews is one of the cast members with the least experience in straight up action movies. He was brought in late in the game to replace 50 Cent shortly after 50 Cent was brought in late in the game to replace Forest Whitaker. (Or at least that’s how it was reported, but I thought Whitaker was supposed to be playing CIA agent Will Sands, and Crews ended up playing Expendables team member and excellent-name-haver Hale Caesar.) 
Here’s my TERMINATOR SALVATION review. Sorry it took me a few days – everybody else on the internet has already reviewed it two or three times each and moved on with their lives. I figured I ought to go the extra mile so my review includes an optional soundtrack:
