Oh, is this what “hipsters” are that everybody’s always worried about? I can never really tell. I definitely don’t think these are “geeks,” unless it’s the honorary kind that have to have somebody on the internet vouch for them, like “no, Vin Diesel really is a geek, he showed me he had Dungeons and Dragons dice in his glove compartment.” No, I get the idea these guys are hip, and therefore hipsters. But they might just be civilians. I’m not very good at this.
(more…)
Posts Tagged ‘post-apocalypse’
Bellflower
Monday, November 21st, 2011
Priest (2011)
Monday, August 29th, 2011
Have you guys noticed that Paul Bettany looks like Peter Weller? I noticed that while watching this. Bettany plays an unnamed priest. This is a new one based on some Japanese comic book, it’s not that Miramax movie about the child molester. I don’t know if that’s a big problem in the world this takes place in, ’cause these priests probly don’t work with kids that much. See, an animated prologue (a much better one than in JONAH HEX) explains that humans have always been at war with vampires, not the Dracula kind but naked CGI monsters with no eyes that jump around on all fours. So the church created an order of “priests,” vampire hunters recognizable by the cross tattoos on their faces.
(more…)
Savage Dawn
Wednesday, May 4th, 2011
SAVAGE DAWN is a post-apocalyptic-town-harassed-by-bikers movie very similar to STEEL FRONTIER except way crappier looking and without all the great cars and car stunts. I’d almost give it a very, very lenient semi-pass just because Lance Henriksen, with bleach blond hair, gets one of his rare leading man roles, except… no, I wouldn’t want anybody to think I sort of recommended this movie. The best thing I can say is I’ve seen worse.
But if you insist on seeing it the DVD is #3 on a triple feature with CAGED FURY and DRUG TRAFFIKERS. Don’t say I or the cover didn’t warn you.
(more…)
Steel Frontier
Monday, November 29th, 2010
The Steel Frontier is a post-apocalyptic wasteland, alot like the place in ROAD WARRIOR, but filmed in California. It’s the kind of place where you might find a legless man out in the middle of the desert and have to put the poor guy out of his misery. Or you might find a small town where everybody acts kind of like they’re in a western, and a bunch of asshole bullies on motorcycles and souped up post-apocalypse-mobiles might drive into town and start fucking shit up and laughing about it.
That’s exactly what happens here, this guy General Quantrell (Brion James) rolls in with his “desert scum,” goes into the barber shop and gets a nice warm shave while his boys terrorize the place. (more…)
Cold Harvest
Wednesday, August 4th, 2010
I confess: I didn’t really know who Gary Daniels was. Turns out he’s a British kickboxer who’s been in about 50 movies since the late ’80s. I heard the name before but never watched any of his pictures. A couple people gave me shit about it when I reviewed Seagal’s SUBMERGED and didn’t mention that Daniels was in it. I guess that was a historic meeting of martial arts stars, but I didn’t even notice because I didn’t know who the fuck that was. Sorry, fellas. Like Brakus I am human. I can be defeated. (more…)
Book of Eli
Thursday, January 21st, 2010
Everybody loves Denzel Washington, including me, but I’m not 100% sure why. I mean, he’s a real good actor. Shoulda got an Oscar for MALCOLM X. Was good at chewing it up in TRAINING DAY when he did get the Oscar. He’s just so great at playing intelligent, strong, capable. But the weird part for someone as popular as him is that he’s not so big on playing likable heroes. His usual character is intense but mostly humorless. Kind of self righteous. Kind of a dick, if you think about it.
So it was pretty brilliant to cast him as a lone samurai walking through a post-apocalyptic wasteland on a mission of faith. The Denzel persona is much more endearing when he doesn’t just give verbal beatdowns, but full-on swordsman massacres. Actually he’s a little different in this one too – quiet and kind of crazy from being alone. (more…)
The Road
Sunday, November 29th, 2009
THE ROAD is a good movie, better book. If you’re thinking about reading it but haven’t got to it yet I’d say read it, then see the movie. The movie (directed by John Hillcoat, who did THE PROPOSITION) is very faithful to the book (by Cormac McCarthy, who did No Country For Old Men) and illustrates it well, but it can’t really do the same thing.
In case you don’t watch Oprah, the story is about a man and his son after civilization has been destroyed by some unnamed disaster. They’re cold, hungry and worn out and trying to push their little cart of belongings across the United States to the coast. They don’t even really know what they expect when they get there, they just don’t know what else to do. (more…)
Mad Max Beyond Thunderdome
Sunday, August 12th, 2007BEYOND THUNDERDOME has always been the red-headed stepchild of the MAD MAX series. Everybody loves ROAD WARRIOR, on account of it being one of the best movies everybody has ever seen. So if Miller just rehashed it but added a new Joe Pesci character or something then everybody probaly woulda been happy. Instead he expanded on the universe, he took the story in another entirely new direction and alot of people still aren’t ready to follow.
I haven’t seen this movie in years and I actually remembered it being more different than it really is. In fact, I was thinking there weren’t even cars in this one. I just remembered planes and pig shit and that song by Tina Turner. I thought it wasn’t as good as the other two but that it got a bum rap. Seeing it again – well, okay, it’s my third favorite, and there is a section in the middle that I had a problem with, but it needs to be said that this is a great fucking movie.
When you think of Mad Max you think of fast cars. Max lost his Interceptor in part 2 but you know he’s gotta get himself a new ride, right? In the opening scene he is traveling through the desert but either his engine doesn’t work or he’s out of gas because his customized truck is being pulled by camels. Before we even know it’s him though a pilot (Bruce Spence, not playing the gyro pilot from ROAD WARRIOR as far as I can tell, that’s just what pilots always look like in the desert) flies down low, knocks him off the car, then jumps in and steals it from him. So we’re just a couple shots into the new movie and Mad Max is a pedestrian. And he’s gonna stay that way until the climax.
Also Max has a pet monkey. And long hair like Braveheart. (more…)
The Road Warrior
Tuesday, August 7th, 2007(or MAD MAX 2)
Man, I love MAD MAX. So raw with its low budget, so fierce with its ridiculous car stunts and harsh view of humanity. There’s something about that one that nobody has really captured again. Still, in a way this amazing sequel takes it to a new level.
The world is further down the shitter now. Society is not just crumbling, it’s in crumbs. Max is still hauling ass down Australia’s highways in his Interceptor (the last one left), battling high speed maniacs and stealing any gas he can find. The opening scene is the most reminiscent of the first movie, a classic chase scene. It also introduces the gang that will be the villains in this one. Vernon Wells plays Wez, the dude with the mowhawk and shoulder pads, riding a motorcycle with his blond punk (or bitch, or desert life partner) on his back. On the other side a dude in a car tries to shoot Max with a crossbow, but Max hits the brakes and the arrow hits Wez in the arm.
Although this chase is full of all kinds of great violence and vehicles catapulting through the air, my favorite part is the little exchange at the end, after the engines have all been turned off. As Max examines an abandoned truck he found Wez and his bitch pull up and stare him down. Wez still has the arrow in his arm. He screams and at first it seems like a battle cry but then you realize it’s because he’s pulling the arrow out. And then he puts it in a sheath with his other arrows and drives off.
This one is much more mythical than the first one. It’s not a cop movie anymore because there’s no police force left – in fact, the gangs drive stolen police cars and like playing with the sirens. So it’s more influenced by spaghetti westerns and samurai movies. Max barely talks and there are long sections with no dialogue. Not only the two extended chase scenes, but the part where he spies on the oil refinery through binoculars. There are all these far away shots of this place with its machines pumping and all these crazy souped up jeeps and motorcycles and dune buggies rolling around, and you realize that this was before the days of CGI, they actually had to do all that at the same time, for real. These days nobody would do a shot that complicated, they’d leave it up to the computer nerds to rig later. (more…)
