"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Kiah Roache-Turner’

Sting

Thursday, December 5th, 2024

STING is a 2024 killer spider picture, but it’s not the French one that I already reviewed. That’s INFESTED. This one is set in New York City but hails from Australia. I remember seeing a trailer and being interested, I think I heard not-great things when it came out, but then when I saw it was on Hulu I noticed that the writer-director was Kiah Roache-Turner. That’s the guy that did WYRMWOOD: ROAD OF THE DEAD (2014) and WYRMWOOD: APOCALYPSE (2021), two fun movies about people roaming a post-apocalyptic world with cars powered by zombie breath. Well shit, yeah, I’ll watch his spider movie.

Just like he did in WYRMWOOD, Roache-Turner uses an absurd and inexplicable sci-fi disaster to set up the scenario he wants to tell a story within. A news broadcast tells us we’re in the midst of the worst ice storm in New York state history, and that it’s believed to be connected to the asteroid shower that came unusually close to Earth. During the opening credits a tiny rock from space shoots through an apartment window and a dollhouse inside the apartment.

The rock cracks open and a spider crawls out and through the floors of the miniature home. The sequence is very stylized, and foreshadows that this spider will grow to this scale in relation to the actual building, so I wasn’t sure until after the credits that yes, this literally happened in the story – a spider fell from the stars, like the Blob or the Body Snatch plants or Venom in SPIDER-MAN 3. (read the rest of this shit…)

Wyrmwood: Apocalypse

Friday, May 20th, 2022

WYRMWOOD: APOCALYPSE is a very fun Australian zombie movie that just came out here on blu-ray and DVD. It’s the long-awaited sequel to the 2014 film WYRMWOOD (released here as WYRMWOOD: ROAD OF THE DEAD), once again directed by Kiah Roache-Turner and written by Kiah & Tristan Roache-Turner. I don’t think you’d have that much of a problem understanding it without the first one, but I recommend watching both.

When I caught on to ROAD OF THE DEAD it was one of those situations where I assume I’ve run out of reasons to watch new zombie movies and then I see it and think “Okay, never mind. That’s a good reason.” The main gimmick that differentiates this apocalypse from others is that the meteor that caused the zombie outbreak also changed the earth in such a way that combustible engines no longer work. But then some guys figure out that the green fumes exhaled by the zombies can be harnessed as fuel. So this is a world where road warriors attach tubes to zombies’ mouths, strap them onto the back of their vehicles and burn rubber (or dirt). (read the rest of this shit…)

Wyrmwood: Road of the Dead

Monday, October 15th, 2018

How many times will I have to write a variation of this: “Yeah, I know, I didn’t think I wanted any new zombie movies either, but here’s another one I liked”? No one knows. WYRMWOOD: ROAD OF THE DEAD (2014) feels a little bit more like a normal zombie movie than THE GIRL WITH ALL THE GIFTS or TRAIN TO BUSAN did, but it has an energy that I really like. It’s Australian and proud of it, oi oi oi, by which I mean that when a quote on the cover calls it “MAD MAX meets DAWN OF THE DEAD” it’s not that far off.

It starts right around the beginning of the zombie apocalypse, the morning after a freaky meteor shower, when most but not all people have gone ghoul. It centers on a small group of survivors, flashing back to show how it started for each of them. The lead, Barry (Jay Gallagher), kept reminding me of Scott Adkins, and though not a martial artist his character is a fighter, as in he gets in fights. In fact, early on, when a zombie is blocking the road and Barry’s companion (Yure Covich, FEED) is saying he “just can’t get used to” them existing, Barry says “Fuck it, I’m gonna fight ‘im,” gets out of the car and starts punching the thing. (read the rest of this shit…)