I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Macon Blair’

Logan Lucky

Wednesday, August 23rd, 2017

The prodigal son has returned. Four years ago, Steven Soderbergh (OUT OF SIGHT) had gotten burnt out on directing and decided to retire. After the 2013 doubleheader of SIDE EFFECTS and BEHIND THE CANDELABRA he hung it all up, and in the interim he’s done nothing but kick back, lay low, recharge his batteries, start his own brand of Bolivian muscat brandy called Singani 63, do an edit of HER for Spike Jonze, create his own alternate cuts of PSYCHO, HEAVEN’S GATE, RAIDERS OF THE LOST ARK and 2001: A SPACY ODYSSEY for fun, shoot and edit MAGIC MIKE XXL, direct, produce, shoot and edit 20 one-hour episodes of The Knick, and relax. And now, finally, he’s back to work!

I guess that makes BEHIND THE CANDELABRA his Black Album and LOGAN LUCKY his Kingdom Come. But fortunately without a duet with Coldplay at the end.

If it was anybody besides Soderbergh it would seem weird that it was this one that pulled him back in – arguably as close to hack-work as he’s ever done. It’s sort of a redo of his three OCEAN’S movies but with hick characters and locations. But even a weak Soderbergh movie has always been worth seeing, and one of his talents is finding the compelling in the routine. It’s a bouncy, far-fetched caper story, but he seems completely invested in the lead character and the time he spends with his precocious little daughter (Farrah Mackenzie, DOLLY PARTON’S COAT OF MANY COLORS), and gives those scenes weight that really anchors the movie. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Green Room

Monday, April 25th, 2016

tn_greenroomGREEN ROOM has a pretty good spin on a classic setup: a touring punk band in a siege movie. This shitty young band called The Ain’t Rights, living out of their van and crashing with strangers, spending more on beer than on gas, going out of their way for questionable gigs in The Middle of Nowhere, Oregon, end up locked in the dressing room of a scary skinhead club because one of them walked in on a murder. The Punks Who Knew Too Much.

If there’s not already an ad that says “it’s ROMPER STOMPER meets ASSAULT ON PRECINCT 13!!!” then here it is available to cut and paste, A24 Films.

I have very little experience in the world of punk rock, but from my ignorant perspective this comes off as a more authentic depiction than any of the other movies I’ve seen about it. That includes RETURN OF THE LIVING DEAD. And I don’t consider Cherry Bomb from HOWARD THE DUCK to be punk at all. Anyway I’ll be interested to find out if my musician friends find more fault with it than I did. To me it feels like writer/director Jeremy Saulnier might’ve come up with the idea while playing in a band like this, or if not he must’ve known people in this life. Like his first movie MURDER PARTY (a horror comedy in the world of Brooklyn hipster artists) it seems to be inspired by subcultures and people he knows from life, not movies. And like his second movie BLUE RUIN (an indie revenge drama) it goes out of its way to make violence messier, uglier and more difficult than in most movies. Like, what if it wasn’t Bruce Willis, but a regular dude like you who had to fight his way out of a corner using sharp objects he finds laying around?

But it comes a little closer than the other two movies to straight up embracing its genre. It even uses the always enjoyable action movie move of one of the band members getting referred to as “Jiujitsu” and then it turns out he really is a practicioner of said martial art. His armlocks and chokeholds come in handy. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Blue Ruin

Wednesday, July 30th, 2014

tn_blueruinI don’t know what this has to do with BLUE JASMINE, but it’s pretty good as a standalone.

I saw alot of film festival acclaim for BLUE RUIN as a movie about how bad and ugly revenge actually is. I gotta tell you I was skeptical, because I didn’t want to hear some joyless lecture about the wrongness of something most of us never experience, especially as punishment for our inherent enjoyment of classic action movie formula. DEATH SENTENCE and others prove you can make that point and still have fun.

Luckily my assumptions were unfounded. As the writer Harry once told Flavor Flav, “Don’t believe the hype.” BLUE RUIN isn’t trying to teach us a lesson, it’s actually a fairly traditional and enjoyable thriller about a murder and ensuing mess, spiraling out of control like that time the Cat in the Hat came over and ate cake in the bath tub. It’s just that it comes from young independent filmatists so it feels more like it’s happening to some dude you know than the usual slick Hollywood players. It’s quiet, naturalistic, and you have to piece together the backstory from what’s happening, you don’t get alot of obvious exposition. The avenger is a pretty non-descript nerd named Dwight (Macon Blair). Big, sunken eyes, a little doughy, bad haircut, no cool motorcycle jacket or shades or nothin. Just a normal guy. Could work at Best Buy or something.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.